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Catherine Winkworth

1827 - 1878 Translator of "Dayspring of eternity" in The Mennonite Hymnal Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church

Christian Knorr von Rosenroth

1636 - 1689 Person Name: Christian Knorr von Rosenroth Author of "Dayspring of eternity" in The Mennonite Hymnal Knorr, Christian, Baron von Rosenroth, son of Abraham Knorr yon Rosenroth, pastor at Altrauden in Silesia, was born at Altrauden, July 15, 1636. After studying at the Universities of Leipzig (where he graduated M.A. 1659, along with J. B. Carpzov, the famous Orientalist) and Wittenberg, he made an extended tour through France, England, and Holland. At Amsterdam he became acquainted with an Armenian prince, with the chief Rabbi, Meier Stern, from Frankfurt-am-Main, with Dr. John Lightfoot, Dr. Henry More, and others, and as the result of intercourse with them, devoted himself to the study of the Oriental languages, of chemistry, and of the cabalistic sciences. For his learning in these departments he was taken into the service of the like-minded Palsgrave Christian August of Sulzbach, who in 1668 appointed him Geheimrath and prime minister (Kanzlei-director). He was created Baron von Rosenroth by the Emperor Leopold I. in 1677, and died at Sulzbach (near Amberg, Bavaria), May 8, 1689, it is said at the hour he had himself predicted. (Wetzel, ii. 43, and A. H., ii. 444; Hömer's Nachrichten von Liederdichtern, Schwabach, 1775, p. 142, &c.) Knorr edited various Rabbinical writings, published various cabalistic works (e.g. his Kabbala denudata, 2 vols., Sulzbach, 1677), and was one of the seekers after the philosopher's stone. His hymns appeared as Neuer Helicon mit seiner Neun Musen, das ist: Geistliche Sitten-Lieder, &c. Nurnberg, 1684 [Hamburg Library], a work containing 70 hymns mostly flowing in expression and metre. Of these 12 are poetic versions from Boethius's De Consolatione Philosophiae, 8 are from Latin hymns, and 8 are recasts of older German hymns. Sixteen of his hymns were included by Freylinghausen in his Gesang-Buch, 1704 and 1714. Koch speaks of them not unjustly as "truly pious and spiritual," as "of genuine poetical elevation and glowing desire after inner union with Christ," and as the fruits of a "noble and chastely earnest mysticism." Two of Knorr's hymns have passed into English. One is a translation of "Ad coenam Agni" (p. 12 ii.). The other is Morgenglanz der Ewigkeit. Morning. This fine hymn appeared, 1684, as above, p. 159, in 7 st. of 6 1., entitled " Morning Prayer," and is included in the Berlin G. L. 8., ed. 1863, No. 1121. It is based on a hymn by M. Opitz, but is more happily expressed, and has attained much greater popularity. Fischer, ii. 94, speaks of it as "one of the freshest, most original, and spirited of Morning Hymns, as if born from the dew of the sunrise." In all the translations in common use, st. ii., v. are omitted. Translated as:— 1. Light of heaven's eternal day! A good translation by A. T. Russell, as No. 68 in the Dalston Hospital Hymn Book, 1848, repeated in his own Psalms & Hymns, 1851, and the Cheltenham College Hymn Book, 1866. 2. Dayspring of Eternity! Dawn on us this morning-tide. A good translation by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 219. In full in the Hymnal for St. John's, Aberdeen, 1870, and E. Courtauld's Psalms, Hymns & Anthems, 1860; and abridged in Hymns of the Spirit Boston, U. S., 1864, Dr. Martineau's Hymns, 1873, and others. 3. Jesus, Sun of Righteousness. A good but rather free translation by Miss Borthwick, in Hymns from the Land of Luther, 2nd Ser., 1855, p. 23 (1884, p. 88), included in the Hymnal Companion, 1876; Evangelical Union Hymnal, 1878; Church Praise, 1883, &c.; and in America in the Sabbath Hymn Book, 1858; Pennsylvania Lutheran Church Book, 1868, and others. In E. T. Prust's Supplemental Hymn Book, 1869, Baptist Hymnal, 1879, and others, 1 l. 5, 6 of each st. are omitted. In Hatfield's Church Hymn Book, N. Y., 1872, Hymns & Songs of Praise, N. Y., 1874, and others, it is rewritten to 6 lines of 7's. 4. Come, Thou bright And morning star. A good translation contributed by R. Massie to the 1857 ed. of Mercer's The Church Psalter & Hymnbook., No. 502 (Ox. ed. 1864, No. 1), and in his own Lyra Domestica, 18&4, p. 136. Repeated in R. Minton Taylor's Hymnal, 1872, No. 42; Marlborough College Hymn Book, 1869 ; Rugby School Hymn Book, 1876, and others. 5. Sun of heaven's eternal day. A good translation contributed by Dr. John Ker to the United Presbyterian Juvenile Mission Magazine, 1858, p. 73; repeated in the Ibrox Hymnal 1871. 6. Dayspring of Eternity, Light of uncreated tight. By Dr. B. H. Kennedy, as No. 824 in his Hymnologia Christiana, 1863. 7. Dayspring of Eternity! Hide no more thy radiant dawning. A good translation by Miss Winkworth (based on her 1855 version), as No. 159 in her Chorale Book for England, 1863. Repeated in R. Minton Taylor's Hymnal, 1872, No. 43, and the Book of Church Praise, 1865 (Bosworth). 8. Dayspring of Eternity, Brightness of the Father's glory. A good but free translation by J. H. Hopkins, first published in Dr. Walter's Chorals & Hymns, 1866, and then in his own Carols, Hymns & Songs, 1882, p. 145. Included in the Hymns & Songs of Praise, N. Y., 1874. 9. Dayspring of Eternity, Brightness of the Light divine. In Brown-Borthwick's Select Hymns, 1871, and Church Hymns, 1871, compiled mainly from the translations by Miss Winkworth an« Miss Borthwick, but partly from Dr. Kennedy and Mr. Russell. Thence in J. L. Porter's Collection, 1876, and the Psalmist, 1878. 10. Dayspring of eternal day. A good translation by Edward Thring, contributed to the Uppingham and Sherborne School Hymn Book, 1874, No. 5. Other trs. are: (1) "Day-dawn of Eternity," by H. J. Buckoll, 1842, p. 35. (2) "Daystar from Eternity," in J. Sheppard's Foreign Sacred Lyre, 1857, p. 84. (3) and Reid's Praise Book, 1812, No. 404. [Rev. J. Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ===================== Knorr, Christian, Baron von Rosenroth, p. 620, i. E. Thring's translation of "Morgenglanz der Ewigkeit" (p. 630, i. 10), is altered in the Sherborne School Hymn Book, 1888, to "Day spring of Eternity, Light from depths of light unending." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Johann Rudolf Ahle

1625 - 1673 Person Name: Johann Rudolph Ahle Composer of "MORGENGLANZ DER EWIGKEIT" in The Mennonite Hymnal Johann Rudolph Ahle, b. Mühlhausen, 1625; Ahle studied theology at Erfurt University. Little is known about his musical education, but be became well known as an organist while he was in Erfurt. He returned to Mühlhausen and became an organist at St. Blasius Church, he composed organ music but is know for his sacred choral music. He was the father of Johann Georg, who was also a composer and succeeded his father as organist at St. Blasius Church. Johann Rudolf became mayor of Mühlhausen late in his life and died there in 1673. Dianne Shapiro (from Bach Cantatas Website www.bach-cantatas.com/Lib/Ahle-Johann-Rudolf.htm)

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