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Tune Identifier:"^many_from_evil_are_turning_away_gabriel$"

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[Many from evil are turning away]

Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 55556 71111 22221 Used With Text: How Is it With You?

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How Is it With You?

Author: James Rowe Appears in 3 hymnals First Line: Many from evil are turning away Refrain First Line: How is it with you, friend? Used With Tune: [Many from evil are turning away]

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How Is it With You?

Author: James Rowe Hymnal: From the Cross to the Crown #73 (1921) First Line: Many from evil are turning away Refrain First Line: How is it with you, friend? Languages: English Tune Title: [Many from evil are turning away]
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How is it With You?

Author: James Rowe Hymnal: Song Praise #79 (1924) First Line: Many from evil are turning away Refrain First Line: How is it with you, friend? Languages: English Tune Title: [Many from evil are turning away]

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James Rowe

1865 - 1933 Author of "How is it With You?" in Song Praise Pseudonym: James S. Apple. James Rowe was born in England in 1865. He served four years in the Government Survey Office, Dublin Ireland as a young man. He came to America in 1890 where he worked for ten years for the New York Central & Hudson R.R. Co., then served for twelve years as superintendent of the Mohawk and Hudson River Humane Society. He began writing songs and hymns about 1896 and was a prolific writer of gospel verse with more than 9,000 published hymns, poems, recitations, and other works. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Chas. H. Gabriel

1856 - 1932 Composer of "[Many from evil are turning away]" in Song Praise Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman
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