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No Tramp of Soldiers' Marching Feet

Author: Timothy Dudley-Smith, b. 1926 Meter: 8.6.8.6 D Appears in 7 hymnals Lyrics: 1 No tramp of soldiers’ marching feet With banners and with drums, No sound of music’s martial beat-- “The King of glory comes!” To greet what pomp of kingly pride No bells in triumph ring, No city gates swing open wide: “Behold, behold your King!” 2 And yet he comes. The children cheer; With palms His path is strown. With ev’ry step the cross draws near-- The King of glory’s throne. Astride a colt He passes by As loud hosannas ring, Or else the very stones would cry, “Behold, behold Your King!” 3 What fading flow’rs His road adorn; The palms, how soon laid down! No bloom or leaf but only thorn The King of glory’s crown. The soldiers mock, the rabble cries, The streets with tumult ring, As Pilate to the mob replies, “Behold, behold Your King!” 4 Now He who bore for mortals’ sake The cross and all its pains And chose a servant’s form to take, The King of glory reigns. Hosanna to the Savior’s name Till heaven’s rafters ring, And all the ransomed host proclaim, “Behold, behold your King!” Topics: Palm Sunday Used With Tune: KINGSFOLD

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NO TRAMP OF SOLDIERS’ MARCHING FEET

Meter: 8.6.8.6 D Appears in 2 hymnals Composer and/or Arranger: David W. Music, b. 1949 Tune Key: f minor Incipit: 51512 32125 13543 Used With Text: No Tramp of Soldiers' Marching Feet
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KINGSFOLD

Meter: 8.6.8.6 D Appears in 285 hymnals Composer and/or Arranger: R. Vaughan Williams, 1872-1958; R. Vaughan Williams, 1872-1958 Tune Sources: English folk tune Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: No Tramp of Soldiers' Marching Feet

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No Tramp of Soldiers' Marching Feet

Author: Timothy Dudley-Smith, 1926- Hymnal: Community of Christ Sings #466 (2013) Meter: 8.6.8.6 D Lyrics: 1 No tramp of soldiers’ marching feet with banners and with drums, no sound of music’s martial beat: “The King of glory comes!” To greet what pomp of kingly pride no bells in triumph ring, no city gates swing open wide: “Behold, behold your King!” 2 And yet he comes. The children cheer; with palms his path is strown. With every step the cross draws near: The King of glory’s throne. Astride a colt he passes by as loud hosannas ring, or else the very stones would cry “Behold, behold your King!” 3 What fading flow’rs his road adorn; the palms, how soon laid down! No bloom or leaf but only thorn the King of glory’s crown. The soldiers mock, the rabble cries, the streets with tumult ring, as Pilate to the mob replies, “Behold, behold your King!” 4 Now he who bore for mortals’ sake the cross and all its pains and chose a servant’s form to take, the King of glory reigns. Hosanna to the Savior’s name till heaven’s rafters ring, and all the ransomed host proclaim “Behold, behold your King!” Topics: Cross; Holy Week; Humility; Jesus Christ King; Jesus Christ's Passion; Palm Sunday Scripture: Matthew 21:7-10 Languages: English Tune Title: NO TRAMP OF SOLDIERS' MARCHING FEET
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No Tramp of Soldiers' Marching Feet

Author: Timothy Dudley-Smtih, b. 1926 Hymnal: Christian Worship (2008) #716 (2008) Meter: 8.6.8.6 D Lyrics: 1 No tramp of soldiers’ marching feet With banners and with drums, No sound of music’s martial beat: “The King of glory comes!” To greet what pomp of kingly pride No bells in triumph ring, No city gates swing open wide: “Behold, behold your King!” 2 And yet he comes. The children cheer; With palms his path is strown. With ev’ry step the cross draws near: The King of glory’s throne. Astride a colt he passes by As loud hosannas ring, Or else the very stones would cry, “Behold, behold your King!” 3 What fading flow’rs his road adorn; The palms, how soon laid down! No bloom or leaf but only thorn The King of glory’s crown. The soldiers mock, the rabble cries. The streets with tumult ring, As Pilate to the mob replies, “Behold, behold your King!” 4 Now he who bore for mortals’ sake The cross and all its pains And chose a servant’s form to take, The King of glory reigns. Hosanna to the Savior’s name Till heaven’s rafters ring, And all the ransomed host proclaim, “Behold, behold your King!” Topics: Palm Sunday Languages: English Tune Title: NO TRAMP OF SOLDIERS’ MARCHING FEET
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No Tramp of Soldiers' Marching Feet

