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[O hearts that ache and bleed, and break]

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 32135 63535 17654 Used With Text: God Know Thy Need

Te Dara Lo Que Es Mejor

Author: V. Mendoza Appears in 1 hymnal First Line: ¡Oh! corazón que triste es Refrain First Line: Conoce tu necesidad Used With Tune: [¡Oh! corazón que triste es]

Appears in 1 hymnal First Line: O hearts that ache and bleed, and break Refrain First Line: God knows thy need, He will supply Lyrics: 1 O hearts that ache and bleed, and break, God knows the depths of all thy woes; He will Himself thy burdens take And shield thee from the heaviest blows. Refrain: God knows thy need, He will supply, He knoweth what for thee is best, Soon thou shalt see with clearer eye, Soon enter His eternal rest. 2 Tho’ other eyes be dull and blind To mark thy grief, to note thy tear, He sees; His heart is true and kind, He every pray’r is swift to hear. [Refrain] 3 Tho’ dark the clouds above thy head, The heav’ns beyond are full of light; Dismiss thy fears, suppress thy dread; For thee the days are bright ahead. [Refrain] Used With Tune: [O hearts that ache and bleed, and break]

Instances

Published text-tune combinations (hymns) from specific hymnals

God Know Thy Need

Hymnal: Alexander's Gospel Songs #8 (1908) First Line: O hearts that ache and bleed, and break Refrain First Line: God knows thy need, He will supply Lyrics: 1 O hearts that ache and bleed, and break, God knows the depths of all thy woes; He will Himself thy burdens take And shield thee from the heaviest blows. Refrain: God knows thy need, He will supply, He knoweth what for thee is best, Soon thou shalt see with clearer eye, Soon enter His eternal rest. 2 Tho’ other eyes be dull and blind To mark thy grief, to note thy tear, He sees; His heart is true and kind, He every pray’r is swift to hear. [Refrain] 3 Tho’ dark the clouds above thy head, The heav’ns beyond are full of light; Dismiss thy fears, suppress thy dread; For thee the days are bright ahead. [Refrain] Languages: English Tune Title: [O hearts that ache and bleed, and break]

Te Dara Lo Que Es Mejor

Author: V. Mendoza Hymnal: Himnos Selectos #141 (1952) First Line: ¡Oh! corazón que triste es Refrain First Line: Conoce tu necesidad Languages: Spanish Tune Title: [¡Oh! corazón que triste es]

People

Authors, composers, editors, etc.

Vicente P. Mendoza

1875 - 1955 Person Name: V. Mendoza Author of "Te Dara Lo Que Es Mejor" in Himnos Selectos Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist). © The Cyber Hymnal™ (hymntime.com/tch)

Chas. H. Gabriel

1856 - 1932 Composer of "[O hearts that ache and bleed, and break]" in Alexander's Gospel Songs Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades. Bert Polman