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Jesu, the very thought of thee
Author: Anonymous; Edward Caswall, 1814-1878 Meter: 8.6.8.6 Appears in 1,037 hymnals Lyrics: PART ONE -
1 Jesu, the very thought of thee
with sweetness fills the breast;
but sweeter far thy face to see,
and in thy presence rest.
2 No voice can sing, no heart can frame,
nor can the memory find,
a sweeter sound than Jesu's name,
the Saviour of mankind.
3 O hope of every contrite heart,
O joy of all the meek,
to those who ask how kind thou art,
how good to those who seek!
4 But what to those who find? Ah, this
nor tongue nor pen can show;
the love of Jesus, what it is
none but his loved ones know.
5 Jesu, our only joy be thou,
as thou our prize wilt be;
in thee be all our glory now,
and through eternity.
PART TWO -
6 O Jesu, King most wonderful,
thou Conqueror renowned,
thou sweetness most ineffable,
in whom all joys are found!
7 When once thou visitest the heart,
then truth begins to shine,
then earthly vanities depart,
then kindles love divine.
8 Thee, Jesu, may our voices bless,
thee may we love alone,
and ever in our lives express
the image of thine own.
9 Abide with us, and let thy light
shine, Lord, on every heart;
dispel the darkness of our night,
and joy to all impart.
10 Jesu, our love and joy, to thee,
the Virgin's holy Son,
all might and praise and glory be,
while endless ages run. Topics: General Hymns God the Son Used With Tune: ST AGNES (DYKES)
Jesu, the very thought of thee
Come, Holy Spirit, heavenly Dove
Author: Isaac Watts, 1674-1748 Meter: 8.6.8.6 Appears in 1,223 hymnals Lyrics: 1 Come, Holy Spirit, heavenly Dove,
with all thy quickening powers;
kindle a flame of sacred love
in these cold hearts of ours.
2 See how we trifle here below,
fond of these earthly toys;
our souls, how heavily they go,
to reach eternal joys.
3 In vain we tune our formal songs,
in vain we strive to rise;
hosannas languish on our tongues,
snd our devotion dies.
4 Come, Holy Spirit, heavenly Dove,
with all thy quickening powers;
come, shed abroad a Saviour’s love,
snd that shall kindle ours.
Topics: General Hymns The Holy Spirit Scripture: Mark 1:10 Used With Tune: ST AGNES (DYKES)
Come, Holy Spirit, heavenly Dove
Jesu, the very thought of thee
Author: Anonymous; Edward Caswall, 1814-1878 Hymnal: CPWI Hymnal #256 (2010) Meter: 8.6.8.6 Lyrics: PART ONE -
1 Jesu, the very thought of thee
with sweetness fills the breast;
but sweeter far thy face to see,
and in thy presence rest.
2 No voice can sing, no heart can frame,
nor can the memory find,
a sweeter sound than Jesu's name,
the Saviour of mankind.
3 O hope of every contrite heart,
O joy of all the meek,
to those who ask how kind thou art,
how good to those who seek!
4 But what to those who find? Ah, this
nor tongue nor pen can show;
the love of Jesus, what it is
none but his loved ones know.
5 Jesu, our only joy be thou,
as thou our prize wilt be;
in thee be all our glory now,
and through eternity.
PART TWO -
6 O Jesu, King most wonderful,
thou Conqueror renowned,
thou sweetness most ineffable,
in whom all joys are found!
7 When once thou visitest the heart,
then truth begins to shine,
then earthly vanities depart,
then kindles love divine.
8 Thee, Jesu, may our voices bless,
thee may we love alone,
and ever in our lives express
the image of thine own.
9 Abide with us, and let thy light
shine, Lord, on every heart;
dispel the darkness of our night,
and joy to all impart.
