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[Freundlich ruft der Heiland und locket Tag für Tag]
Appears in 3 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 55123 31221 65551 Used With Text: Folge mir
[Freundlich ruft der Heiland und locket Tag für Tag]
Folge mir, folge mir, Troester
Author: Wilhelm Appel Hymnal: Himmelwaerts, eine Sammlung Geistlicher Lieder für Sonntagschulen und Jugendvereine [Mit Anhang] #ad44 (1899) First Line: Freundlich ruft der Heiland
Folge mir, folge mir, Troester
Folge mir, folge mir, Troester
Author: Wilhelm Appel Hymnal: Himmelwaerts, eine Sammlung Geistlicher Lieder für Sonntagschulen und Jugendvereine #d44 (1899) First Line: Freundlich ruft der Heiland Languages: German
Folge mir, folge mir, Troester
Chas. H. Gabriel
1856 - 1932 Composer of "[Freundlich ruft der Heiland und locket Tag für Tag]" in Jubel-Klänge Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
