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George Duffield

1818 - 1888 Hymnal Number: 447 Author of "Stand Up, Stand Up for Jesus" in The Hymnal and Order of Service Duffield, George, Jr., D.D., son of the Rev. Dr. Duffield, a Presbyterian Minister, was born at Carlisle, Pennsylvania, Sept. 12, 1818, and graduated at Yale College, and at the Union Theological Seminary, New York. From 1840 to 1847 he was a Presbyterian Pastor at Brooklyn; 1847 to 1852, at Bloomfield, New Jersey; 1852 to 1861, at Philadelphia; 1861 to 1865, at Adrian, Michigan; 1865 to 1869, at Galesburg, Illinois; 1869, at Saginaw City, Michigan; and from 1869 at Ann Arbor and Lansing, Michigan. His hymns include;— 1. Blessed Saviour, Thee I love. Jesus only. One of four hymns contributed by him to Darius E. Jones's Temple Melodies, 1851. It is in 6 stanzas of 6 lines. In Dr. Hatfield's Church Hymnbook it is given in 3 stanzas. The remaining three hymns of the same date are:— 2. Parted for some anxious days. Family Hymn. 3. Praise to our heavenly Father, God. Family Union. 4. Slowly in sadness and in tears. Burial. 5. Stand up, stand up for Jesus. Soldiers of the Cross. The origin of this hymn is given in Lyra Sac. Americana, 1868, p. 298, as follows:— "I caught its inspiration from the dying words of that noble young clergyman, Rev. Dudley Atkins Tyng, rector of the Epiphany Church, Philadelphia, who died about 1854. His last words were, ‘Tell them to stand up for Jesus: now let us sing a hymn.' As he had been much persecuted in those pro-slavery days for his persistent course in pleading the cause of the oppressed, it was thought that these words had a peculiar significance in his mind; as if he had said, ‘Stand up for Jesus in the person of the downtrodden slave.' (Luke v. 18.)" Dr. Duffield gave it, in 1858, in manuscript to his Sunday School Superintendent, who published it on a small handbill for the children. In 1858 it was included in The Psalmist, in 6 stanzas of 8 lines. It was repeated in several collections and in Lyra Sac. Amer., 1868, from whence it passed, sometimes in an abbreviated form, into many English collections. [Rev. F. M. Bird, M.A.] - John Julian, Dictionary of Hymnology (1907) See also in: Hymn Writers of the Church

William Williams

1717 - 1791 Hymnal Number: 452 Author of "Guide Me, O Thou Great Jehovah" in The Hymnal and Order of Service William Williams, called the "Watts of Wales," was born in 1717, at Cefn-y-coed, near Llandovery, Carmarthenshire. He originally studied medicine, but abandoned it for theology. He was ordained Deacon in the Church of England, but was refused Priest's Orders, and subsequently attached himself to the Calvinistic Methodists. For half a century he travelled in Wales, preaching the Gospel. He died in 1791. Williams composed his hymns chiefly in the Welsh language; they are still largely used by various religious bodies in the principality. Many of his hymns have appeared in English, and have been collected and published by Sedgwick. His two principal poetical works are "Hosannah to the Son of David," and "Gloria in Excelsis." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ===================== Williams, William, of Pantycelyn, was the Sweet Singer of Wales. He was born at Cefn-y-Coed, in the Parish of Llanfair-y-bryn, near Llandovery, in 1717. He was ordained a deacon of the Established Church in 1740, by Dr. Claget, Bishop of St. Davids, and for three years he served the Curacies of Llan-wrtyd and Llanddewi-Abergwesyn. He never received Priest's Orders. He became early acquainted with the revivalist Daniel Rowlands, and for thirty-five years he preached once a month at Llanllian and Caio and Llansawel, besides the preaching journeys he took in North and South Wales. He was held in great esteem as a preacher. In 1744 his first book of hymns appeared under the title of Halleluiah, and soon ran through three editions. In1762, he published another book under the title of Y Môr o Wydr, which soon went through five editions. His son John published an excellent edition of his hymns in the year 181lines In addition to his Welsh hymns Williams also published several in English as:— (1.) Hosannah to the Son of David; or, Hymns of Praise to God, For our glorious Redemption by Christ. Some few translated from the Welsh Hymn-Book, but mostly composed on new Subjects. By William Williams. Bristol: Printed by John Grabham, in Narrow-Wine Street, 1759. This contains 51 hymns of which 11 are translated from his Welsh hymns. This little book was reprinted by D. Sedgwick in 1859. (2.) Gloria in Excelsis: or, Hymns of Praise to God and the Lamb. By W. Williams . . . Carmarthen. Printed for the Author by John Ross, removed to Priory Street, near the Church, M.DCC.LXXI. This contains 70 hymns, not including parts. From these volumes the following hymns are in common use:— i. From the Hosannah, 1759:— 1. Jesus, my Saviour is enough. Jesus, All in All. 2. My God, my God, Who art my all. Communion with God desired. 3. The enormous load of human guilt. God's love unspeakable. ii. From the Gloria in Excelsis, 1772. 4. Awake, my soul, and rise. Passiontide. 5. Beneath Thy Cross I lay me down. Passiontide. 6. Hark! the voice of my Beloved. The Voice of Jesus. 7. Jesus, lead us with Thy power. Divine Guidance Desired. Sometimes given as "Father, lead us with Thy power." 8. Jesus, Whose Almighty sceptre. Jesus as King. 9. Saviour, look on Thy beloved. The Help of Jesus desired. 10. White and ruddy is my Beloved. Beauties of Jesus. Williams is most widely known through his two hymns, "Guide me, O Thou great Jehovah," and "O'er those gloomy hills of darkness." Williams died at Pantycelyn, Jan. 11, 1791. [Rev. W. Glanffrwd Thomas] -- John Julian, Dictionary of Hymnology (1907) ================= See also in: Hymn Writers of the Church

