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Tune Identifier:"^on_jordans_stormy_banks_i_stand_gabriel$"

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[On Jordan's stormy banks I stand]

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Tune Key: G Major or modal Incipit: 51333 12222 34472 Used With Text: I am on my way

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I am on my way

Appears in 1,382 hymnals First Line: On Jordan's stormy banks I stand Lyrics: 1 On Jordan's stormy banks I stand, And cast a wishful eye, To Canaan's fair and happy land, Where my possessions lie. Chorus: I am on my way, In the way our fathers trod, I am on my way, To my happy home with God. 2 O'er all those wide extended plains, Shines one eternal day; There God, the Son, forever reigns, And scatters night away. [Chorus] 3 No chilling winds nor pois'nous breath Can reach that healthful shore; Sickness and sorrow pain and death, Are felt and feared no more. [Chorus] Used With Tune: [On Jordan's stormy banks I stand]

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I am on my way

Hymnal: Light and Life #89 (1881) First Line: On Jordan's stormy banks I stand Lyrics: 1 On Jordan's stormy banks I stand, And cast a wishful eye, To Canaan's fair and happy land, Where my possessions lie. Chorus: I am on my way, In the way our fathers trod, I am on my way, To my happy home with God. 2 O'er all those wide extended plains, Shines one eternal day; There God, the Son, forever reigns, And scatters night away. [Chorus] 3 No chilling winds nor pois'nous breath Can reach that healthful shore; Sickness and sorrow pain and death, Are felt and feared no more. [Chorus] Languages: English Tune Title: [On Jordan's stormy banks I stand]
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I Am On My Way

Hymnal: Prayer and Praise #210 (1883) First Line: On Jordan's stormy banks I stand Languages: English Tune Title: [On Jordan's stormy banks I stand]

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Chas. H. Gabriel

1856 - 1932 Composer of "[On Jordan's stormy banks I stand]" in Light and Life Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
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