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At the Cross Her Station Keeping

Author: Edward Caswall; Jacopone, da Todi Meter: 8.8.7.8.8.7 Appears in 134 hymnals First Line: At the cross her station keeping Stood a mournful mother weeping Text Sources: Latin, 12th cent.; Tr.: Hymnal 1982

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STABAT MATER

Meter: 8.8.7.8.8.7 Appears in 64 hymnals Tune Sources: Mayence, 1661 Tune Key: G Major Incipit: 12323 54332 17676 Used With Text: At the cross her station keeping
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STABAT MATER

Meter: 8.8.7.8.8.7 Appears in 10 hymnals Tune Sources: Mechlin Plainsong, Mode IV Tune Key: G Major Incipit: 21234 31214 43216 Used With Text: At the cross her station keeping
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[At the Cross her station keeping]

Meter: 8.6.8.6 Appears in 1 hymnal Tune Sources: Italian 17 Cent. Tune Key: C Major Incipit: 67665 56611 11171 Used With Text: At the Cross her station keeping

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At the cross her station keeping

Author: Caswall; Jacobus de Benedictis Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #103 (1894) Meter: 8.8.7.8.8.7 Lyrics: 1 At the cross her station keeping Stood the mournful mother weeping, Where He hung, the dying Lord; For her soul of joy bereavèd, Bowed with anguish deeply grievèd, Felt the sharp and piercing sword. 2 Oh, how sad and sore distressèd, Now was she, that mother blessèd Of the sole-begotten One; Deep the woe of her affliction, When she saw the crucifixion Of her ever-glorious Son. 3 Who, on Christ's dear mother gazing, Pierced by anguish so amazing, Born of woman, would not weep? Who, on Christ's dear mother thinking, Such a cup of sorrow drinking, Would not share her sorrows deep? 4 For His people's sins chastisèd, She beheld her Son despisèd, Scourged and crowned with thorns entwined; Saw Him then from judgment taken, And in death by all forsaken, Till His spirit He resigned. 5 Jesu, may her deep devotion Stir in me the same emotion, Fount of love, Redeemer kind; That my heart fresh ardor gaining, And a purer love attaining, May with Thee acceptance find. Amen. Languages: English Tune Title: [At the cross her station keeping]
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At the Cross, Her Station Keeping

Author: Edward Caswall Hymnal: The Cyber Hymnal #26 Meter: 8.8.7.8.8.7 Lyrics: 1. At the cross, her station keeping, Stood the mournful mother weeping, Where He hung, the dying Lord; For her soul of joy bereavèd, Bowed with anguish, deeply grievèd, Felt the sharp and piercing sword. 2. Oh, how sad and sore distressèd Now was she, that mother blessèd Of the sole begotten One; Deep the woe of her affliction, When she saw the crucifixion Of her ever glorious Son. 3. Who, on Christ’s dear mother gazing Pierced by anguish so amazing Born of woman, would not weep? Who, on Christ’s dear mother thinking Such a cup of sorrow drinking Would not share her sorrows deep? 4. For His people’s sins chastisèd, She beheld her Son despisèd, Scourged, and crowned with thorns entwined; Saw Him then from judgment taken, And in death by all forsaken, Till His Spirit He resigned. 5. Jesu, may her deep devotion Stir in me the same emotion, Fount of love, Redeemer kind, That my heart fresh ardor gaining, And a purer love attaining, May with Thee acceptance find. Languages: English Tune Title: STABAT MATER (Dykes)
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At the cross her station keeping

Author: Jacopone da Todi, d. 1306; Edward Caswall, 1814-1878 Hymnal: Complete Anglican Hymns Old and New #51 (2000) Meter: 8.8.7 First Line: At her cross her station keeping Lyrics: 1 At the cross her station keeping, stood the mournful mother weeping, close to Jesus to the last. 2 Through her heart, his sorrow sharing, all his bitter anguish bearing, now at length the sword has passed. 3 O, how sad and sore distressed was that mother highly blest, of the sole-begotten One. 4 Christ above in torment hangs; she beneath beholds the pangs of her dying glorious Son. 5 Is there one who would not weep, whelmed in miseries so deep, Christ's dear mother to behold? 6 Can the human heart refrain from partaking in her pain, in that mother's pain untold? 7 Bruised, derided, cursed, defiled, she behold her tender child, all with bloody scourges rent. 8 For the sins of his own nation, saw him hang in desolation, till his spirit forth he sent. 9 O thou mother! Fount of love! Touch my spirit from above, make my heart with thine accord. 10 Make me feel as thou hast felt; make my soul to glow and melt with the love of Christ my Lord. 11 Holy Mother, pierce me through, in my heart each wound renew of my Saviour crucified. 12 Let me share with thee his pain who for all my sins was slain, who for me in torments died. 13 Let me mingle tears with thee, mourning him who mourned for me, all the days that I may live. 14 By the cross with thee to stay, there with thee to weep and pray, this I ask of thee to give. Topics: Passiontide; The Suffering Community; Year B Palm Sunday: Liturgy of the Passion; Year C Epiphany 4; Years A, B, and C Good Friday; Years A, B, and C Mothering Sunday Scripture: Isaiah 53:8 Languages: English Tune Title: STABAT MATER

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Anonymous

Person Name: Unknown Translator of "At the Cross Her Station Keeping " in Hymnal of Christian Unity In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Samuel Webbe

1740 - 1816 Person Name: Samuel Webbe (1740-1816) Adapter of "STABAT MATER" in Church Hymnary (4th ed.) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

Edward Caswall

1814 - 1878 Translator of "At the cross her station keeping" in The Hymnal Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ===================== Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:— (1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others. (2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858. (3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865. (4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907) ====================== Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:— 1. Christian soul, dost thou desire. After Holy Communion. 2. Come, let me for a moment cast. Holy Communion. 3. O Jesu Christ [Lord], remember. Holy Communion. 4. Oft, my soul, thyself remind. Man's Chief End. 5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep." 6. The glory of summer. Autumn. 7. This is the image of the queen. B. V. M. His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:— 1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii. 2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i. 3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158. 4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i. 5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii. 6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii. 7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i. The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:— IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865. As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)