Joseph Mohr

1792 - 1848 Hymnal Number: 46 Author of "Silent Night! Holy Night!" in The Hymnal and Order of Service Joseph Mohr was born into a humble family–his mother was a seamstress and his father, an army musketeer. A choirboy in Salzburg Cathedral as a youth, Mohr studied at Salzburg University and was ordained in the Roman Catholic Church in 1815. Mohr was a priest in various churches near Salzburg, including St. Nicholas Church. He spent his later years in Hintersee and Wagrein. Bert Polman ================= Mohr, Joseph, was born at Salzburg, Austria, on Dec. 11, 1792. After being ordained priest on Aug. 21, 1815, by the Roman Catholic Bishop of Salzburg, he was successively assistant at Ramsau and at Laufen; then coadjutor at Kuchl, at Golling, at Vigaun, at Adnet, and at Authering; then Vicar-Substitute at Hof and at Hintersee--all in the diocese of Salzburg. In 1828 he was appointed Vicar at Hintersee, and in 1837 at Wagrein, near St. Johann. He died at Wagrein, Dec. 4, 1848. The only hymn by him translated into English is:— Stille Nacht! heilige Nacht! Christmas. This pretty little carol was written for Christmas, 1818, while Mohr was assistant clergyman at Laufen, on the Salza, near Salzburg, and was set to music (as in the Garland of Songs) by Franz Gruber, then schoolmaster at the neighbouring village of Arnsdorf (b. Nov. 25, 1787, at Hochburg near Linz, died June 7, 1863, as organist at Hallein, near Salzburg). What is apparently the original form is given by 0. Kraus, 1879, p. 608, in 3 stanzas of 6 lines, and in Dr. Wichern's Unsere Lieder, Hamburg, 1844, No. 111. Another form, also in 3 stanzas of 6 lines, is in T. Fliedner's Lieder-Buch für Kleinkinder-Schulen, Kaiserswerth, 1842, No. 115, and the Evangelical Kinder Gesang-Buch, Basel, 1867. The translations are from the text of 1844. 1. Holy night! peaceful night! All is dark. By Miss J. M. Campbell in C. S. Bere's Garland of Songs, 1863, and thence in Hymns & Carols, London, 1871. 2. Silent night! hallowed night. Land and deep. This is No. 131 in the Christian Hymn Book, Cincinnati, 1865. It is suggested by, rather than a translation of the German. 3. Holy night! peaceful night! Through the darkness. This is No. 8 in J. Barnby's Original Tunes to Popular Hymns, Novello, N. D., 1869; repeated in Laudes Domini, N.Y., 1884, No. 340. 4. Silent night! holy night! All is calm. This is in C. L. Hutchins's Sunday School Hymnal, 1871 (1878, p. 198), and the Sunday School Hymn Book of the Gen. Council of the Evangelical Lutheran Church in America, 1873, No. 65. 5. Peaceful night, all things sleep. This is No. 17, in Carols for St Stephen's Church, Kirkstall, Leeds, 1872. 6. Silent night, holiest night. All asleep. By Dr. A. Edersheim, in the Sunday at Home, Dec. 18, 1875, repeated in the Church Sunday School Hymn Book, 1879, No. 35. 7. Silent night! holy night! Slumber reigns. By W. T. Matson, as No. 132, in Dr. Allon's Children's Worship, 1878. 8. Still the night, holy the night! Sleeps the world. By Stopford A. Brooke, in his Christian Hymns, 1881, No. 55. Translations not in common use:-- (1) "Stilly night, Holy night, Silent stars," by Miss E. E. S. Elliott, privately printed for the choir of St. Mark's, Brighton, about 1858, but first published in the Church Missionary Juvenile Instructor, 1871, p. 198. Also in her Tune Book for Under the Pillow, 1880. (2) "Holy night! calmly bright," by Mary D. Moultrie in Hymns & Lyrics by Gerard Moultrie, 1867, p. 42. (3) "Silent night, holiest night! Moonbeams," by C. T. Brooks, In his Poems, Boston, U. S., 1885, p. 218. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907) ================ Mohr, Joseph, p. 760, ii. The translation "Stilly night, starry and bright," in Farmer's Glees & Songs for High Schools, 1881, p. 36, is by Archdeacon Farrar. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in: Hymn Writers of the Church

