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Tune Identifier:"^be_still_and_know_that_i_am_god_bell$"

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BE STILL AND KNOW BELL

Meter: 8.8.8.8 Appears in 10 hymnals Composer and/or Arranger: John L. Bell, b. 1949 Tune Key: E Major Incipit: 31233 12365 32155 Used With Text: Be Still and Know (Bell)

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Be Still and Know That I Am God

Author: John L. Bell Meter: Irregular Appears in 8 hymnals First Line: Be still and know that I am God (Bell) Used With Tune: [Be still and know that I am God] (Bell)
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Be Still and Know That I Am God

Author: John L. Bell, b. 1949 Appears in 45 hymnals Scripture: Psalm 23 Used With Tune: [Be still and know that I am God]

Instances

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Published text-tune combinations (hymns) from specific hymnals

Be Still and Know That I Am God

Author: John L. Bell Hymnal: Sing a New Creation #14 (2022) Meter: Irregular Topics: Gathering; God's Presence; Silence; Trust Scripture: Psalm 46:10 Languages: English Tune Title: PSALM 46
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Be Still, and Know That I Am God

Author: John L. Bell, b. 1949 Hymnal: Gather Comprehensive #618 (1994) First Line: Be still and know that I am God Lyrics: Be still and know that I am God. Be still and know that I am God. Topics: Perseverance Scripture: Psalm 100:3 Languages: English Tune Title: [Be still and know that I am God]
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Be Still and Know That I Am God

Author: John L. Bell, b. 1949 Hymnal: RitualSong #736 (1996) Scripture: Psalm 23 Languages: English Tune Title: [Be still and know that I am God]

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John L. Bell

b. 1949 Person Name: John L. Bell, b. 1949 Author of "Be Still and Know That I Am God" in RitualSong John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink
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