Author: Timothy Dudley-Smith, b. 1926 Hymnal: Christian Worship #414 (2021) Meter: 8.6.8.6 D Lyrics: 1 No tramp of soldiers’ marching feet with banners and with drums, no sound of music’s martial beat: “The King of glory comes!” To greet what pomp of kingly pride no bells in triumph ring, no city gates swing open wide: “Behold, behold your King!” 2 And yet he comes. The children cheer; with palms his path is strown. With ev’ry step the cross draws near: The King of glory’s throne. Astride a colt he passes by as loud hosannas ring, or else the very stones would cry “Behold, behold your King!” 3 What fading flow’rs his road adorn; the palms, how soon laid down! No bloom or leaf but only thorn the King of glory’s crown. The soldiers mock, the rabble cries, the streets with tumult ring, as Pilate to the mob replies, “Behold, behold your King!” 4 Now he who bore for mortals’ sake the cross and all its pains and chose a servant’s form to take, the King of glory reigns. Hosanna to the Savior’s name till heaven’s rafters ring, and all the ransomed host proclaim “Behold, behold your King!” Topics: Palm Sunday Scripture: Matthew 21:1-9 Languages: English Tune Title: KINGSFOLD

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Timothy Dudley-Smith

1926 - 2024 Person Name: Timothy Dudley-Smtih, b. 1926 Author of "No Tramp of Soldiers' Marching Feet" in Lutheran Service Book Timothy Dudley-Smith (b. 1926) Educated at Pembroke College and Ridley Hall, Cambridge, Dudley-Smith has served the Church of England since his ordination in 1950. He has occupied a number of church posi­tions, including parish priest in the diocese of Southwark (1953-1962), archdeacon of Norwich (1973-1981), and bishop of Thetford, Norfolk, from 1981 until his retirement in 1992. He also edited a Christian magazine, Crusade, which was founded after Billy Graham's 1955 London crusade. Dudley-Smith began writing comic verse while a student at Cambridge; he did not begin to write hymns until the 1960s. Many of his several hundred hymn texts have been collected in Lift Every Heart: Collected Hymns 1961-1983 (1984), Songs of Deliverance: Thirty-six New Hymns (1988), and A Voice of Singing (1993). The writer of Christian Literature and the Church (1963), Someone Who Beckons (1978), and Praying with the English Hymn Writers (1989), Dudley-Smith has also served on various editorial committees, including the committee that published Psalm Praise (1973). Bert Polman

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Harmonizer of "KINGSFOLD" in Lutheran Service Book Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

David W. Music

b. 1949 Person Name: David W. Music, b. 1949 Composer of "NO TRAMP OF SOLDIERS’ MARCHING FEET" in Christian Worship (2008) David W. Music is Professor of Church Music at Baylor University, where he has taught since 2002. Music is the author of William J. Reynolds: Church Musician (2013), Christian Hymnody in Twentieth-Century Britain and America: An Annotated Bibliography (2001), Instruments in Church: A Collection of Source Documents (1998), and Hymnology: A Collection of Source Readings (1996). He has co-authored or edited four other books, as well as publishing editions of A Selection of Shape-Note Folk Hymns for A-R Editions' Recent Researches in American Music series (2005), John Weldon's opera The Judgment of Paris for the Recent Researches in the Music of the Baroque Era series (1999), and Oliver Holden (1765-1844): Selected Works in the Music of the New American Nation series (Garland, 1998). He served as Editor of The Hymn (the journal of the Hymn Society in the United States and Canada, 1990-96), as Chair of the New Materials Subcommittee for The Baptist Hymnal (1991), and as chair of the text and tunes committee and one of the editors of Celebrating Grace (2010). He is a member of the Society for American Music; the Hymn Society in the United States and Canada; the American Society of Composers, Authors, and Publishers; the Baptist History and Heritage Society, and the Baptist Church Music Conference, which he served as President (2001-02) and Educational Division Vice-President (1992-1994). --See Baylor University bio (03 July 2014).