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From Heaven Above

Author: Martin Luther Meter: 8.8.8.8 Appears in 147 hymnals First Line: From heaven above to earth I come Scripture: Luke 2:10-16 Used With Tune: VOM HIMMEL HOCH Text Sources: Inter-Luteran Commission on Worship for Lutheran Book of Worship, 1978; alt, translation from

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VOM HIMMEL HOCH

Meter: 8.8.8.8 Appears in 292 hymnals Tune Sources: Geistliche lieder, Leipzig, 1539, ed. Valten Schumann Tune Key: C Major Incipit: 17675 67111 55345 Used With Text: From Heaven Above to Earth I Come
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[From Heaven above to earth I come]

Appears in 6 hymnals Composer and/or Arranger: C. S. B.; Mendelssohn Incipit: 56551 23353 22317 Used With Text: From Heaven Above to Earth I Come
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COPENHAGEN

Appears in 1 hymnal Composer and/or Arranger: E. Hartmann Incipit: 54321 71211 43655 Used With Text: From heaven above to earth I come

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From Heaven above to earth I come

Author: Catherine Winkworth; Luther Hymnal: Lyra Germanica #5 (1861) Meter: 8.8.8.8 Lyrics: From Heaven above to earth I come To bear good news to every home; Glad tidings of great joy I bring Whereof I now will say and sing: To you this night is born a child Of Mary, chosen mother mild; This little child, of lowly birth, Shall be the joy of all your earth. 'Tis Christ our God who far on high Hath heard your sad and bitter cry; Himself will your Salvation be, Himself from sin will make you free. He brings those blessings, long ago Prepared by God for all below; Henceforth His kingdom open stands To you, as to the angel bands. These are the tokens ye shall mark, The swaddling clothes and manger dark; There shall ye find the young child laid, By whom the heavens and earth were made. Now let us all with gladsome cheer Follow the shepherds, and draw near To see this wondrous gift of God Who hath His only Son bestowed. Give heed, my heart, lift up thine eyes! Who is it in yon manger lies? Who is this child so young and fair? The blessed Christ-child lieth there. Welcome to earth, Thou noble guest, Through whom e'en wicked men are blest! Thou com'st to share our misery, What can we render, Lord, to Thee! Ah, Lord, who hast created all, How hast Thou made Thee weak and small, That Thou must choose Thy infant bed Where ass and ox but lately fed! Were earth a thousand times as fair, Beset with gold and jewels rare, She yet were far too poor to be A narrow cradle, Lord, for Thee. For velvets soft and silken stuff Thou hast but hay and straw so rough, Whereon Thou King, so rich and great, As 'twere Thy heaven, art throned in state. Thus hath it pleased Thee to make plain The truth to us poor fools and vain, That this world's honour, wealth and might Are nought and worthless in Thy sight. Ah! dearest Jesus, Holy Child, Make Thee a bed, soft, undefiled, Within my heart, that it may be A quiet chamber kept for Thee. My heart for very joy doth leap, My lips no more can silence keep; I too must sing with joyful tongue That sweetest ancient cradle-song- Glory to God in highest Heaven, Who unto man His Son hath given! While angels sing with pious mirth A glad New Year to all the earth. Languages: English
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From heaven above to earth I come

Author: Dr. M. Luther Hymnal: Hymns of the Evangelical Lutheran Church #9 (1886) Lyrics: 1 From heaven above to earth I come to bear good news to ev'ry home; glad tidings of great joy I bring, whereof I now will say and sing. 2 To you this night is born a child Of Mary, chosen Virgin mild; This little child, of lowly birth, Shall be the joy of all the earth. 3 This is the Christ, our God and Lord, Who in all need shall aid afford; He will Himself your Saviour be, From all your sins will make you free. 4 He brings those blessings, long ago Prepared by God for all below, That in His heavenly kingdom blest You may with us forever rest. 5 These are the tokens ye shall mark, The swaddling-clothes and manger dark; There shall ye find the young child laid, By whom the heavens and earth were made. 6 Now let us all with gladsome cheer Follow the shepherds, and draw near To see this wondrous gift of God, Who hath His own dear Son bestowed. 7 Give heed, my heart, lift up thine eyes! What is it in yon manger lies? Who is this child, so young and fair? Dear little Jesus lieth there. 8 Welcome to earth, Thou noble Guest, Through whom the sinful world is blest! Thou com'st to share my misery, What thanks shall I return to Thee? 9 Ah! Lord, who hast created all, How hast Thou made Thee weak and small, That Thou must lie on coarse dry grass, The food of humble ox and ass! 10 And were the world ten times as wide, With gold and jewels beautified, It would be far too small to be A narrow cradle, Lord, for Thee. 11 For velvets soft and silken stuff Thou hast but hay and straw so rough, Whereon Thou King, so rich and great, As 't were Thy heaven, art throned in state. 12 And thus, dear Lord, it pleasèd Thee To make this truth quite plain to me, That this world's honor, wealth, and might Are naught and worthless in Thy sight. 13 Ah! dearest Jesus, holy Child, Make Thee a bed, soft, undefiled, Within my heart, that it may be A quiet chamber kept for Thee. 14 My heart for very joy doth leap, My lips no more can silence keep; I, too, must sing with joyful tongue That sweetest ancient cradle-song: 15 Glory to God in highest heaven, Who unto man His Son hath given! While angels sing with pious mirth A glad New Year to all the earth. Topics: The Church Year Languages: English Tune Title: [From heaven above to earth I come]
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From Heaven Above to Earth I Come

