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O Love, Who Formedst Me to Wear
Author: Johann Scheffler; Catherine Winkworth Appears in 55 hymnals Lyrics: 1. O Love, who formedst me to wear
The image of Thy Godhead here;
Who soughtest me with tender care
Thro’ all my wanderings wild and drear;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
2. O Love, who ere life’s earliest dawn,
On me Thy choice hast gently laid;
O Love, who here as man wast born,
And wholly like to us wast made;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
3. O Love, who once in time wast slain,
Pierced through and through with bitter woe;
O Love, who wrestling thus didst gain
That we eternal joy might know;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
4. O Love, of whom is truth and light,
The Word and Spirit, life and power,
Whose heart was bared to them that smite,
To shield us in our trial hour:
O Love, I give myself to Thee,
Thine ever, only Thine to be.
5. O Love, who thus hast bound me fast
Beneath that easy yoke of Thine;
Love, who hast conquered me at last,
Enrapturing this heart of mine—
O Love, I give myself to Thee,
Thine ever, only Thine to be.
6. O Love, who lovest me for aye,
Who for my soul dost ever plead;
O Love, who didst that ransom pay
Whose power sufficeth in my stead;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
7. O Love, who once shalt bid me rise
From out this dying life of ours;
O Love, who once o’er yonder skies
Shalt set me in the fadeless bowers;
O Love, I give myself to Thee,
Thine ever, only Thine to be. Used With Tune: BREMEN (Neumark) Text Sources: Heilige Seelenlust, 1657; Translation in Lyra Germanica, 1858
O Love, Who Formedst Me to Wear
[O Love, who formedst me to wear]
Appears in 286 hymnals Composer and/or Arranger: J. H. Schein, 1586—1630 Tune Key: E Flat Major Incipit: 13455 43256 71766 Used With Text: O Love, who formedst me to wear
[O Love, who formedst me to wear]
HEUT' TRIUMPHIERET GOTTES SOHN
Meter: 8.8.8.8.8.8 Appears in 18 hymnals Tune Sources: "Deutsche geistliche Lieder," Frankfurt a. O., 1601 Tune Key: G Major Incipit: 33454 32333 32321 Used With Text: O Love, Who Madest Me to Wear
HEUT' TRIUMPHIERET GOTTES SOHN
[O Love, Who formedst me to wear]
Appears in 25 hymnals Composer and/or Arranger: H. E. W. Tune Sources: English Print, 1732 Tune Key: a minor Incipit: 55171 42771 75117 Used With Text: O Love, Who formedst me to wear
[O Love, Who formedst me to wear]
O Love, who formedst me to wear
Author: Scheffler Hymnal: Chorale Book for England, The #47 (1863) Lyrics:
O Love, who formedst me to wear
The image of Thy Godhead here;
Who soughtest me with tender care
Through all my wand'rings wild and drear;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
O Love, who ere life's earliest dawn
On me Thy choice hast gently laid;
O Love, who here as man wast born
And like to us in all things made;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
O Love, who once in Time wast slain,
Pierced through and through with bitter woe;
O Love, who wrestling thus didst gain
That we eternal joy might know;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
O Love, of whom is truth and light,
The Word and Spirit, life and power,
Whose heart was bared to them that smite,
To shield us in our trial hour;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
O Love, who thus hast bound me fast,
Beneath that gentle yoke of Thine;
Love, who hast conquer'd me at last
And rapt away this heart of mine;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
O Love, who lovest me for aye,
Who for my soul dost ever plead;
O Love, who didst my ransom pay,
Whore power sufficeth in my stead;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
O Love, who once shalt bid me rise
From out this dying life of ours;
O Love, who once above yon skies
Shalt set me in the fadeless bowers:
O Love, I give myself to Thee,
Thine ever, only Thine to be.
