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Tune Identifier:"^sebastian_wesley$"

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SEBASTIAN

Appears in 4 hymnals Composer and/or Arranger: Samuel S. Wesley Incipit: 33221 11123 55443 Used With Text: How bright that blessed hope

Texts

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How bright that blessed hope

Author: *** Appears in 15 hymnals Used With Tune: SEBASTIAN
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There is a happy land, Far, far away

Appears in 604 hymnals Used With Tune: [There is a happy land, Far, far away]

Instances

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Published text-tune combinations (hymns) from specific hymnals
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How bright that blessed hope

Author: *** Hymnal: Hymni Ecclesiae #391 (1911) Languages: English Tune Title: SEBASTIAN
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How Bright That Blessed Hope

Author: Unknown Hymnal: Favorite Solos #47 (1908) Languages: English Tune Title: [How bright that blessed hope]

How bright that blessed hope

Author: Unknown Hymnal: The Praise Hymnal #196 (1896) Languages: English Tune Title: [How bright that blessed hope]

People

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Anonymous

Person Name: *** Author of "How bright that blessed hope" in Hymni Ecclesiae In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Samuel Sebastian Wesley

1810 - 1876 Composer of "SEBASTIAN (Wesley)" Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman
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