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Tune Identifier:"^surrexit_dominus_vere_berthier$"

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[Surrexit Dominus vere]

Appears in 6 hymnals Tune Key: C Major Incipit: 11355 51531 25656 Used With Text: Surrexit Dominus Vere II (Cristo Ha Resucitado) (Jesus, the Lord Is Risen)

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Surrexit Dominus Vere II

Author: Taize Community Hymnal: Gather Comprehensive #428 (1994) First Line: Surrexit Dominus vere Scripture: Matthew 28:5-6 Languages: English; Latin Tune Title: [Surrexit Dominus vere]
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Surrexit Dominus Vere II

Author: Taizé Community Hymnal: RitualSong #585 (1996) First Line: Surrexit Dominus vere Topics: Easter; Easter Vigil ; Eucharist; Jesus Christ; Journey; Praise Scripture: Luke 24:5-6 Languages: English; Latin Tune Title: [Surrexit Dominus vere]

Surrexit Dominus vere (Jesus the Lord, has risen)

Author: Taize Community Hymnal: Church Hymnary (4th ed.) #794 (2005) Topics: Short Songs; Christ Risen Resurrection and Exaltation; Christian Year Easter; Jesus Resurrection Scripture: Isaiah 33:17 Languages: English; Latin Tune Title: [Surrexit Dominus vere)

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Communauté de Taizé

Person Name: Taize Community Author of "Surrexit Dominus Vere II" in Gather Comprehensive

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Composer of "[Surrexit Dominus vere]" in Gather Comprehensive Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman
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