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Text Identifier:"^praise_ye_praise_ye_the_lord_in_yonder$"

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Praise Ye, Praise Ye the Lord

Meter: 6.6.6.6.8.8 Appears in 7 hymnals First Line: Praise ye, praise ye the Lord, In yonder heavenly height Text Sources: The Psalter, 1912

Tunes

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COLUMBIA

Meter: 6.6.6.6.8.8 Appears in 4 hymnals Composer and/or Arranger: Leonard Cooper Blanton Tune Sources: alt. Tune Key: G Major Incipit: 51513 54332 12151 Used With Text: Praise Ye, Praise Ye the Lord
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DARWALL'S 148TH

Meter: 6.6.6.6.8.8 Appears in 502 hymnals Composer and/or Arranger: John Darwall Tune Sources: The New Uni­vers­al Psalm­o­dist, by Aar­on Will­iams, 1770 Tune Key: D Major Incipit: 13153 17654 32231 Used With Text: Praise Ye, Praise Ye the Lord
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AMHERST

Meter: 6.6.6.6.8.8 Appears in 6 hymnals Composer and/or Arranger: William Billings Tune Key: D Major Incipit: 13543 21515 65432 Used With Text: Praise Ye, Praise Ye the Lord

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Praise Ye, Praise Ye the Lord

Hymnal: The Hymnbook #98 (1955) Meter: 6.6.6.6.8.8 Lyrics: 1 Praise ye, praise ye the Lord In yonder heavenly height; Ye angels, all His hosts, In joyful praise unite; O sun and moon, declare His might, Show forth His praise, ye stars of light. 2 Praise Him, ye highest heavens, Praise Him, ye clouds that roll, Created by His power And under His control, Ye heavens that stand eternally, Established by His firm decree. 3 Ye creatures in the sea And creatures on the earth, Your mighty Maker praise . And tell His matchless worth; Praise Him, ye stormy winds that blow, Ye fire and hail, ye rain and snow. 4 Ye hills and mountains, praise, Each tree and beast and bird; Ye kings and realms of earth Now let your praise be heard; By high and low, by young and old, Be all His praise and glory told. 5 By all let God be praised, For He alone is great; Above the earth and heaven He reigns in glorious state; Praise Him, ye saints, who know His grace And ever dwell before His face. Amen. Topics: Adoration and praise; God Nature, in; Nature; God the Father in Nature Scripture: Psalm 148 Tune Title: COLUMBIA
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Praise ye, praise ye the Lord

Hymnal: Trinity Hymnal #108 (1961) Meter: 6.6.6.6.8.8 Lyrics: 1 Praise ye, praise ye the Lord In yonder heav'nly height; Ye angels, all his hosts, In joyful praise unite; O sun and moon, declare his might, Show forth his praise, ye stars of light. 2 Praise him, ye highest heav'ns, Praise him, ye clouds that roll, Created by his pow'r And under his control, Ye heavens that stand eternally, Established by his firm decree. 3 Ye creatures in the sea And creatures on the earth, Your mighty Maker praise And tell his matchless worth; Praise him, ye stormy winds that blow, Ye fire and hail, ye rain and snow. 3 Ye hills and mountains, praise, Each tree and beast and bird; Ye kings and realms of earth, Now let your praise be heard; By high and low, by young and old, Be all his praise and glory told. 4 By all let God be praised, For he alone is great; Above the earth and heav'n He reigns in glorious state; Praise him, ye saints, who know his grace And ever dwell before his face. Amen. Topics: Angels; God Glory of; Work of Creation Scripture: Psalm 148 Languages: English Tune Title: COLUMBIA
Text

Praise Ye, Praise Ye the Lord

Hymnal: Trinity Hymnal (Rev. ed.) #112 (1990) Meter: 6.6.6.6.8.8 Lyrics: 1 Praise ye, praise ye the Lord in yonder heav'nly height; ye angels, all his hosts, in joyful praise unite; O sun and moon, declare his might, show forth his praise, ye stars of light. 2 Praise him, ye highest heav'ns, praise him, ye clouds that roll, created by his pow'r and under his control, ye heav'ns that stand eternally, established by his firm decree. 3 Ye creatures in the sea and creatures on the earth, your mighty Maker praise and tell his matchless worth; praise him, ye stormy winds that blow, ye fire and hail, ye rain and snow. 4 Ye hills and mountains, praise, each tree and beast and bird; ye kings and realms of earth, now let your praise be heard; by high and low, by young and old, be all his praise and glory told. 5 By all let God be praised, for he alone is great; above the earth and heav'n he reigns in glorious state; praise him, ye saints, who know his grace and ever dwell before his face. Topics: God's Work Creation; God Glory of; God Praise of Scripture: Psalm 148 Languages: English Tune Title: COLUMBIA

People

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Authors, composers, editors, etc.

William Billings

1746 - 1800 Composer (melody) of "AMHERST" in Rejoice in the Lord William Billings (b. 1746; d. 1800) was an American choral composer, thought by some to be the father of American choral music. His father died when William was 14, and he was forced to drop all formal education and take up tanning to get by. With no formal musical training he began to compose, and his songs were well-loved and traveled quickly. However, due to unsubstantial copyright laws, Billings received hardly a penny from the publication of his music. After a period of fame and prosperity, his music was forgotten, and his last decade was one of decline. Married with six children, he died in poverty, though his music would be resurrected after his death and sung to this day. Laura de Jong

William B. Bradbury

1816 - 1868 Composer of "AMELIA" in The Psalter William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

John Darwall

1732 - 1789 Composer of "DARWALL'S 148TH" in The Cyber Hymnal John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman
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