Languages: English
O Love, who formedst me to wear
O Love, who formedst me to wear
Author: J. Scheffler Hymnal: The Lutheran Hymnary #68 (1913) Lyrics: 1 O Love, who formedst me to wear
The image of Thy Godhead here;
Who soughtest me with tender care
Through all my wanderings wild and drear;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
2 O Love, who ere life’s earliest morn
On me Thy choice hast gently laid,
O Love, who here as man wast born,
And wholly like to us wast made;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
3 O Love, who once in time wast slain,
Pierced through and through with bitter woe;
O Love, who wrestling thus didst gain
That we eternal joy might know;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
4 O Love, who lovedst me for aye,
Who for my soul dost ever plead,
O Love, who didst that ransom pay
Whose power sufficeth in my stead;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
5 O Love, who once shalt bid me rise
From out this dying life of ours;
O Love, who once o’er yonder skies
Shalt set me in the fadeless bowers;
O Love, I give myself to Thee,
Thine ever, only Thine to be. Topics: His Goodness and Love; God His Goodness and love; God Loving Tune Title: [O Love, who formedst me to wear]
O Love, who formedst me to wear
O Love, Who Formedst Me to Wear
Author: Johann Scheffler; Catherine Winkworth Hymnal: The Cyber Hymnal #5163 Lyrics: 1. O Love, who formedst me to wear
The image of Thy Godhead here;
Who soughtest me with tender care
Thro’ all my wanderings wild and drear;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
2. O Love, who ere life’s earliest dawn,
On me Thy choice hast gently laid;
O Love, who here as man wast born,
And wholly like to us wast made;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
3. O Love, who once in time wast slain,
Pierced through and through with bitter woe;
O Love, who wrestling thus didst gain
That we eternal joy might know;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
4. O Love, of whom is truth and light,
The Word and Spirit, life and power,
Whose heart was bared to them that smite,
To shield us in our trial hour:
O Love, I give myself to Thee,
Thine ever, only Thine to be.
5. O Love, who thus hast bound me fast
Beneath that easy yoke of Thine;
Love, who hast conquered me at last,
Enrapturing this heart of mine—
O Love, I give myself to Thee,
Thine ever, only Thine to be.
6. O Love, who lovest me for aye,
Who for my soul dost ever plead;
O Love, who didst that ransom pay
Whose power sufficeth in my stead;
O Love, I give myself to Thee,
Thine ever, only Thine to be.
7. O Love, who once shalt bid me rise
From out this dying life of ours;
O Love, who once o’er yonder skies
Shalt set me in the fadeless bowers;
O Love, I give myself to Thee,
Thine ever, only Thine to be. Languages: English Tune Title: BREMEN (Neumark)
O Love, Who Formedst Me to Wear
Georg Neumark
1621 - 1681 Composer of "BREMEN (Neumark)" in The Cyber Hymnal Georg Neumark (b. Langensalza, Thuringia, Germany, 1621; d. Weimar, Germany, 1681) lived during the time of the Thirty Years' War, when social and economic conditions were deplorable. He had personal trials as well. On his way to Königsberg to study at the university, traveling in the comparative safety of a group of merchants, he was robbed of nearly all his possessions. During the next two years he spent much of his time looking for employment. He finally secured a tutoring position in Kiel. When he had saved enough money, he returned to the University of Königsberg and studied there for five years. In Königsberg he again lost all his belongings, this time in a fire. Despite his personal suffering Neumark wrote many hymns in which he expressed his absolute trust in God. In 1651 he settled in Weimar, Thuringia, where he became court poet and archivist to Duke Johann Ernst and librarian and registrar of the city. Neumark wrote thirty-four hymns, of which "If You But Trust in God to Guide You" has become a classic.
Bert Polman
==============
Neumark, Georg, son of Michael Neumark, clothier at Langensalza, in Thuringia (after 1623 at Miihlhausen in Thuringia), was born at Langensalza, March 16, 1621; and educated at the Gymnasium at Schleueingen, and at the Gymnasium at Gotha. He received his certificate of dimission from the latter in Sept. 1641 (not 1640). He left Gotha in the autumn of 1641 along with a number of merchants who were going to the Michaelmas Fair at Leipzig. He then joined a similar party who were going from Leipzig to Lübeck; his intention being to proceed to Königsberg and matriculate at the University there. After passing through Magdeburg they were plundered by a band of highwaymen on the Gardelegen Heath, who robbed Neumark of all he had with him, save his prayer-book and a little money sewed up in the clothes he was wearing. He returned to Magdeburg, but could obtain no employment there, nor in Lüneburg, nor in Winsen, nor in Hamburg, to which in succession the friends he made passed him on. In the beginning of December he went to Kiel, where he found a friend in the person of Nicolaus Becker, a native of