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Tune Identifier:"^somos_aliados_de_las_huestes_marsh$"

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[Somos aliados de las huestes de Jesús]

Appears in 3 hymnals Composer and/or Arranger: Charles H. Marsh Tune Key: F Major or modal Incipit: 56711 17123 65321 Used With Text: El Conflicto De Los Siglos

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El Conflicto De Los Siglos

Author: Vicente Mendoza Appears in 3 hymnals First Line: Somos aliados de las huestes de Jesús Refrain First Line: El Conflicto de los siglos es Used With Tune: [Somos aliados de las huestes de Jesús]

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El Conflicto De Los Siglos

Author: V. Mendoza Hymnal: Melodias Evangelicas para el Uso de las Iglesias Evangelicas de Habla Española en Todo el Mundo #26 (1935) First Line: Somos aliados de las huestes de Jesús Languages: Spanish Tune Title: [Somos aliados de las huestes de Jesús]
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El Conflicto De Los Siglos

Author: V. Mendoza Hymnal: Himnos Selectos #191 (1952) First Line: Somos aliados de las huestes de Jesús Languages: Spanish Tune Title: [Somos aliados de las huestes de Jesús]
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El Conflicto De Los Siglos

Author: Vicente Mendoza Hymnal: El Nuevo Himnario Popular (Edicion Revisada y Corregida) #235 (1955) First Line: Somos aliados de las huestes de Jesús Refrain First Line: El Conflicto de los siglos es Languages: Spanish Tune Title: [Somos aliados de las huestes de Jesús]

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Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza Author of "El Conflicto De Los Siglos" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)

Chas. H. Marsh

1885 - 1956 Person Name: Charles H. Marsh Composer of "[Somos aliados de las huestes de Jesús]" in El Nuevo Himnario Popular (Edicion Revisada y Corregida) Born: April 8, 1886, Magnolia, Iowa. Died: April 12, 1956, La Jolla, California. Buried: Riverview Cemetery, Brawley, California. Marsh’s father was pastor of the Congregational Church in Magnolia, Iowa. His gift for the piano was evident at an early age, and after he graduated from high school, Wilbur Chapman asked him to play for the Winona Lake Chautauqua and Bible Conference in Indiana. He later taught at the Bible Institute of Los Angeles (1915-19) and the University of Redlands (1919-26). He studied music in France in the 1920’s, and became president of the European School of Music and Art in Fort Wayne, Indiana. From 1928 to 1932, he played the organ at the First Presbyterian Church. In 1932, he moved to Florida to become professor of organ at the University of Florida, Gainesville, and to serve as organist and choir director at the First Baptist Church. In 1935, he moved to California, where he worked as district supervisor for the Federal Music Project in San Diego until 1939. He also played the organ and directed the choir at St. James-by-the-Sea Episcopal Church in La Jolla (1936-56). Sources: Erickson, pp. 345-46 Hustad, p. 281 http://www.hymntime.com/tch/bio/m/a/r/s/marsh_ch.htm
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