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Tune Identifier:"^let_us_gather_up_the_sunbeams_vail$"

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SCATTER SEEDS OF KINDNESS

Appears in 65 hymnals Composer and/or Arranger: S. J. Vail; Philip Phillips Tune Key: G Major or modal Incipit: 55111 11771 22231 Used With Text: Let us gather up the sunbeams

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He Is Coming for Us

Author: Unknown Appears in 5 hymnals First Line: He is coming, coming for us Used With Tune: KINDNESS
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Scatter Seeds of Kindness

Author: Mrs. Albert Smith Appears in 94 hymnals First Line: Let us gather up the sunbeams Refrain First Line: Then scatter seeds of kindness Used With Tune: [Let us gather up the sunbeams]
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Alone with Jesus

Author: Fanny Lonsdale; I. D. S. Appears in 15 hymnals First Line: I have been alone with Jesus Topics: Fellowship Scripture: John 13:23 Used With Tune: [I have been alone with Jesus]

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Let us gather up the sunbeams

Author: Mrs. Albert Smith Hymnal: International Song Service #65 (1895) Lyrics: 1 Let us gather up the sunbeams, Lying all around our path; Let us keep the wheat and roses, Casting out the thorns and chaff, Let us find our sweetest comfort In the blessings of today, With a patient hand removing All the briars from the way. Chorus: Then scatter seeds of kindness, Then scatter seeds of kindness, Then scatter seeds of kindness, For our reaping by and by. 2 Strange we never prize the music Till the sweet-voiced bird is flown! Strange that we should slight the violets Till the lovely flowers are gone! Strange that summer skies and sunshine Never seem one half so fair, As when winter's snowy pinions Shake the white down in the air. [Chorus] 3 If we knew the baby fingers, Pressed against the window pane, Would be cold and stiff tomorrow Never trouble us again Would the bright eyes of our darling Catch the frown upon our brow? Would the prints of rosy fingers Vex us then as they do now. [Chorus] 4 Ah! those little ice cold fingers, How they point our memories back To the hasty words and actions Strewn along our backward track! How those little hand remind us, As in snowy grace they lie, Not to scatter thorns but roses For our reaping by and by. [Chorus] Languages: English Tune Title: SCATTER SEEDS OF KINDNESS
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Scatter seeds of kindness

Author: Mrs. Smith Hymnal: The Morning Star #111 (1877) First Line: Let us gather up the sunbeams Refrain First Line: Then scatter seeds of kindness Lyrics: 1 Let us gather up the sunbeams, Lying all around our path; Let us keep the wheat and roses, Casting out the thorns and chaff; Let us find our sweetest comfort In the blessings of today; With a patient hand removing All the briers from the way. Chorus: Then scatter seeds of kindness, Then scatter seeds of kindness; Then scatter seeds of kindness, For our reaping by and by. 2 Strange, we never prize the music Till the sweet-voiced bird is flown! Strange, that we should slight the violets Till the lovely flowers are gone! Strange, that summer skies and sunshine Never seem one-half so fair, As when winter's snowy pinions Shake the white down in the air. [Chorus] 3 If we knew the baby fingers, Press'd against the window-pane, Would be cold and stiff tomorrow, Never trouble us again-- Would the bright eyes of our darling Catch the frown upon our brow? Would the print of rosy fingers Vex us then as they do now? [Chorus] 4 Ah! those little ice-cold fingers, How they point our mem'ries back To the hasty word and actions, Strewn along our backward track! How those little hands remind us, As in snowy grace they lie, Not to scatter thorns, but roses-- For our reaping by and by! [Chorus] Scripture: Galatians 6:7 Tune Title: [Let us gather up the sunbeams]
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Scatter Seeds of Kindness

Author: Mrs. E. H. Gates Hymnal: Calvary Songs #124 (1875) First Line: Let us gather up the sunbeams Lyrics: 1 Let us gather up the sunbeams Lying all around our path; Let us keep the wheat and roses, Casting out the thorns and chaff; Let us find our sweetest comfort In the blessings of today, With a patient hand removing All the briars from the way. Refrain: Then scatter seeds of kindness, Then scatter seeds of kindness, Then scatter seeds of kindness For our reaping by-and-by. 2 Strange, we never prize the music Till the sweet-voiced bird has flown! Strange, that we should slight the violets Till the lovely flowers are gone! Strange, that summer skies and sunshine Never seem one half so fair, As when winter's snowy pinions Shake the white down in the air. [Refrain] 3 If we knew the baby fingers, Pressed against the window pane, Would be cold and stiff to-morrow— Never trouble us again— Would the bright eyes of our darling Catch the frown upon our brow! Would the print of rosy fingers Vex us then as they do now? [Refrain] 4 Ah! those little ice-cold fingers, How they point our memories back To the hasty words and actions Strewn along our backward track! How those little hands remind us, As in snowy grace they lie, Not to scatter thorns—but roses— For our reaping by and by! [Refrain] Languages: English Tune Title: [Let us gather up the sunbeams]

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Authors, composers, editors, etc.

S. J. Vail

1818 - 1883 Composer of "[Let us gather up the sunbeams] " in Service Songs for Young People's Societies, Sunday Schools and Church Prayer Meetings In his youth Silas Jones Vail learned the hatter's trade at Danbury, Ct. While still a young man, he went to New York and took employment in the fashionable hat store of William H. Beebe. Later he established himself in business as a hatter at 118 Fulton Street, where he was for many years successful. But the conditions of trade changed, and he could not change with them. After his failure in 1869 or 1870 he devoted his entire time and attention to music. He was the writer of much popular music for use in churches and Sunday schools. Pieces of music entitled "Scatter Seeds of Kindness," "Gates Ajar," "Close to Thee," "We Shall Sleep, but not Forever," and "Nothing but Leaves" were known to all church attendants twenty years ago. Fanny Crosby, the blind authoress, wrote expressly for him many of the verses he set to music. --Vail, Henry H. (Henry Hobart). Genealogy of some of the Vail family descended from Jeremiah Vail at Salem, Mass., 1639, p. 234.

Ira David Sankey

1840 - 1908 Person Name: I. D. S. Arranger of "Alone with Jesus" in Sacred Songs No. 2 Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Low­er Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Philip Phillips

1834 - 1895 Per of "SCATTER SEEDS OF KINDNESS" in The Seventh-Day Adventist Hymn and Tune Book Phillips, Philip, commonly known as the "Singing Pilgrim," was born in Chautauqua County, N. York, Aug. 13, 1834. Although engaged in farming for a time, from an early age he devoted himself to music, and ultimately devoted himself to the work of a "Singing Evangelist," in which capacity he has visited most English-speaking countries. His popular hymnals are: (1) Early Blossoms, 1860; (2) Musical Leaves, 1862; and (3) The Singing Pilgrim, 1866. In these works he published one or two hymns, including "I have heard of a Saviour's love" (The love of Christ), as in I. D. Sankey's Sacred Songs and Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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