Author: Martin Luther Hymnal: Singing the New Testament #9 (2008) Meter: 8.8.8.8 Lyrics: 1 "From heaven above to earth I come to bring good news to every home! Glad tidings of great joy I bring to all the world, and gladly sing: 2 "To you this night is born a child of Mary, chosen virgin mild; this little child of lowly birth shall be the joy of all the earth. 3 "This is the Christ, God's Son most high, who hears your sad and bitter cry; he will himself your Savior be, from all your sins to set you free. 4 "These are the signs which you shall mark: the swaddling clothes and manger dark. There you shall find the infant laid by whom the heavens and earth were made." 5 We too must join the angel throng to sing again this joyful song: "All glory be to God in heaven, who unto us his Son has given." Topics: Biblical Names and Places Mary; Christmas/Birth of Christ; Incarnation of Christ Scripture: Luke 2:8-14 Languages: English Tune Title: VOM HIMMEL HOCH

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Martin Luther

1483 - 1546 Author of "From Heaven Above to Earth I Come" in Psalter Hymnal (Gray) Luther, Martin, born at Eisleben, Nov. 10, 1483; entered the University of Erfurt, 1501 (B.A. 1502, M.A.. 1503); became an Augustinian monk, 1505; ordained priest, 1507; appointed Professor at the University of Wittenberg, 1508, and in 1512 D.D.; published his 95 Theses, 1517; and burnt the Papal Bull which had condemned them, 1520; attended the Diet of Worms, 1521; translated the Bible into German, 1521-34; and died at Eisleben, Feb. 18, 1546. The details of his life and of his work as a reformer are accessible to English readers in a great variety of forms. Luther had a huge influence on German hymnody. i. Hymn Books. 1. Ellich cristlich lider Lobgesang un Psalm. Wittenberg, 1524. [Hamburg Library.] This contains 8 German hymns, of which 4 are by Luther. 2. Eyn Enchiridion oder Handbuchlein. Erfurt, 1524 [Goslar Library], with 25 German hymns, of which 18 are by Luther. 3. Geystliche Gesangk Buchleyn. Wittenberg, 1524 [Munich Library], with 32 German hymns, of which 24 are by Luther. 4. Geistliche Lieder auffs new gebessert. Wittenberg. J. Klug, 1529. No copy of this book is now known, but there was one in 1788 in the possession of G. E. Waldau, pastor at Nürnberg, and from his description it is evident that the first part of the Rostock Gesang-Buch, 1531, is a reprint of it. The Rostock Gesang-Buch, 1531, was reprinted by C. M. Wiechmann-Kadow at Schwerin in 1858. The 1529 evidently contained 50 German hymns, of which 29 (including the Litany) were by Luther. 5. Geistliche Lieder auffs new gebessert. Erfurt. A. Rauscher, 1531 [Helmstädt, now Wolfenbüttel Library], a reprint of No. 4. 6. Geistliche Lieder. Wittenberg. J. Klug, 1535 [Munich Library. Titlepage lost], with 52 German hymns, of which 29 are by Luther. 7. Geistliche Lieder auffs new gebessert. Leipzig. V. Schumann, 1539 [Wernigerode Library], with 68 German hymns, of which 29 are by Luther. 8. Geistliche Lieder. Wittenberg. J. Klug, 1543 [Hamburg Library], with 61 German hymns, of which 35 are by Luther. 9. Geystliche Lieder. Leipzig. V. Babst, 1545 [Gottingen Library]. This contains Luther's finally revised text, but adds no new hymns by himself. In pt. i. are 61 German hymns, in pt. ii. 40, of which 35 in all are by Luther. For these books Luther wrote three prefaces, first published respectively in Nos. 3, 4, 9. A fourth is found in his Christliche Geseng, Lateinisch und Deudsch, zum Begrebnis, Wittenberg, J. Klug, 1542. These four prefaces are reprinted in Wackernagel’s Bibliographie, 1855, pp. 543-583, and in the various editions of Luther's Hymns. Among modern editions of Luther's Geistliche Lieder may be mentioned the following:— Carl von Winterfeld, 1840; Dr. C. E. P. Wackernagel, 1848; Q. C. H. Stip, 1854; Wilhelm Schircks, 1854; Dr. Danneil, 1883; Dr. Karl Gerok, 1883; Dr. A. F. W. Fischer, 1883; A. Frommel, 1883; Karl Goedeke, 1883, &c. In