E. S. Elliott

1836 - 1897 Person Name: Emily Elizabeth Steele Elliott Hymnal Number: 47 Author of "Thou Didst Leave Thy Throne" in The Hymnal and Order of Service Elliott, Emily Elizabeth Steele, third daughter of the late Rev. E. B. Elliott, of Brighton, author of the Horae Apocalypticae was born at Brighton, and now [1887] lives in London. She has contributed hymns, some of which have obtained wide acceptance, to the choir manuals, and Additional Hymns, 1866 (Nos. 8, 34) for use in St. Mark's Church, Brighton; to the Church Missionary Juvenile Instructor, which she edited for six years. Her Chimes of Consecration, a volume of 70 hymns and poems, was published in 1873, and her Chimes for Daily Service in 1880. The latter contains 71 hymns in two parts. The second part of 48 hymns is also published separately as Under the Pillow, for use as a cheap large type hymn-book (with corresponding tune-book) for hospitals and infirmaries and the sick generally. Her hymn, “Let us keep the feast" (Holy Communion), was first published in The Feast of Sacrifice and The Feast of 'Remembrance, 1865, in 5 stanzas of 5 lines. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ================= Elliott, Emily E. 8., p. 328, ii. The following additional hymns by Miss Elliott have recently come into common use:— 1. Brothers, sisters, pray for us. [Missionaries' Farewell.] Appeared in the C. M. Gleaner, Sept. 1896, p. 14?, and entitled "The Missionaries' Departing Petition." In the Church Miss. Hymn Book, 1899. 2. Rabboni, Master, we have heard. [Consecration of Self to Duty.] In theC. M. Gleaner, Dec. 1895, p. 195. It was sung for the first time at the Gleaners' Union Anniversary, 1895. In the Church Miss. Hymn Book, 1899. 3. Full consecration! heart and spirit yielded. [Full Consecration.] Given in Hymns of Consecration and Faith, 1902. 4. They come and go, the seasons fair, [Second Advent.] In the C. M. Gleaner, Nov. 1891, p. 172, as "What will be when the King comes?" It was sung for the first time at the Gleaners' Union Anniversary, Oct. 30, 1891. In the Church Miss. Hymn Book, 1899. Miss Elliott was born at Brighton, July 22, 1836, and died at Mildmay, London, Aug. 3, 1897. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Thomas Moore

