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[Listen! like a whisp'ring breeze]
Appears in 2 hymnals Composer and/or Arranger: Chas. H. Gabriel Incipit: 53535 15555 75215 Used With Text: Come, O Come to Me
[Listen! like a whisp'ring breeze]
Come, O Come to Me
Author: Grace Elizabeth Cobb Appears in 2 hymnals First Line: Listen! like a whisp'ring breeze Used With Tune: [Listen! like a whisp'ring breeze]
Come, O Come to Me
Come, O Come to Me
Author: Grace Elizabeth Cobb Hymnal: Dew Drops #58 (1895) First Line: Listen! like a whisp'ring breeze Languages: English Tune Title: [Listen! like a whisp'ring breeze]
Come, O Come to Me
Come, O Come to Me
Author: Grace Elizabeth Cobb Hymnal: Songs of Love and Praise #60 (1894) First Line: Listen! like a whisp'ring breeze Languages: English Tune Title: [Listen! like a whisp'ring breeze]
Come, O Come to Me
Chas. H. Gabriel
1856 - 1932 Composer of "[Listen! like a whisp'ring breeze]" in Dew Drops Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