10 Jesu, our love and joy, to thee,
the Virgin's holy Son,
all might and praise and glory be,
while endless ages run. Topics: General Hymns God the Son Languages: English Tune Title: ST AGNES (DYKES)
Jesu, the very thought of thee
Come, Holy Spirit, heavenly Dove
Author: Isaac Watts, 1674-1748 Hymnal: CPWI Hymnal #272 (2010) Meter: 8.6.8.6 Lyrics: 1 Come, Holy Spirit, heavenly Dove,
with all thy quickening powers;
kindle a flame of sacred love
in these cold hearts of ours.
2 See how we trifle here below,
fond of these earthly toys;
our souls, how heavily they go,
to reach eternal joys.
3 In vain we tune our formal songs,
in vain we strive to rise;
hosannas languish on our tongues,
snd our devotion dies.
4 Come, Holy Spirit, heavenly Dove,
with all thy quickening powers;
come, shed abroad a Saviour’s love,
snd that shall kindle ours.
Topics: General Hymns The Holy Spirit Scripture: Mark 1:10 Languages: English Tune Title: ST AGNES (DYKES)
Come, Holy Spirit, heavenly Dove
John Bacchus Dykes
1823 - 1876 Person Name: Rev. J. B. Dykes Composer of "[There is a land of pure delight]" in Childhood Songs As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
H. W. Baker
1821 - 1877 Person Name: Henry Williams Baker, 1821-1877 Author of "Shall we not love thee, mother dear" in CPWI Hymnal Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"—
Perverse and foolish, oft I strayed,
But yet in love He sought me,
And on His Shoulder gently laid,
And home, rejoicing, brought me."
This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life.
Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877.
--John Julian, Dictionary of Hymnology (1907)
H. W. Baker
Benjamin Beddome
1717 - 1795 Person Name: Rev. Benjamin Beddome Author of "Witness, ye men and angels, now" in The Evangelical Hymnal Benjamin Beddome was born at Henley-in Arden, Warwickshire, January 23, 1717. His father was a Baptist minister. He studied at various places, and began preaching in 1740. He was pastor of a Baptist society at Bourton-on-the-Water, Gloucestershire, until his death in 1795. In 1770, he received the degree of M.A. from the Baptist College in Providence, Rhode Island. He published several discourses and hymns. "His hymns, to the number of 830, were published in 1818, with a recommendation from Robert Hall." Montgomery speaks of him as a "writer worthy of honour both for the quantity and the quality of his hymns."
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
=========================
Beddome, Benjamin , M.A. This prolific hymnwriter was born at Henley-in-Arden, Warwickshire, Jan. 23, 1717, where his father, the Rev. John Beddome, was atthat time Baptist Minister. He was apprenticed to a surgeon in Bristol, but removing to London, he joined, in 1739, the Baptist church in Prescott St. At the call of this church he devoted himself to the work of the Christian ministry, and in 1740 began to preach at Bourton-on-the-Water, in Gloucestershire. Declining invitations to remove to London or elsewhere, he continued pastor at Bourton until his death, on Sep. 3, 1795, at the age of 78. Mr. Beddome was for many years one of the most respected Baptist ministers in the West of England. He was a man of some literary culture. In 1770 he received the degree of M.A. from Providence College, Rhode Island. He was the author of an Exposition of the Baptist Catechism, 1752, in great repute at the time, and reprinted by Dr. C. Evans in 1772. It was his practice to prepare a hymn every week to be sung after his Sunday morning sermon. Though not originally intended for publication, he allowed thirteen of these to appear in the Bristol Baptist Collection of Ash & Evans (1769), and thirty-six in Dr. Rippon's Baptist Selection (1787), whence a number of them found their way into the General Baptist Hymn Book of 1793 and other collections. In 1817, a posthumous collection of his hymns was published, containing 830 pieces, with an introduction by the Rev. Robert Hall, and entitled "Hymns adapted to Public Worship or Family Devotion, now first published from the Manuscripts of the late Rev. B. Beddome, M.A."
Preface dated "Leicester, Nov. 10, 1817." Some of the early copies bear the same date on the title page. Copies bearing both the 1817 and 1818 dates are in the British Museum. The date usually given is 1818. Some hymns are also appended to his Sermons, seven volumes of which were published l805—1819; and over twenty are given in the Baptist Register of various dates.
