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Tune Identifier:"^this_world_blessed_savior_is_not_tenney$"

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[This world, blessed Savior, is nothing but dross]

Appears in 2 hymnals Composer and/or Arranger: J. H. Tenney Incipit: 55556 66616 55555 Used With Text: Coming to Jesus

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Coming to Jesus

Author: Chas. H. Gabriel Appears in 2 hymnals First Line: This world, blessed Savior, is nothing but dross Refrain First Line: We're coming to thee, we're coming to thee Used With Tune: [This world, blessed Savior, is nothing but dross]

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Coming to Jesus

Author: Chas. H. Gabriel Hymnal: Spiritual Songs for Gospel Meetings and the Sunday School #32 (1878) First Line: This world, blessed Savior, is nothing but dross Refrain First Line: We're coming to thee, we're coming to thee Languages: English Tune Title: [This world, blessed Savior, is nothing but dross]

Coming to Jesus

Author: Chas. H. Gabriel Hymnal: New Spiritual Songs #32 (1887) First Line: This world, blessed Savior, is nothing but dross Refrain First Line: We're coming to thee, we're coming to thee Languages: English Tune Title: [This world, blessed Savior, is nothing but dross]

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Chas. H. Gabriel

1856 - 1932 Author of "Coming to Jesus" in Spiritual Songs for Gospel Meetings and the Sunday School Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman

J. H. Tenney

1840 - 1918 Composer of "[This world, blessed Savior, is nothing but dross]" in Spiritual Songs for Gospel Meetings and the Sunday School John Harrison Tenney, 1840-1918 Born: No­vem­ber 22, 1840, Row­ley, Mass­a­chu­setts. Born just af­ter the pre­si­den­tial cam­paign of "Tip­pe­ca­noe and Ty­ler, too," Ten­ney was named af­ter Amer­i­can pre­si­dent Will­iam Hen­ry Har­ri­son. A dea­con in the Con­gre­ga­tion­al Church in Line­brook, Mass­a­chu­setts, he ed­it­ed or was as­so­ci­ate ed­it­or of over 30 books, and con­trib­ut­ed to hun­dreds more. His works in­clude: Amer­i­can Male Choir Temperance Jew­els, with Eli­sha Hoff­man (Bos­ton, Mass­a­chu­setts: Ol­iv­er Dit­son & Com­pa­ny, 1879) Bells of Vic­to­ry, with Eli­sha Hoff­man (Bos­ton, Mass­a­chu­setts: Oliv­er Dit­son & Com­pa­ny, 1888) Gems of Gos­pel Song Golden Sun­beams Sharon’s Dewy Rose Songs of Faith Shining Light Songs of Joy Sparkling and Bright Spiritual Songs, Nos. 1 and 2 Sweet Fields of Eden The Bea­con Light The Sing­ing School Ban­ner The An­them Of­fer­ing The Amer­i­can An­them Book The Crown of Praise Sources-- Hall, pp. 219-22 Music-- Asilomar Bogotá Beyond the Swell­ing Flood Cancún Come to Je­sus Ever Will I Pray Hallowed Hour of Pray­er Jesus Is Pass­ing This Way Jubilate! My An­chor Is Hold­ing Nothing Be­tween Onward Christ­ian Sol­diers Sabbath Bell San Fran­cis­co We’ll Ne­ver Say Good­bye Where Will You Spend Eter­ni­ty? --www.hymntime.com/tch
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