GENEVAN 42

Composer: Claude Goudimel

The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The vario… Go to person page >

Composer: Louis Bourgeois

Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalter… Go to person page >

Louis Bourgeois (PHH 3) composed or adapted this tune for Psalm 42 for the Genevan psalter. The 1564 harmonization by Claude Goudimel (PHH 6) originally placed the melody in the tenor. An alternate harmonization with descants by Johann Crüger (PHH 42) can be found opposite 41 in the Psalter Hymnal. (See also notes at PHH 42.)

Since the character of Isaiah 40 is very different from the lament of Psalm 42, for which the tune was written, the tempo should be faster here than at 42. Sing with a buoyant and lilting rhythm. Organists will find preludes to this tune under GENEVAN 42 in Dutch works or under FREU DICH SEHR in German works.

--Psalter Hymnal Handbook, 1988