Search Results

Text Identifier:"^o_gladsome_light_o_grace_of_god_the$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scansFlexScore

O gladsome Light, O Grace of God the Father's face

Appears in 56 hymnals Topics: Evening Used With Tune: ASCALON Text Sources: Tr. Yattendon Hymnal, 1899

Tunes

tune icon
Tune authorities
Page scansFlexScoreAudio

ASCALON

Appears in 526 hymnals Composer and/or Arranger: Anon. Tune Sources: German Incipit: 11127 13333 42351 Used With Text: O gladsome Light, O Grace of God the Father's face
Page scansFlexScoreAudio

LE CANTIQUE DE SIMÉON

Meter: 6.6.7.6.6.7 Appears in 54 hymnals Composer and/or Arranger: Claude Goudimel Tune Key: F Major Incipit: 56543 24312 21155 Used With Text: O Gladsome Light
FlexScore

PHOS HILARON

Meter: 6.6.7.6.6.7 Appears in 1 hymnal Composer and/or Arranger: James Bingham (1945- ) Tune Key: F Major or modal Incipit: 12352 33216 56561 Used With Text: O Gladsome Light

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

O Gladsome Light, O Grace

Author: Robert Seymour Bridges (1844-1930) Hymnal: Common Praise (1998) #13 (1998) Meter: 6.6.7.6.6.7 Lyrics: 1 O gladsome Light, O grace of God the Father’s face, the eternal splendour wearing; celestial, holy, blest, our Saviour Jesus Christ, joyful in your appearing. 2 As day fades into night, we see the evening light, our hymn of praise outpouring, Father of might unknown, Christ, his incarnate Son, and Holy Spirit adoring. 3 To you of right belongs all praise of holy songs, O Son of God, life-giver; you, therefore, O Most High, the world will glorify, and shall exalt forever. Topics: Evening; Jesus Christ, Light; Light; O Gracious Light Scripture: Matthew 3:13-17 Languages: English Tune Title: NUNC DIMITTIS
TextPage scan

O gladsome light, O grace

Author: Robert Bridges, 1844-1930 Hymnal: Common Praise #17 (2000) Meter: 6.6.7.6.6.7 Lyrics: 1 O gladsome light, O grace of God the Father’s face, the eternal splendour wearing; celestial, holy, blest, our Saviour Jesus Christ, joyful in thine appearing. 2 Now, ere day fadeth quite, we see the evening light, our wonted hymn outpouring; Father of might unknown, thee, his incarnate Son, and Holy Spirit adoring. 3 To thee of right belongs all praise of holy songs, O Son of God, lifegiver; thee therefore, O most high, the world doth glorify and shall exalt forever. Topics: Evening Scripture: 2 Timothy 1:10 Languages: English Tune Title: NUNC DIMITTIS
TextPage scan

O Gladsome Light, O Grace

Author: Robert Bridges; Unknown Hymnal: The Lutheran Hymnal #101 (1941) Meter: 6.6.7.6.6.7 Lyrics: 1 O gladsome Light, O Grace Of God the Father's Face, Th'eternal splendor wearing; Celestial, holy, blest, Our Savior Jesus Christ, Joyful in Thine appearing! 2 Now, ere day fadeth quite, We see the evening light, Our wonted hymn outpouring, Father of might unknown, Thee, His incarnate Son, And Holy Ghost adoring. 3 To Thee of right belongs All praise of holy songs, O Son of God, Life-giver; Thee, therefore, O Most High, The world doth glorify And shall exalt forever. Amen. Topics: The Church Year Christmas Scripture: John 1:9 Languages: English Tune Title: NUNC DIMITTIS

People

person icon
Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Composer of "ASCALON" in The Riverdale Hymn Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Louis Bourgeois

1510 - 1561 Composer of "LE CANTIQUE DE SIMÉON" in The United Methodist Hymnal Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Claude Goudimel

1514 - 1572 Harmonizer of "LE CANTIQUE DE SIMÉON" in The Presbyterian Hymnal The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which oc­curred throughout France. Bert Polman
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.