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BODØ

Meter: 8.8.8.8.8.8.8.8.8.8 Appears in 5 hymnals Composer and/or Arranger: Joseph Lincoln Hall Tune Key: B Flat Major Incipit: 53512 17756 52765 Used With Text: I Know

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I Know

Author: S. C. Kirk Appears in 4 hymnals First Line: The works and ways of God on high Refrain First Line: I cannot tell you why, nor how Topics: Special Solos Used With Tune: [The works and ways of God on high]
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Now Rests Her Soul In Jesu's Arms

Author: Johann L. K. Allendorf; Catherine Winkworth Meter: 8.8.8.8.8.8.8.8.8.8 Appears in 6 hymnals First Line: Now rests her soul in Jesu’s arms Lyrics: 1 Now rests her soul in Jesu’s arms, Her body in the grave sleeps well, His heart her death-chilled heart re-warms, And rest more deep than tongue can tell, Her few brief hours of conflict passed, She finds with Christ, her friend, at last; She bathes in tranquil seas of peace, God wipes away her tears, she feels New life that all her languor heals, The glory of the Lamb she sees. 2 She hath escaped all danger now, Her pain and sighing all are fled; The crown of joy is on her brow, Eternal glories o’er her shed, In golden robes, a queen, a bride, She standeth at her Sovereign’s side, She sees His face unveiled and bright; With joy and love He greets her soul, She feels herself made inly whole, A lesser light amid His light. 3 The child hath now its Father seen, And feels what kindling love may be, And knoweth what those words may mean Himself, the Father, loveth thee. A shoreless ocean, an abyss Unfathomed, filled with good and bliss, Now breaks on her enraptured sight; She sees God’s face, she learneth there What this shall be, to be His heir, Joint-heir with Christ her Lord, in light. 4 The body rests, its labors over, And sleeps till Christ shall bid it wake; The dust that earth and darkness cover, Then as a sun its tomb shall break. Ah, with what joy it rises then To meet the perfect soul again! Redeemed from death, no more to sever, At that great marriage feast shall they With all the saints their homage pay, And worship there the Lamb for ever. 5 We who yet wander through the waste, In faith long after Thee on high; While here the bread of tears we taste, We think upon that home of joy, Where we (who knows how soon?) shall meet With all the saints at Jesu’s feet, And dwell with Him for ever there. We shall see God; how deep the bliss We know not yet that lies in this; Lord Jesus, come, our hearts prepare! Used With Tune: BODØ Text Sources: Lyra Germanica (London and New York: George Newnes and Charles Scribner's Sons, 1855)
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Salvator Mundi