Beddome's hymns were commended by Montgomery as embodying one central idea, "always important, often striking, and sometimes ingeniously brought out." Robert Hall's opinion is just, when in his "Recommendatory Preface" to the Hymns, &c, he says, p. vii.:—
"The man of taste will be gratified with the beauty and original turns of thought which many of them ex¬hibit, while the experimental Christian will often perceive the most secret movements of his soul strikingly delineated, and sentiments pourtrayed which will find their echo in every heart."
With the exception of a few composed for Baptisms and other special occasions, their present use in Great Britain is limited, but in America somewhat extensive. One of the best is the Ordination Hymn, "Father of Mercies, bow Thine ear." Another favourite is “ My times of sorrow and of joy," composed, by a singular coincidence, to be sung on Sunday, Jan. 14, 1778, the day on which his son died, most unexpectedly, in Edinburgh. "Let party names no more," is very popular both in Great Brit, and America. "Faith, His a precious gift," "Witness, ye men and angels, now," and the hymn for Holy Baptism, "Buried beneath the yielding wave," are also found in many collections. Beddome's popularity is, however, now mainly in America.
[Rev. W. R. Stevenson, M.A.]
Beddome is thus seen to be in common use to the extent of about 100 hymns. In this respect he exceeds every other Baptist hymnwriter; Miss Steele ranking second.
The authorities for Beddome's hymns are: (1) A Collection of Hymns adapted to Public Worship, Bristol, W. Pine, 1769, the Collection of Ash & Evans; (2) Dr. Rippon's Selections 1787, and later editions; (3) Sermons printed from the Manuscripts of the late Rev. Benjamin Beddome, M.A.,... with brief Memoir of the Author, Dunstable & Lond., 1805-1819; (4) Dr. Rippon's Baptist Register, 1795, &c.; (5) The Beddome Manuscripts, in the Baptist College, Bristol; (6) and Hymns adapted to Public Worship, or Family Devotion now first published, from Manuscripts of the late Rev. B. Beddome, A.M. With a Recommendatory Preface by the Rev. R. Hall, A.M. Lond., 1817. In his Preface, Mr. Hall gives this account of the Beddome Manuscript:— "The present Editor was entrusted several years ago with the MSS, both in prose and verse, with permission from the late Messrs. S. & B. Beddome, sons of the Author, to publish such parts of them as he might deem proper. He is also indebted to a descendant of the Rev. W. Christian, formerly pastor of the Baptist Church at Sheepshead, Leicestershire, for some of the Author's valuable hymns, which had been carefully preserved in the family. From both these sources, as well as others of less consequence, the present interesting volume has been derived."
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
=======================
Beddome, Benjamin, pp. 121-124. Other hymns in common use:—
1. Great God, before Thy mercy-seat. (1817). Lent.
2. Great God, oppressed with grief and fear. (1787.) Reading H. Scripture.
3. How glorious is Thy word, 0 God. Holy Scripture. From "When Israel, &c," p. 124, i.
4. In God I ever will rejoice. Morning. From his Hymns, &c, 1817.
5. Jesus, my Lord, divinely fair. (1817.) Jesus the King of Saints. Begins with stanza ii. of “Listen, ye mortals, while I sing."
6. Rejoice, for Christ the Saviour reigns. Missions. Altered form of "Shout, for the blessed, &c," p. 123, ii.
7. Satan, the world, and sin. (1817.) In Temptation.
8. Thou, Lord of all above. (1817.) Lent.
9. Unto Thine altar, Lord. (1787.) Lent.
10. Ye saints of every rank, with joy. (1800.) Public Worship.
The dates given above are, 1787 and 1800, Rippon's Selection; and 1817 Beddome's Hymns.
--John Julian, Dictionary of Hymnology, Appendix, Part II
Benjamin Beddome
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Editors: Isaac Watts Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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