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[O God, O God, let all the nations praise you]
Appears in 5 hymnals Composer and/or Arranger: MK Tune Key: B Flat Major Incipit: 51616 1 Used With Text: O God, O God, let all the nations praise you!
[O God, O God, let all the nations praise you]
O God, O God, let all the nations praise you!
Appears in 2 hymnals Topics: Twentieth Sunday in Ordinary Time A Scripture: Psalm 67 Used With Tune: [O God, O God, let all the nations praise you]
O God, O God, let all the nations praise you!
Psalm 67: May God Bless Us in His Mercy
Appears in 13 hymnals First Line: O God, be gracious and bless us Refrain First Line: O God, O God, let all the nations praise you Topics: 20th Sunday in Ordinary Time Year A; Blessing; Easter 6 Year C; Easter Season; Evening; Guidance; Journey; Justice; Mary, Mother of God; Mercy; New Year; November 9: Dedication fo St. John Lateran; Praise; Thanksgiving Scripture: Psalm 67:2-7 Used With Tune: [O God, O God, let all the nations praise you] Text Sources: Antiphon: Lectionary for Mass; Psalm: The Grail
Psalm 67: May God Bless Us in His Mercy
Psalm 67: May God Bless Us in His Mercy
Hymnal: RitualSong #95b (1996) First Line: O God, be gracious and bless us Refrain First Line: O God, O God, let all the nations praise you Topics: 20th Sunday in Ordinary Time Year A; Blessing; Easter 6 Year C; Easter Season; Evening; Guidance; Journey; Justice; Mary, Mother of God; Mercy; New Year; November 9: Dedication fo St. John Lateran; Praise; Thanksgiving Scripture: Psalm 67:2-7 Languages: English Tune Title: [O God, O God, let all the nations praise you]
Psalm 67: May God Bless Us in His Mercy
Psalm 67
Hymnal: The Presbyterian Hymnal #202 (1990) First Line: May God be gracious to us and bless us Refrain First Line: O God, O God, let all the nations praise You Topics: Responsive Reading Scripture: Psalm 67 Languages: English Tune Title: [O God, O God, let all the nations praise you]
Psalm 67
Joseph Gelineau
1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[O God, O God, let all the nations praise you]" in RitualSong Joseph Gelineau (1920-2008)
Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953.
The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody.
Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals.
His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California.
--www.giamusic.com
Joseph Gelineau
Laurence Bévenot
1901 - 1990 Person Name: Laurence Bevenot, OSB Composer (psalm tone) of "[O God, O God, let all the nations praise you]" in RitualSong
Laurence Bévenot
Marie Kremer
Composer (antiphon) of "[O God, O God, let all the nations praise you]" in RitualSong
Marie Kremer