The Hymns of Martin Luther. Set to their original melodies. With an English version. New York, 1883, ed. by Dr. Leonard Woolsey Bacon and Nathan H. Allen, there are the four prefaces, and English versions of all Luther's hymns, principally taken more or less altered, from the versions by A. T. Russell, R. Massie and Miss Winkworth [repub. in London, 1884]. Complete translations of Luther's hymns have been published by Dr. John Anderson, 1846 (2nd ed. 1847), Dr. John Hunt, 1853, Richard Massie, 1854, and Dr. G. Macdonald in the Sunday Magazine, 1867, and his Exotics, 1876. The other versions are given in detail in the notes on the individual hymns. ii. Classified List of Luther's Hymns. Of Luther's hymns no classification can be quite perfect, e.g. No. 3 (see below) takes hardly anything from the Latin, and No. 18 hardly anything from the Psalm. No. 29 is partly based on earlier hymns (see p. 225, i.). No. 30 is partly based on St. Mark i. 9-11, and xvi., 15, 16 (see p. 226, ii.). No. 35 is partly based on St. Luke ii. 10-16. The following arrangement, however, will answer all practical purposes. A. Translations from the Latin. i. From Latin Hymns: 1. Christum wir sollen loben schon. A solis ortus cardine 2. Der du bist drei in Einigkeit. O Lux beata Trinitas. 3. Jesus Christus unser Heiland, Der von. Jesus Christus nostra salus 4. Komm Gott Schopfer, heiliger Geist. Veni Creator Spiritus, Mentes. 5. Nun komm der Beidenheiland. Veni Redemptor gentium 6. Was flirchst du Feind Herodes sehr. A solis ortus cardine ii. From Latin Antiphons, &c.: 7. Herr Gott dich loben wir. Te Deum laudamus. 8. Verleih uns Frieden gnädiglich. Dapacem, Domine 9. Wir glauben all an einen Gott. iii. Partly from the Latin, the translated stanzas being adopted from Pre-Reformation Versions: 10. Komm, heiliger Geist, Herre Gott. 11. Mitten wir im Leben sind. Media vita in morte sumus. B. Hymns revised and enlarged from Pre-Reformation popular hymns. 12. Gelobet seist du Jesus Christ. 13. Gott der Vater wohn uns bei. 14. Gott sei gelobet und gebenedeiet. 15. Nun bitten wir den heiligen Geist. C. Psalm versions. 16. Ach Gott vom Himmel, sieh darein. 17. Aus tiefer Noth schrei ich zu dir. 18. Ein' feste Burg ist unser Gott. 19. Es spricht der Unweisen Mund wohl. 20. Es wollt uns Gott genädig sein. 21. War Gott nicht mit uns diese Zeit. 22. Wohl dem, der in Gotten Furcht steht. D. Paraphrases of other portions of Holy Scripture. 23. Diess sind die heilgen zehn Gebot. 24. Jesaia dem Propheten das geschah. 25. Mensch willt du leben seliglich. 26. Mit Fried und Freud ich fahr dahin. 27. Sie ist mir lieb die werthe Magd. 28. Vater unser im Himmelreich. E. Hymns mainly Original. 29. Christ lag in Todesbanden. 30. Christ unser Herr zum Jordan kam. 31. Ein neues Lied wir heben an. 32. Erhalt uns Herr bei deinem Wort. 33. Jesus Christus unser Heiland, Der den, 34. Nun freut euch lieben Christengemein. 35. Vom Himmel hoch da komm ich her. 36. Vom Himmel kam der Engel Schaar. In addition to these — 37. Fur alien Freuden auf Erden. 38. Kyrie eleison. In the Blätter fur Hymnologie, 1883, Dr. Daniel arranges Luther's hymns according to what he thinks their adaptation to modern German common use as follows:— i. Hymns which ought to be included in every good Evangelical hymn-book: Nos. 7-18, 20, 22, 28, 29, 30, 32, 34, 35, 36, 38. ii. Hymns the reception of which into a hymn-book might be contested: Nos. 2, 3, 4, 19, 21, 22, 23, 24, 25, 33. iii. Hymns not suited for a hymn-book: Nos. 1, 5, 6, 27, 31, 37. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Michael Praetorius

1571 - 1621 Person Name: M. Praetorius, 1571-1621 Arranger of "VON HIMMEL HOCH" in Evangelical Lutheran Hymnary Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman

Catherine Winkworth

1827 - 1878 Translator of "From Heaven High I Come to You" in Trinity Hymnal (Rev. ed.) Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church
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