Thuringia, and then chief pastor at Kiel. Day after day passed by without an opening, till about the end of the month the tutor in the family of the Judge Stephan Henning fell into disgrace and took sudden flight from Kiel. By Becker's recommendation Neumark received the vacant position, and this sudden end of his anxieties was the occasion of the writing of his hymn as noted below. In Henning's house the time passed happily till he had saved enough to proceed to Königsberg, where he matriculated June 21, 1643, as a student of law. He remained five years, studying also poetry under Dach, and maintaining himself as a family tutor. During this time (in 1046) he again lost all his property, and this time by fire. In 1648 he left Königsberg, was for a short time at Warsaw, and spent 1649-50 at Thorn. He was then in Danzig, and in Sept. 1651 we find him in Hamburg. In the end of 1651 he returned to Thuringia, and bronght himself under the notice of Duke Wilhelm II. of Sachse-Weimar, the chief or president of the Fruit-bearing Society, the principal German literary union of the 17th century. The Duke, apparently in 1652, appointed him court poet, librarian and registrar of the administration at Weimar; and finally secretary of the Ducal Archives. In Sept. 1653 he was admitted as a member of the Fruit-bearing Society, of which he became secretary in 1656, and of which he wrote a history (Der Neu-Sprossende Teutsche Palmbaum, Nürnberg and Weimar, 1668); and, in 1679, became also a member of the Pegnitz Order. In 1681 he became blind, but was permitted to retain his emoluments till his death, at Weimar, July 18, 1681. [K. Goedeke's Grundriss, vol. iii., 1887, p. 74; Allgemeine Deutsche Biographie. xxiii. 539; Weimarisches Jahrbuch, vol. iii., 1855, p. 176, &c. The dates given by the different authorities vary exceedingly, and are quite irreconcilable. In the registers at Schleusingen Neumark is last mentioned in 1636, and then as in the Third Form. Dr. von Bamberg, director of the Gymnasium at Gotha, informs me that Neumark's name appears in the matriculation book there under January 31, 1641; and as one of the "newly entered" scholars.]
A long list of Neumark's poetical works is given by Goedeke. A large proportion of his secular poems are pastorals, or else occasional poems written to order at Weimar; and in all there is little freshness, or happiness in expression, or glow of feeling. As a musician, and as a hymn-writer, he is of more importance. His hymns appeared in his (1) Poetisch-und Musikalisches Lustwäldchen, Hamburg, 1652; the enlarged edition, entitled (2) Fortgepfiantzter Musikalizch-Poetischer Lustwald, Jena, 1657; and (3) Unterschiedliche, so wol gottseliger Andacht; als auch zu christlichen Tugenden aufmuntemde Lieder, Weimar, 1675. Of the 34 hymns in these three works a few are found in the German hymn-books of the 17th century, and three or four still survive. The best of Neumark's hymns are those of Trust in God, and patient waiting for His help under trial and suffering; and one of these may be fairly called classical and imperishable.
It is:—
Wer nur den lieben Gott lässt walten. Trust in God. First published in his Fortgepflantzter musikalisch-poetischer Lustwald, Jena, 1657, p. 26, in 7 stanzas of 6 lines, entitled “A hymn of consolation. That God will care for and preserve His own in His own time. After the saying 'Cast thy burden upon the Lord, and He shall sustain thee'“(Ps. lv. 22). This, his finest hymn, was written in 1641, at Kiel, when after unsuccessful attempts to procure employment he became a tutor in the family of the judge Stephan Henning. Of this appointment Neumark, in his Thrünendes Haus-Kreuiz, Weimar, 1681, speaks thus:-—
"Which good fortune coming suddenly, and as if fallen from heaven, greatly rejoiced me, and on that very day I composed to the honour of my beloved Lord the here and there well-known hymn 'Wer nur den lieben Gott lässt walten'; and had certainly cause enough to thank the Divine compassion for such unlooked for grace shown to me," &c.
As the date of its composition is thus December, 1641, or at latest Jan. 1642, it is certainly strange that it was not published in his Lustwäldchen, Hamburg, 1652. In that volume he does give, at p. 32, a piece entitled, "a hymn of consolation, when, in 1646, through a dreadful fire I came to my last farthing." The apocryphal story, according to which the hymn was written at Hamburg, about 1653 (see Miller's Singers and Songs, 1869, p. 91), has not been traced earlier than 1744. The hymn speedily became popular, and passed into hymn-books all over Germany (Leipzig Vorrath, 1673, No. 1169), and still holds its place as in the Berlin Geistliche Lieder, ed. 1863, No. 73.
Lauxmann, in Koch, viii. 386-390, relates that it was the favourite hymn of Magdalena Sibylla (d. 1687), wife of the Elector Johann Georg II. of Saxony; was sung, by his command, at the funeral, in 1740, of King Friedrich Wilhelm I. of Prussia; was sung, or rather played, by the first band of missionaries from Herrmannsburg as they set sail from Brunshausen on the Elbe (near Stade) on Oct. 28, 1853, &c.