Author: Ray Palmer Meter: 8.8.8.8.8.8.8.8.8.8 Appears in 2 hymnals First Line: Oh! long and darksome was the night Lyrics: 1 Oh! long and darksome was the night, As slow, dull watches wore away, With moon and stars alone to light A world bewildered and astray; While oft thick shade and murky cloud Pale moon and stars did deep enshroud; And nations looked, and hoped in vain That over earth, of guilt and sorrow, Of sin and hate, the sad domain, Might dawn a bright and cheerful morrow. 2 ’Twas not, Eternal Love, that Thou Hadst lost Thy care for mortal men; No, Thou didst yearn of old, as now, To fold them to Thy heart again; Thou didst but wait till men might know That sin’s ripe fruits were death and woe; Till, worn and sick of fruitless grief, Of lust’s foul cup to loathing taken, With longing they might crave relief Ere yet of God and hope forsaken. 3 The yearning heard with trusting heart, E’en then, Thy words of hope and cheer; They saw by faith the night depart, And morning break serene and clear. On holy prophets shone afar The gleam of Jacob’s promised Star; The rising of the Lord of day, That, o’er the world His radiance throwing, Should chase the spectral night away, And mount to noon resplendent showing. 4 When Thou, O Christ! of flesh wast born, To greet Thee in Thy humble bed, Though earth Thy lowliness should scorn, Celestial bands with rapture sped; At midnight on the silent air Thy birth their floating strains declare: The shepherds caught the thrilling lay, In harmonies their senses steeping; They to Thy manger haste away, And gaze on Thee, an infant sleeping! 5 While Thou didst dwell with men below, ’Twas morning twilight’s early blush; Thy light yet veiled, ’twas Thine to know Sweet childhood’s dream, youth’s joyous flush; Then manhood’s burdens, care, and fears, Its toils and weariness and tears; Tears shed for human grief and woes Mark Thee, of all, the Man of Sorrows: And through Thy life the grandeur grows That manhood from the Godhead borrows! 6 When, all forsaken of Thine own, Robed in mock purple Thou didst stand; Thou wast a king—without a throne, A sovereign Lord—without command; ’Neath purple robe and thorns concealed, Divinity its light revealed; Upon the Roman’s heart it fell, Its sharp keen flash, his conscience waking, And wrought in him some mighty spell, The pride of his strong spirit breaking. 7 When came at last Thy darkest hour, On which the sun refused to look, Though hell seemed armed with conqu’ring pow’r, And earth, as seized with terror, shook; Though from Thy lips the dying cry, By anguish wrung, went up on high; Still, ’mid the darkness and the fear, O Son of God! Thy life resigning, Thou didst to those that saw appear The Light of men—eclipsed, yet shining! 8 The cold, dark tomb of chiseled rock Thy glory could not all repress: A moment hid, with earthquake shock Abroad it streamed again to bless; First angels caught the vision bright, Then broke its beams on mortal sight; The Conqueror of Death and Hell, Thou stoodst, Thy friends each word attending, Till on their wistful eyes there fell Splendors divine from Thee ascending! 9 For ever on the unveiled throne, O Lamb divine! enrobed in light; Thou life and love, and joy unknown, Dost shed while ages wing their flight; The cherubim before Thee bow, The fullness of the Godhead Thou! Thy uncreated beauty greets The longing eyes that, upward gazing, Feast on Thy smile, which ever meets Thy saints that wait before Thee praising. 10 Head over all! ’tis Thine to reign; The groaning earth with joy shall see What ages sought, but sought in vain, The balm for all its woes in Thee; Eyes fixed on Thee shall dry their tears, Hearts stayed on Thee shall lose their fears; Fair innocence and love shall breathe Their fragrant breath o’er vale and mountain, And faith pure altars shall enwreathe, And nations bathe in Calvary’s fountain. 11 Crowned Lord of lords, Thy pow’r shall bring Thy saints Thy glory to partake; Thyself enthroned eternal King, Of them Thy love shall princes make; And priests, that in the Holy Place Shall serve, adorned and full of grace; The Church, Thy queenly bride, shall stand, In vesture like Thy brightness shining, Content to clasp Thy royal hand, All other love for Thine resigning. 12 O Love beyond all mortal thought! Unquenchable by flood or sea! Love that, through death, to man hath brought The life of immortality! Thou dost enkindle Heav’n’s own fire In hearts all dead to high desire. Let love for love our souls inflame, The perfect love that faileth never; And sweet hosannas to Thy name Through Heav’n’s vast dome go up for ever! Used With Tune: BODØ 2 Text Sources: Christ in Song by Philip Schaff (New York: Anson D. Randolph, 1869)

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I Know He's Mine

Author: S. C. Kirk Hymnal: The Gospel Message No. 1 #87 (1911) First Line: The works and ways of God on high Refrain First Line: I cannot tell you why, nor how Languages: English Tune Title: [The works and ways of God on high]
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I Know

Author: S. C. Kirk Hymnal: Redemption Songs #696 (1937) First Line: The works and ways of God on high Refrain First Line: I cannot tell you why, nor how Topics: Special Solos Languages: English Tune Title: [The works and ways of God on high]
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I Know