1779 - 1852 Hymnal Number: 477 Author (st. 1-2) of "Come, Ye Disconsolate, Where'er Ye Languish" in The Hymnal and Order of Service Thomas Moore United Kingdom 1779-1852. Born at Dublin, Ireland, the son of a grocer, he showed an early interest in music and acting. He was educated at a private school and Trinity College, Dublin. He read at the Middle Temple for the Bar. Moore did not profess religious piety. His translations of ‘Anacreon’ (celebrating wine, women, and song) were published in 1800, with a dedication to the Prince of Wales. He also wrote a comic opera, “the gypsy prince”, staged that year. In 1801 he published a collection of his own verse, “Poetical works of the late Thomas Little Esq”. A Catholic patriot, he defended the Church of Ireland, especially in later politics. In 1803 he held a post under the Government in Bermuda as registrar of the Admiralty Prize Court. He was bored of it within six months and appointed a deputy to take his place while he left for a tour of North America. He secured high society introductions and even met with President, Thomas Jefferson. Returning to England in 1804, he published “Epistles, Odes, & other poems” in 1806. Moore criticized American slavery and was accused of licentious writings, veiled as refinement. Francis Jeffrey denounced Moore’s writings in the ‘Edinburgh Review’, and Moore challenged him to a duel, but it never happened, and they became friends. Between 1808-1810 he was found acting in various plays, favoring comic roles. He met the sister of one of the actresses and, in 1811, they married. Elizabeth ‘Bessy’ Dyke, was an actress. She had no dowry, and Moore kept their marriage secret from his parents for some time, as his wife was Protestant. Bessie shrank from fashionable society, but those who met her held her in high regard. They had five children, but none survived to adulthood. Three girls died young, and both sons lost their lives as young men. One son, Tom, died in some disgrace in the French Foreign Legion in Algeria. Despite these losses, their marriage was said to be a happy one. He also had political trouble. The man he appointed as his replacement in Bermuda was found to have embezzled 6000 pounds sterling, a large sum, for which Moore was liable. He left for France in 1819 to escape debtor’s prison. He also met Lord Byron in Venice and was entrusted with a manuscript of his memoirs, which he promised to have published after Byron’s death. Moore’s wife and children joined him in Paris, where he learned that some of the debt was repaid with help from Lord Lansdowne, whom Moore had given a draft of money from payment by his publisher. The family returned to England a year later. To support his family Moore entered the field of ‘squib writing’ on behalf of his Whig friends. This resulted in years of political debate about Catholics and Protestants in government. Nearly persuaded to forego his Catholic allegiance in favor of Protestantism, he finally concluded that Protestants did not make a sound case for their faith, as they denounced Catholics so vociferously for erroneous teaching. From 1835 -1846 Moore published a four volume “History of Ireland”, which was basically an indictment of English rule over Ireland. He was primarily a writer, poet, entertainer, and composer, considered politically as a writer for the aristocratic Whigs. His “Sacred songs” (32) were published in 1816, and again, in his “collected works” in 1866. His “Memoirs, Journal, and Correspondence” were published by Lord John Russell in 1855. Moore is essentially remembered for his highly-praised lyrics written for Irish melodies, as requested by his publishers, and his memoirs of Lord Byron, his friend. He died at Bromham, Wilshire, England. John Perry ================== Moore, Thomas, son of John Moore, a small tradesman at Dublin, was born in that city, May 28, 1779, educated at a private school and Trinity College, Dublin; read at the Middle Temple for the Bar; held a post under the Government in Bermuda for a short time, and died Feb. 26, 1852. His Memoirs, Journal, and Correspondence were published by Lord John Russell in 1855. In that work every detail concerning himself and his numerous publications, most of them of high poetical merit, will be found. His connection with hymnody is confined to his Sacred Songs, which were published in 1816, and again in his Collected Works, 1866. These Songs were 32 in all, and were written to popular airs of various nations. Of these Songs the following have passed into a few hymnbooks, mainly in America:— 1. As down in the sunless retreats of the ocean. Private Prayer. 2. But who shall see the glorious day. The Final Bliss of Man. 3. Come, ye disconsolate, where'er you languish. Belief in Prayer. In American hymnbooks the text is sometimes as in T. Hastings and Lowell Mason's Spiritual Songs, 1831. This may be distinguished from the original by the third stanza, which reads, "Here see the Bread of life; see waters flowing," &c. 4. Fallen is thy throne, O Israel. Israel in Exile. 5. Like morning when her early breeze. Power of Divine Grace. 6. O Thou Who driest the mourner's tear. Lent. 7. Since first Thy word [grace] awaked my heart. God All and in All. 8. Sound the loud timbrel o'er Egypt's dark sea. Deliverance of Israel. 9. The bird [dove] let loose in eastern skies. Prayer for Constancy. 10. The turf shall be my fragrant shrine. The Temple of Nature. From this "There's nothing bright above, below" is taken. 11. Thou art, O God, the Life and Light. God, the Light and Life of Men. 12. Were not the sinful Mary's tears? Lent. Of these hymns No. 11 has attained the greatest popularity. --John Julian, Dictionary of Hymnology (1907)

