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Text Identifier:"^steht_auf_steht_auf_zum_streite$"

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Steht auf, steht auf zum Streite

Author: Ernst Gebhardt; George Duffield Appears in 10 hymnals

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[Steht auf, steht auf zum Streite]

Appears in 23 hymnals Incipit: 53216 51122 12353 Used With Text: Steht auf, steht auf zum Streite
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[Steht auf, steht auf zum Streite]

Appears in 2 hymnals Composer and/or Arranger: Geo. F. Rosche Incipit: 13556 55435 12352 Used With Text: Steht auf zum Streite

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Steht auf, steht auf zum Streite

Hymnal: Frohe Botschaft in Liedern #69 (1906) Languages: German Tune Title: [Steht auf, steht auf zum Streite]
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Steht auf zum Streite

Hymnal: Perlen und Blüthen #102 (1890) First Line: Steht auf, steht auf zum Streite Languages: German Tune Title: [Steht auf, steht auf zum Streite]
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Steht auf, steht auf zum Streite

Hymnal: Frohe Botschaft in Liedern #69 (1880) Languages: German

People

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Authors, composers, editors, etc.

Ernst Gebhardt

1832 - 1899 Translator of "Steht auf, steht auf zum Streite"

George Duffield

1818 - 1888 Alterer of "Steht auf, steht auf zum Streite" Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

Geo. F. Rosche

1855 - 1935 Composer of "[Steht auf, steht auf zum Streite]" in Perlen und Blüthen George F. Rosche In the late 19th and early 20th Cen­tu­ries, Rosche was pub­lish­ing Gos­pel songs books, in Ger­man and Eng­lish, in Chi­ca­go, Il­li­nois. His works in­clude: Perlen und Blüt­hen, with C. A. Weiss (Chi­ca­go, Il­li­nois, 1890) Songs of Praise and Wor­ship, (Chi­ca­go, Il­li­nois, 1913) Music-- Children’s Praise Crown Him Have Faith in God He Keep­eth Me, Ev­er Homeland, The Home­land of Jesus I’m Near­er My Home Lord, My Heart Is Rested Mercy at the Cross Resting in the Arms of Je­sus Some Day, Some­where There Ne­ver Was a Friend Like Je­sus --hymntime.com/tch
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