Author: Salathial C. Kirk Hymnal: The Cyber Hymnal #11569 Meter: 8.8.8.8.8.8.8.8.8.8 First Line: The works and ways of God on high Refrain First Line: I cannot tell you why, nor how Lyrics: 1 The works and ways of God on high I cannot solve—I do not try; But, tho’ I cannot these unfold, One thing I know—to this I’ll hold Tho’ all the world besides deny— A sinner saved by grace am I. Refrain: I cannot tell you why, nor how, For O I do not understand; I only say, "I know! I know!" On this unshaken ground I stand. 2 I know that my Redeemer lives; I know, I know that He forgives; I know that I who once was dead Am now alive in Christ, my head! Let all the world besides deny "I know I live!" shall be my cry. [Refrain] 3 How, at His word, the darkness flies, And beams of sunlight flood my eyes, I do not know; enough for me That I who once was blind now see! Let all the world besides deny "I know I see!" shall be my cry. [Refrain] 4 Beyond this mortal vale there stands A house for me not made with hands; E’en now I see beyond the dome, And occupy my heav’nly home. Let all the world besides deny I know I have a home on high. [Refrain] Languages: English Tune Title: BODØ

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Authors, composers, editors, etc.

J. Lincoln Hall

1866 - 1930 Person Name: Joseph Lincoln Hall Composer of "BODØ" in The Cyber Hymnal Used pseudonyms Maurice A. Clifton and Arthur Wilton. =============== Joseph Lincoln Hall DMus USA 1866-1930. Born in Philadelphia, PA, to musical parents, he also was musical, having a good tenor voice. He was an organist and music teacher. At age 19 he led a 100 member choir for 10 years. He studied music and graduated with honors from the University of PA, later receiving a Doctor of Music degree from Harriman University, from which he was an alumnus. In 1896 he married Eva Victoria Withington, and they had four children. Three lived to adulthood, Lincoln, Ralph, and Philip. A musician, he was a great song leader and choral conductor, conducting campmeeting choirs in PA, OH, and FL, at the Gainesville Bible Conference as well. He became a gospel song composer, arranger, editor, and publisher. He wrote cantatas, oratorios, choir anthems, and hundreds of gospel songs. He also edited several hymnals. Along with Irvin Mack, he founded the Hall-Mack Publishing Company (later Rodeheaver). They published nine songbooks. He was a member of the 7th Street Methodist Episcopal Church in Philadelphia. He died in Philadelphia. John Perry

