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Search Results

Text Identifier:"^to_thee_my_heart_eternal_king$"

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Texts

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To thee, my heart, Eternal King!

Appears in 33 hymnals Used With Tune: WARD Text Sources: Exeter Coll.

Tunes

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WARD

Appears in 315 hymnals Composer and/or Arranger: Lowell Mason Incipit: 55171 56555 55123 Used With Text: To thee, my heart, Eternal King!
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GERMANY

Appears in 728 hymnals Composer and/or Arranger: Beethoven Incipit: 51712 56711 17627 Used With Text: To Thee, my heart, eternal King

Instances

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Published text-tune combinations (hymns) from specific hymnals

To Thee, My Heart, Eternal King

Hymnal: Favorite Hymns No. 2 #7 (1942) Languages: English Tune Title: [To Thee, my heart, eternal King]
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To Thee, My Heart, Eternal King

Hymnal: The Cyber Hymnal #6950 Meter: 8.8.8.8 Lyrics: 1. To Thee, my heart, eternal King, Would now its thankful tribute bring; To Thee its humble homage raise In songs of ardent, grateful, praise. 2. All nature shows Thy boundless love, In worlds below and worlds above; But in Thy blessèd Word I trace The richer glories of Thy grace. 3. Here what delightful truths are giv’n; Here Jesus shows the way to Heav’n; His name salutes my listening ear, Revives my heart, and checks my fear. 4. For love like this, O may our song Through endless years Thy praise prolong; And distant climes Thy name adore, Till time and nature are no more. Languages: English Tune Title: GERMANY

To Thee, My Heart, Eternal King

Hymnal: Christian Worship #108 (1941) Meter: 8.8.8.8 First Line: To Thee, my heart, eternal King, Would now its thankful tribute bring Topics: Adoration and Praise Languages: English Tune Title: GERMANY

People

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Authors, composers, editors, etc.

Ludwig van Beethoven

1770 - 1827 Person Name: Beethoven Composer of "GERMANY" in New Christian Hymn and Tune Book A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

William Gardiner

1770 - 1853 Composer of "GERMANY" in The Cyber Hymnal William Gardiner (b. Leicester, England, 1770; d. Leicester, 1853) The son of an English hosiery manufacturer, Gardiner took up his father's trade in addition to writing about music, composing, and editing. Having met Joseph Haydn and Ludwig van Beethoven on his business travels, Gardiner then proceeded to help popularize their compositions, especially Beethoven's, in England. He recorded his memories of various musicians in Music and Friends (3 volumes, 1838-1853). In the first two volumes of Sacred Melodies (1812, 1815), Gardiner turned melodies from composers such as Haydn, Mozart, and Beethoven into hymn tunes in an attempt to rejuvenate the singing of psalms. His work became an important model for American editors like Lowell Mason (see Mason's Boston Handel and Haydn Collection, 1822), and later hymnbook editors often turned to Gardiner as a source of tunes derived from classical music. Bert Polman

Ottiwell Heginbotham

1744 - 1768 Author of "To Thee, my heart, eternal King" in The Praise Hymnal Heginbothom, Ottiwell, born in 1744, and died in 1768, was for a short time the Minister of a Nonconformist congregation at Sudbury, Suffolk. The political and religious disputes which agitated the congregation, in the origin of which he had no part, and which resulted in a secession and the erection of another chapel, so preyed upon his mind, and affected his health, that his pastorate terminated with his death within three years of his appointment. His earliest hymn, "When sickness shakes the languid corse [frame]," was printed in the Christian Magazine, Feb. 1763. In 1791 the Rev. John Mead Ray communicated several of Heginbothom's hymns to the Protestant Magazine; and in the same year, these and others to the number of 25, were published as:— Hymns by the late Rev. Ottiwell Heginbothom of Sudbury, Suffolk. Sudbury, Printed by J. Burket, mdccxciv. These 25 hymns were repeated in J. M Ray's Collection of Hymns from various authors in¬tended as a Supplement to Dr. Watts's Psalms and Hymns, 1799, and 12 in Collyer's Collection, 1812. In modern collections in Great Britain and America the following are in common use in addition to those annotated under their respective first lines:— 1. Blest Jesus, when my soaring thoughts. Jesus, most Precious. 2. Come, humble souls; ye mourners come. Good Hope through Grace. 3. Come saints and shout the Saviour's praise. The Second Advent. 4. Come, shout aloud the Father's grace. Praise to God the Father. 6. Father of mercies, God of love. God the Father. 6. God of our life! Thy various praise. New Year. 7. Great God, let all our [my] tuneful powers. New Year. 8. Hark, the loud trumpet of our God. National Fast. 9. Hark, 'tis your heavenly Father's call. A Prayer to be used by the Young. 10. I ask not [honour] wealth, nor pomp, nor power. Wisdom and Knowledge desired. 11. Now let my soul, eternal King. Praise of the Gospel. Sometimes given as "To Thee, my heart, eternal King." 12. See, mighty God, before Thy throne. Fifth of November; a National Hymn. 13. Sweet peace of Conscience, heavenly guest. A good Conscience. 14. To Thee, my Shepherd, and my Lord. The Good Shepherd. 15. Unhappy city, hadst thou known. Christ weeping over Jerusalem. From this the cento, "And can mine eyes without a tear?" is taken. 16. When sickness shakes the languid corse [frame]. Resignation. Printed in the Christian's Magazine, Feb. 1763, and again in Hymns, &c, 1794. 17. Yes, I will bless Thee, O my God. Praise of the Father. The text is often altered. The cento "My soul shall praise Thee, O my God," in the Unitarian Hymn land Tune] Book, &c, Boston, 1868, is from this hymn. Most of these hymns are in Collyer's Collection, 1812. There are also 8 in Hatfield's Church Hymn Book, N.Y., 1872, and 7 in the Songs for the Sanctuary, N.Y., 1865. [William T. Brooke] -- John Julian, Dictionary of Hymnology
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