John Kent

1766 - 1843 Hymnal Number: 481 Author of "What Cheering Words are These!" in The Hymnal and Order of Service Kent, John, was born at Bideford, Devonshire, Dec. 1766, and died Nov. 15, 1843. As a working shipwright his opportunities for acquiring the education and polish necessary for the production of refined verse were naturally limited. His hymns are strongly worded, very earnest and simple, and intensely Calvinistic. A few were published in Samuel Reece's Collection, 1799. The first edition of his Collection of Original Gospel Hymns, was published in 1803, and the 10th edition, with "The Author's Experience," in verse, 264 hymns, 15 longer pieces, and a Life by his Son in 1861. The Calvinistic teaching so prominent in his hymns has restricted their use to a limited number of collections. The greatest use made of them in modern hymnbooks has been by Mr. Spurgeon (Our Own Hymn Book, 1866) and Mr. Snepp (Songs of Grace & Glory, 1872). In the following list the dates in brackets indicate the dates of publication:— 1. Before the Almighty began (1841). Election. 2. Betroth'd in love, ere time began (1803). Election. 3. Christ exalted is our song (1803). Christ the sin tier's Surety. 4. Come saints, and sing in sweet accord (1803). Stability of the Covenant. 5. Hark, how the blood-bought host above (1803). Election. 6. How sweet the notes of yonder choir (1841). Christmas. 7. In types and shadows we are told (1803). Pardon. 8. Indulgent God, how kind (1803). Electing Love. 9. Let Zion in her songs record (1803). Pardon--Grace exalted. 10. Love was the great self-moving cause (1803). Free Grace. 11. Precious is the Name of Jesus (1841). The Precious Name. 12. Salvation by grace, how charming the song (1803). Free Grace. 13. Saved from the damning power of sin (1803). Eternal Love. 14. Sons of God, in tribulation (1803). Affliction. 15. Sons of peace, redeemed by blood (1803). Good Friday. 16. Sovereign grace o'er sin abounding (1827). Perseverance of the faint. 17. 'Tis the Church triumphant singing (1803). Praise. 18. 'Twas not to make Jehovah's love (1803). Election. 19. 'Twas with an everlasting love (1803). Election. 20. What cheering words are these (1803). Safety in God. 21. With David's Lord, and ours (1803). The Divine Covenant. -- John Julian, Dictionary of Hymnology (1907)