Ray Palmer

1808 - 1887 Author of "Salvator Mundi" in The Cyber Hymnal Ray Palmer (b. Little Compton, RI, 1808; d. Newark, NJ, 1887) is often considered to be one of America's best nineteenth-century hymn writers. After completing grammar school he worked in a Boston dry goods store, but a religious awakening prodded him to study for the ministry. He attended Yale College (supporting himself by teaching) and was ordained in 1835. A pastor in Congregational churches in Bath, Maine (1835-1850), and Albany, New York (1850-1865), he also served as secretary of the American Congregational Union (1865-1878). Palmer was a popular preacher and author, writing original poetry as well as translating hymns. He published several volumes of poetry and hymns, including Sabbath Hymn Book (1858), Hymns and Sacred Pieces (1865), and Hymns of My Holy Hours (1868). His complete poetical works were published in 1876. Bert Polman =================== Palmer, Ray, D.D., son of the Hon. Thomas Palmer, a Judge in Rhode Island, was born at Little Compton, Rhode Island, Nov. 12, 1808. His early life was spent at Boston, where he was for some time clerk in a dry-goods store. At Boston he joined the Park Street Congregational Church, then under the pastoral care of Dr. S. E. Dwight. After spending three years at Phillips Academy, Andover, he entered Yale College, New Haven, where he graduated in 1830. In 1835 he became pastor of the Central Congregational Church, Bath, Maine. During his pastorate there he visited Europe in 1847. In 1850 he was appointed to the First Congregational Church, at Albany, New York, and in 1865 Corresponding Secretary to the American Congregational Union, New York. He resigned in 1878, and retired to Newark, New Jersey. He died at Newark, Mar. 29, 1887. Dr. Palmer's published works in prose and verse include:-- (1) Memoirs and Select Remains of Charles Pond, 1829; (2) The Spirit's Life, a Poem, 1837; (3) How to Live, or Memoirs of Mrs. C. L. Watson, 1839; (4) Doctrinal Text Book, 1839; (5) Spiritual Improvement, 1839, republished as Closet Hours in 185; (6) What is Truth? or Hints on the Formation of Religious Opinions, 1860; (7) Remember Me, or The Holy Communion, 1865; (8) Hymns and Sacred Pieces, with Miscellaneous Poems, 1865; (9) Hymns of my Holy Hours, and Other Pieces, 1868; (10) Home, or the Unlost Paradise, 1873; and (11) Voices of Hope and Gladness, 1881. Most of Dr. Palmer's hymns have passed into congregational use, and have won great acceptance. The best of them by their combination of thought, poetry, and devotion, are superior to almost all others of American origin. The first which he wrote has become the most widely known of all. It is:— 1. My faith looks up to Thee. Faith in Christ. This hymn was written by the author when fresh from College, and during an engagement in teaching in New York. This was in 1830. The author says concerning its composition, "I gave form to what I felt, by writing, with little effort, the stanzas. I recollect I wrote them with very tender emotion, and ended the last line with tears." A short time afterwards the hymn was given to Dr. Lowell Mason for use, if thought good, in a work then being compiled by him and Dr. T. Hastings. In 1831 that work was published as Spiritual Songs for Social Worship: adapted to the use of Families, &c. Words and Music arranged by Thomas Hastings, of New York, and Lowell Mason of Boston. It is No. 141 in 4 stanzas of 8 lines, entitled "Self Consecration," and accompanied with the tune by Dr. L. Mason, there given as "My faith looks up to Thee, "but subsequently known as Olivet. (Orig. text of hymn in Thring's Collection, 1882.) It has passed into most modern collections in all English-speaking countries, and has been rendered into numerous languages. That in Latin, by H. M. Macgill (p. 708, ii.), begins "Fides Te mea spectat." 2. Fount of everlasting love. Praise for renewed Spiritual Life. This also appeared in the Spiritual Songs, &c, 1831, No. 191, in 4 stanzas of 4 lines, and headed "Praise for a Revival." The hymns which are given below are all in Dr. Palmer's Poetical Works, N. Y., 1876, and the dates appended in brackets are those given by him in that work. 3. Thou who roll'st the year around. (1832.) Close of the Year. In several American collections. 4. Away from earth my spirit turns. (1833.) Holy Communion. Appeared in Lowell Mason's Union Hymns, in 4 stanzas of 4 lines. In the Church Praise Book, N. Y.. 1882, it begins with st. ii., "Thou, Saviour, art the Living Bread." 5. Before Thy throne with tearful eyes. (1834.) Liberty of Faith. 6. Stealing from the world away. (1834.) Evening. Written at New Haven in 1834, and is very popular in America. 7. Thine [Thy] holy day's returning. (1834.) Sunday Morning. 8. Wake thee, 0 Zion. (1862.) Zion Exultant. 9. We stand in deep repentance. (1834.) Lent. This last, No. 9, in common with Nos. 10, 11, 12, is marked "original," in the Presbyterian Parish Hymns, 1843. Probably they were given to the editors of that book in manuscript, and had not previously appeared. 10. And is there, Lord, a rest? (1843.) Rest in Heaven. Written at Bath, Maine, in 1843. 11. 