The beautiful melody by Neumark was probably composed in 1641 along with the hymn, and was published with it in 1657. On it J. S. Bach composed a cantata. It is well known in England through its use by Mendelssohn in his St. Paul ("To Thee, 0 Lord, I yield my spirit"), and from its introduction into Hymns Ancient & Modern (as Bremen), and many other collections.
Translations in common use:--
1. Who leaves th' Almighty God to reign. A full but free translation by Sir John Bowring in his Hymns, 1825, No. 58. His translations of stanzas ii., iv.-vi. beginning "How vain are sighs! how vain regret," are included in Curtis's Union Collection, 1827.
2. Who all his will to God resigneth. A good and full translation by A. T. Kussell, as No. 236 in his Psalms & Hymns, 1851. His translations of st. v.-vii. beginning "Say not, I am of God forsaken," are in Dr. Pagenstecher's Collection, 1864.
3. Leave God to order all thy ways. A full and good translation by Miss Winkworth, in her Lyra Germanica, 1st Ser. 1855, p. 152. This is given in full in M. W. Stryker's Christian Chorals, 1885, and, omitting st. vi., in W. F. Stevenson's Hymns for Church and Home, 1873, and the Baptist Hymnal, 1879. Further abridged forms are in the Baptist Psalms & Hymns, 1858; Harrow School Hymn Book, l866; Holy Song, 1869, and others. In the Pennsylvania Lutheran Church Book, 1868; and the American Presbyterian Hymnal, 1874, st. v., vi. are omitted, and the rest altered to 6 stanzas, beginning "My God, I leave to Thee my ways."
4. Him who the blessed God trusts ever. A good and full translation by Dr.John Ker in the Juvenile Missionary Magazine, of the United Presbyterian Church, 1857. It was revised, and st. iii., v., vi. omitted, for the Ibrox Hymnal, 1871, where it begins: "He who,” &c.
5. If thou but suffer God to guide thee. A full and good translation by Miss Winkworth (based on her Lyra Germanica version and set to the original melody), as No. 134 in her Chorale Book for England, 1863. Repeated in full in the Baptist Psalmist, 1878, and in America in the Ohio Lutheran Hymnal, 1880. It is found, in various abridged forms, in J. Robinson's Collection, 1869; Horder's Congregational Hymns , 1884; the Evangelical Hymnal, N. Y., 1880, and others.
6. He, who the living God hath chosen. A translation of st. i., ii., vii. by Miss Borthwick, as No. 237 in Dr. Pagenstecher's Collection, 1864.
7. He who doth glad submission render. A good translation omitting st. vi., by J. M. Sloan, as No. 284 in J. H. Wilson's Service of Praise, 1865, repeated, omitting the translations of st. ii., vii., in Flett's Collection, Paisley, 1871.
Other translations are:—
(1) "He that confides in his Creator." By J. C. Jacobi, 1720, p. 13 (1722, p. 36; 1732, p. 61). Repeated in the Moravian Hymn Book, 1754, and later eds. (1886, No. 183). (2) "0 Christian! let the Lord direct." By Miss Knight in her Trs. from the German in Prose and Verse, 1812, p. 85. (3) "To let God rule who's but contented." By H. W. Dulcken in his Book of German Song, 1856, p. 274. (4) "He who the rule to God hath yielded." By J. D. Burns in the Family Treasury, 1859, p. 309, and his Memoir & Remains, 1869, p. 240. (5) "Who trusts in God's all-wise direction." By R. Massie, in the British Herald, Aug. 1865, p. 120, and Reid's Praise Book, 1872. (6) "Who yields his will to God's good pleasure. In the British Herald, April, 1866, p. 244, and in Reid's Praise Book, 1872. (7) "He who commits his way to God." In the Family Treasury, 1878, p. 49. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology (1907)
See also in:
Hymn Writers of the Church
Georg Neumark
Joseph Barnby
1838 - 1896 Composer of "ST. CHRYSOSTOM" in Songs of the Christian Life Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
Catherine Winkworth
1827 - 1878 Translator (from German) of "O Love, Who Formedst Me to Wear" in The Cyber Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869).
Bert Polman
========================
Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:—
Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863.
Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:—
(1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869.
In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:—
"The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'"
Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:—
"She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character."
Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love."
Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer.
-- John Julian, Dictionary of Hymnology (1907)
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See also in:
Hymn Writers of the Church
Catherine Winkworth