Johann Anastasius Freylinghausen

1670 - 1739 Hymnal Number: 486 Author of "O Jesus, Source of Calm Repose" in The Hymnal and Order of Service Freylinghausen, Johann Anastasius, son of Dietrich Freylinghausen, merchant and burgomaster at Gandersheim, Brunswick, was born at Gandersheim, Dec. 2, 1670. He entered the University of Jena at Easter, 1689. Attracted by the preaching of A. H. Francke and J. J. Breithaupt, he removed to Erfurt in 1691, and at Easter, 1692, followed them to Halle. About the end of 1693 he returned to Gandersheim, and employed himself as a private tutor. In 1695 he went to Glaucha as assistant to Francke; and when Francke became pastor of St. Ulrich's, in Halle,1715, Freylinghausen became his colleague, and in the same year married his only daughter. In 1723 he became also sub-director of the Paedagogium and the Orphanage; and after Francke's death in 1727, succeeded him as pastor of St. Ulrich's and director of the Francke Institutions. Under his fostering care these Institutions attained their highest development. From a stroke of paralysis in 1728, and a second in 1730, he recovered in great measure, but a third in 1737 crippled his right side, while the last, in Nov., 1738, left him almost helpless. He died on Feb. 12, 1739, and was buried beside Francke (Koch, vi. 322-334; Allgemine Deutsche Biographie, vii. 370-71; Bode, pp. 69-70; Grote's Introduction, &c.) Almost all Freylinghausen's hymns appeared in his own hymnbook, which was the standard collection of the Halle school, uniting the best productions of Pietism with a good representation of the older "classical" hymns. This work, which greatly influenced later collections, and was the source from which many editors drew not only the hymns of Pietism, but also the current forms of the earlier hymns (as well as the new "Halle" melodies, a number of which are ascribed to Freylinghausen himself) appeared in two parts, viz.:— i. Geistreiches Gesang-Buch, den Kern alter und neuer Lieder...in sich haltend &c, Halle. Gedrucktund verlegt im Waysen-Hause, 1704 [Hamburg], with 683 hymns and 173 melodies. To the second edition, 1705 [Rostock University], an Appendix was added with Hymns 684-758, and 21 melodies. Editions 3-18 are practically the same so far as the hymns are concerned, save that in ed. 11, 1719 [Berlin], and later issues, four hymns, written by J. J. Rambach at Freylinghausen's request, replaced four of those in eds. 1-10. ii. Neues Geistreiches Gesangbuch,&c, Halle . . . 1714 [Berlin], with 815 hymns and 154 melodies. In the 2nd edition, 1719 [Rostock University], Hymns 816-818, with one melody, were added. In 1741 these two parts were combined by G. A. Francke, seven hymns being added, all but one taken from the first edition, 1718, of the so-called Auszug, which was compiled for congregational use mainly from the original two parts: and this reached a second, and last, edition in 1771. So far as the melodies are concerned, the edition of 1771 is the most complete, containing some 600 to 1582 hymns. (Further details of these editions in the Blätter für Hymnologie, 1883, pp. 44-46, 106-109; 1885, pp. 13-14.) A little volume of notes on the hymns and hymnwriters of the 1771 edition, compiled by J. H. Grischow and completed by J. G. Kirchner, and occasionally referred to in these pages, appeared as Kurzgefasste Nachricht von ältern und ncuern Liederverfassern at Halle, 1771. As a hymnwriter Freylinghausen ranks not only as the best of the Pietistic school, but as the first among his contemporaries. His finest productions are distinguished by a sound and robust piety, warmth of feeling depth of Christian experience, scripturalness, clearness and variety of style, which gained for them wide acceptance, and have kept them still in popular use. A complete edition of his 44 hymns, with a biographical introduction by Ludwig Grote, appeared as his Geistliche Lieder, at Halle, 1855. A number of them, including No. v., are said to have been written during severe attacks of toothache. Two (“Auf, auf, weil der Tag erschienen"; "Der Tag ist hin") are noted under their own first lines. i. Hymns in English common use: -- i. Monarche aller Ding. God's Majesty. 1714, as above, No. 139, in 11 stanzas of 6 lines, repeated in Grote, 1855, p. 88, and as No. 38 in the Berlin Geistliche Lieder, ed. 1863. A fine hymn of Praise, on the majesty and love of God. Translated as:— Monarch of all, with lowly fear, by J. Wesley, in Hymns & Sacred Poems, 1739 (P. Works, 1868-1872, vol. i. p. 104), in 8 stanzas of 4 lines, from st. i., ii., v.-vii., ix.-xi. Repeated in full in the Moravian Hymnbook, 1754, pt. i., No. 456 (1886, No. 176); and in J. A. Latrobe's Collection, 1841. The following forms of this translation are also in common use:-- (1) To Thee, 0 Lord, with humble fear, being Wesley's st. i., iii.