0 sweetly breathe the lyres above. Consecration to Christ. This was accidentally omitted from Dr. Palmer's Poetical Works, 18?6. S. W. Duffield says:— "It was written in the winter of 1842-43, at a time of revival. At the previous Communion several had been received under circumstances that made Doddridge's hymn, ‘0 happy day that fixed my choice 'a most appropriate selection. Not caring to repeat it, and needing something similar, Dr. Palmer composed the present hymn." English Hymns, N. Y., 1886, p. 432. 12. When downward to the darksome tomb. (1842.) Death Contemplated. Written at Bath, Maine, 1842. From 1843 there comes a long break, and Dr. Palmer seems to have done no more hymn-writing until called upon by Professors Park and Phelps, of Andover, for contributions to their Sabbath Hymn-Book, 1858. His hymns written for that important collection rank amongst the best that America has produced. This is specially true of the first four (Nos. 13-16) from the Latin. 13. Jesus, Thou joy of loving hearts. (l858.) Translation of a cento from "Jesu dulcis memoria" (p. 588, ii.). 14. 0 Bread to Pilgrims given. (1858.) Translation of “O esca viatorum" (q.v.). 15. 0 Christ our King, Creator Lord. (1858.) Translation of “Rex Christe, factor omnium " 16. Come Holy Ghost, in love. (1858.) Translation of “Veni Sancte Spiritus" (q.v.) 17. Jesus, these eyes have never seen. (1858.) Christ loved, though unseen. This hymn is accounted by many as next in merit and beauty to "My faith looks up to Thee." 18. Lord, my weak thought in vain would climb. (1858.) God Unsearchable. This hymn deals with the mysteries of Predestination in a reverent and devout manner. 19. Thy Father's house! thine own bright home. (1858.) Heaven. The next group, Nos. 20-27, appeared in Dr. Robinson's Songs for the Sanctuary, 1865. 20. Lord, Thou wilt bring the joyful day. (1864.) Contemplation of Heaven. Written in New York City. 21. Eternal Father, Thou hast said. (i860.) Missions. 22. Jesus, Lamb of God, for me. (1863.) Jesus, the Way of Salvation. Written in Albany, New York. 23. Take me, 0 my Father, take me. (1864.) Lent. 24. Wouldst thou eternal life obtain. (1864.) Good Friday. 25. Come Jesus, Redeemer, abide Thou with me. (1864.) Holy Communion. 26. Lord, Thou on earth didst love Thine own. (1864.) Fellowship with Christ. 27. Thou, Saviour, from Thy throne on high. (1864.) Prayer. The next four (Nos. 28-31) present another group. They appeared in D. E. Jones's Songs for the New Life, 1869, and the Reformed Dutch Hymns of the Church, N. Y., 1869. The dates of composition are from Dr. Palmer's Poems, 1876. 28. Lord, Thou hast taught our hearts to glow. (1865.) Ordination, or Meeting of Ministers. 29. When inward turns my searching gaze. (1868.) Evening. 30. 0 Jesus, sweet the tears I shed. (1867.) Good Friday. 31. Jesus, this [my] heart within me burns. (1868.) Love. The hymns which follow are from various sources. 32. 0 Christ, the Lord of heaven, to Thee. (1867.) Universal Praise to Christ. Appeared in the author's Hymns of my Holy Hours, 1867. It is a hymn of great merit, and is widely used. 33. Behold the shade of night is now receding. (1869.) A translation of "Ecce jam noctis." (p. 320, i., and Various). 34. Hid evening shadows let us all be waking. (1869.) A translation of "Nocte surgentes" (p. 809, i.). 35. I give my heart to Thee. (Aug. 20, 1868.) A translation of "Cor meum Tibi dedo," p. 262, ii. 36. Holy Ghost, that promised came. (1873.) Whitsuntide. From the author's Poems, 1876. 37. 0 Holy Comforter, I hear. The Comforter. Appeared in the Boston Congregationalist, September 7th, 1867. 38. Lord, when my soul her secrets doth reveal. (1865.) Holy Communion. Most of the foregoing hymns are in common in Great Britain, and all are found in one or more American hymnbooks of importance. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) =================== Palmer, Ray, D.D., p. 877, i. The following original hymns by Dr. Palmer are also in common use:— 1. O Rock of Ages, since on Thee. Faith. From his Poetical Works, 1876, p. 27, where it is dated 1869. Bp. Bickersteth says "This hymn"... is "worthy of Luther." (Note Hymnal Companion, ed. 1876.) 2. Thy holy will, my God, be mine. Resignation. From his Hymns of my Holy Hours, &c, 1868, p. 47. Also in his P. Works, 1876, dated 1867. 3. We praise Thee, Saviour, for Thy grace. Holy Communion. From his Hymns and Sacred Pieces, &c, 1865. Also in P. Works, 1876, dated 1864. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ========== Ray Palmer was born at Little Compton, Rhode Island, in 1808. He studied at Phillip's Academy, Andover, Mass., and graduated at Yale College in 1830. In 1835, he was ordained pastor of a Congregational Society in Bath, Maine, from which he removed, in 1850, to the pastorate of a Congregational Society in Albany, N.Y. He has published many hymns, some of his own authorship, and some translations. He has published some sermons and reviews. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872.

Catherine Winkworth

1827 - 1878 Translator of "Now Rests Her Soul In Jesu's Arms" in The Cyber Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church
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