-v., vii., viii. altered as No. 156 in Dr. Martineau's Hymns for Christian Church & Home, 1840, and repeated in Miss Courtauld's Psalms, Hymns & Anthems, 1860, and in America in the Cheshire Association Unitarian Collection, 1844. (2) Thou, Lord, of all the parent art, Wesley's, st. iii.-v., vii. altered in the College Hymnal, N. Y., 1876. (3) Thou, Lord, art Light; Thy native ray, Wesley's st. iv., v., vii., in Hymns of the Spirit, 1864. ii. 0 reines Wesen, lautre Quelle. Penitence. Founded on Psalm li. 12, 1714, as above, No. 321, in 7 stanzas of 8 lines, repeated in Grote, 1855, p. 41, and in Bunsen's Versuch, 1833, No. 777 (ed. 1881, No. 435). The only translation in common use is:— Pure Essence: Spotless Fount of Light. A good and full translation by Miss Winkworth in the first series of her Lyra Germanica, 1855, p. 43, and in her Chorale Book for England, 1863, No. 113. iii. Wer ist wohl wie du. Names and offices of Christ. One of his noblest and most beautiful hymns, a mirror of his inner life, and one of the finest of the German "Jesus Hymns." 1704, as above, No. 66, in 14 st. of 6 l., repeated in Grote, 1855, p. 33, and is No. 96 in the Berlin Geistliche Lieder, ed. 1863. The translations in common use are: 1. 0 Jesu, source of calm repose, by J. Wesley, being a free translation of st. i., iii., v., viii., xiii. First published in his Psalms & Hymns, Charlestown, 1737 (Poetical Works, 1868-1872, vol. i. p. 161). Repeated in full as No. 462 in pt. i. of the Moravian Hymnbook, 1754. In the 1826 and later editions (1886, No. 233) it begins, "Jesus, Thou source." The original form was included as No. 49 in the Wesley Hymns & Spiritual Songs , 1753, and, as No. 343, in the Wesley Hymnbook, 1780 (1875, No. 353). Varying centos under the original first line are found in Mercer's Church Psalter & Hymn Book, 1855-1864; Kennedy , 1863; Irish Church Hymnal, 1869-1873; J. L. Porter's Collection, 1876, &c. It has also furnished the following centos:— (1) Messiah! Lord! rejoicing still, being Wesley's st. iv.-vi. altered in Dr. Martineau's Collection of Hymns for Christian Worship, 1840. (2) Lord over all, sent to fulfil, Wesley's st. iv., iii., v., vi. in the American Methodist Episcopal Hymnbook, 1849. 2. Who is like Thee, Who? a translation of st. i., ii., v., vii., x., xiii., as No. 687, in pt. i. of the Moravian Hymnbook, 1754. Translations of st. xi., xiv. were added in 1789, and the first line altered in 1801(1886, No. 234), to "Jesus, who with Thee." The translations of st. i., ii., x., xiv., from the 1801, altered and beginning, "Jesus, who can be," are included in America in the Dutch Reformed Hymns of the Church, 1869; Hymns & Songs of Praise, N. Y., 1874; and Richards's Collection, N.Y., 1881. 3. Who is there like Thee, a good translation of st. i., ii., viii., xiv., by J. S. Stallybrass, as No. 234 in Curwen's Sabbath Hymnbook, 1859, repeated in the Irish Church Hymnal, 1873, and in W. F. Stevenson's Hymns for Church & Home, 1873. 4. Who is, Jesus blest, a translation of stanzas i., ii., v., vi., xii., xiv., by M. Loy, in the Ohio Lutheran Hymnal, 1880. 5. Who, as Thou, makes blest, a good translation, omitting st. vii., ix., x., contributed by Dr. F. W Gotch to the Baptist Magazine, 1857. Repeated in the 1880 Supplement to the Baptist Psalms & Hymns, 1858. The translations not in common use are: — (1) "Whither shall we flee," by Miss Dunn, 1857, p. 55. (2) "Who has worth like Thine," in the U. P. Juvenile Miss. Magazine, 1857, p. 217. (3) "Thou art First and Best," by Miss Winkworth, 1869, p. 267. ii. Hymns translated into English but not in common use:— iv. Herr und Gott der Tag und Nächte. Evening. 1705, as above, No. 755, in 6 stanzas, Grote, p. 105. Translated by H. J. Buckoll, 1842, p. 106, beginning with stanza. ii. v. Mein Herz, gieb dioh rufrieden. Cross and Consolation. First in the Halle Stadt Gesangbuch, 1711, No. 503, in 11 stanzas; repeated 1714, No. 450, and in Grote, p. 71. Translated by Dr. G. Walker, 1860, p. 86. vi. 0 Lamm, das keine Sünde je beflecket. Passiontide. 1714, No. 85, in 19 stanzas, Grote, p. 14. Translated as, (1) "Lamb, for Thy boundless love I praises offer," of st. xii. as stanza i. of No. 1023 in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1849, No. 121). (2) "O Lamb, whom never spot of sin defiled," in the British Magazine, June, 1838, p. 625. vii. 0 Lamm, das meine Sündenlast getragen. Easter Eve. 1714, No. 95, in 8 stanzas; Grote, p. 23. Translated as "Christ Jesus is that precious grain," a translation of st. v. by F. W. Foster, as No. 71 in the Moravian Hymnbook, 1789 (1886, No. 921). viii. Zu dir, Herr Jesu, komme ich. Penitence. Founded on St. Matthew xi. 28-30. 1714, as above, No. 306, in 4 stanzas; Grote, p. 39. Translated by Dr. H. Mills, 1845 (1856, p. 80). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Carolina Sandell

1823 - 1903 Person Name: Carolina V. S. Berg Hymnal Number: 487 Author of "Children of the Heavenly Father" in The Hymnal and Order of Service Caroline W. Sandell Berg (b. Froderyd, Sweden, 1832; d. Stockholm, Sweden, 1903), is better known as Lina Sandell, the "Fanny Crosby of Sweden." "Lina" Wilhelmina Sandell Berg was the daughter of a Lutheran pastor to whom she was very close; she wrote hymns partly to cope with the fact that she witnessed his tragic death by drowning. Many of her 650 hymns were used in the revival services of Carl O. Rosenius, and a number of them gained popularity particularly because of the musical settings written by gospel singer Oskar Ahnfelt. Jenny Lind, the famous Swedish soprano, underwrote the cost of publishing a collection of Ahnfelt's music, Andeliga Sänger (1850), which consisted mainly of Berg's hymn texts. Bert Polman

E. Prentiss

1818 - 1878 Person Name: Elizabeth Prentiss Hymnal Number: 493 Author of "More Love to Thee, O Christ" in The Hymnal and Order of Service Elizabeth Payson Prentiss USA 1818-1878. Born at Portland, ME, 5th child of Congregationalist minister, Edward Payson. He died of tuberculosis in 1827, and the family moved to New York City in 1831. That year she professed faith in Christ and joined the Bleeker Street Presbyterian Church. She possessed keen abilities, including sympathy and perceptiveness. She began writing stories and poems, and contributed her works to “The youth’s companion”, a New England religious periodical. In 1838 she opened a small girls’ school in her home and took up a Sabbath-school class as well. Two years later, she moved to Richmond, VA, to be a department head at a girls’ boarding school. In 1845 she married George Lewis Prentiss, a brother of her close friend, Anna Prentiss Stearns. The Prentisses settled in New Bedford, MA, where George became pastor of South Trinitarian Church. In 1851 George became pastor of Mercer St Presbyterian Church in New York City. After a happy period in life, by 1852 she had lost two of her three children, one as a newborn, one at age four. However, she went on to have three more healthy children, despite her poor health. She wrote her first book of stories, published in 1853. In 1856 she penned her famous hymn lyrics (noted below) after she nearly lost her daughter, Minnie, to an illness. After George resigned from his church due to failing health, the family went abroad for a couple of years. In 1860 they returned to NY, where George resumed his pastorate and held a chair at Union Theological Seminary. She published her most popular book, “Stepping heavenward” in 1869, furnishing it in installments to ‘Chicago Advance’. The family evenually settled in Dorset, VT, where she died. After her death, her husband published “The life and letters of Elizabeth Prentiss” in 1882. The family children were: Annie, Eddy, Bessie, Minnie, George, and Henry. John Perry ================ Prentiss, Elizabeth, née Payson, youngest daughter of Dr. Edward Payson, was born at Portland, Maine, Oct. 26, 1818; married to George Lewis Prentiss, D.D., then at Bedford, Massachusetts, April, 1845; and died at Dorset, Vermont, Aug. 13, 1878. Her Life and Letters by her husband appeared some time after. Dr. Prentiss removed from Bedford to New York in 1851, and was appointed Professor of Pastoral Theology at Union Seminary, New York, 1873. Mrs. Prentiss's works include The Flower of the Family; Stepping Heavenward, 1869; and Religious Poems, 1873. Of her hymns the two following are most widely known:— 1. As on a vast eternal shore Thanksgiving. Contributed to Schaff's Christ in Song, 1869. 2. More love to Thee, 0 Christ. More Love to Christ desired. Written in 1869, and first printed on a fly-sheet; then in Hatfield's Church Hymn Book, N. Y., 1872. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Mrs. C. H. Morris

1862 - 1929 Person Name: C. H. Morris Hymnal Number: 494 Author of "Nearer, Still Nearer, Close to Thy Heart" in The Hymnal and Order of Service Lelia (Mrs. C.H.) Morris (1862-1929) was born in Pennsville, Morgan County, Ohio. When her family moved to Malta on the Muskingum River she and her sister and mother had a millinery shop in McConnelsville. She and her husband Charles H. Morris were active in the Methodist Episcopal Church and at the camp meetings in Sebring and Mt. Vernon. She wrote hymns as she did her housework. Although she became blind at age 52 she continued to write hymns on a 28-foot long blackboard that her family had built for her. She is said to have written 1000 texts and many tunes including "Sweeter as the years go by." Mary Louise VanDyke