Search Results

Tune Identifier:"^i_am_far_frae_my_hame_an_im_wea_scottish$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Tunes

tune icon
Tune authorities
Page scansAudio

[I am far frae my hame an' I'm weary aftenwhiles]

Appears in 37 hymnals Tune Sources: Scotch Air Tune Key: D Flat Major Incipit: 12334 31355 56555 Used With Text: My Ain Countrie

Texts

text icon
Text authorities
TextPage scans

My ain countrie

Author: Miss M. A. Lee Appears in 67 hymnals First Line: I am far frae my hame, an' I'm weary aftenwhiles Lyrics: 1 I am far frae my hame, an' I'm weary aftenwhiles, For the lang'd-for-hame-bringing, an' my Father's welcome smiles, I'll ne'er be fu' content, until my een do see The gow den gates of heav'n, an' my ain countrie. The earth is fleck'd wi' flow'rs, mony-tinted-fresh and gay; The birdies warble blithely, for my Father made them sae; But these sichts an' these soun's wil as naething be to me, When I hear the angels singing in my ain countrie. 2 I've his gude word of promise, that, some gladsome day, the King, To his ain royal palace, his banished hame will bring Wi' een' an' wi' heart running owre we shall see "The King in his beauty," an' our ain countrie. My sins hae been mony, and my sorrows hae been sair; But there they'll never vex me, nor be remembered mair, For his bluid hath made me white, and his hand shall dry my e'e, When he brings me hame at last to my ain countrie. Used With Tune: [I am far frae my hame, an' I'm weary aftenwhiles]
Page scans

The Sunset of the Year

Author: Mary A. Lathbury Appears in 4 hymnals First Line: There's an undertone of sighing Refrain First Line: Praise the Lord, O field and forest Used With Tune: [There's an undertone of sighing]
Page scans

My Own Country

Author: P. H. Woolsey Appears in 1 hymnal First Line: I am far away from home, and with longing heart I sigh Used With Tune: [I am far away from home, and with longing heart I sigh]

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

"My ain countrie"

Hymnal: The Morning Star #105 (1877) First Line: I am far frae my hame, an' I'm weary aftenwhiles Lyrics: 1 I am far frae my hame, an' I'm weary aftenwhiles, For the lang'd-for-hame-bringing, an' my Father's welcome smiles, An' I'll ne'er be fu' content, until my een do see The gowden gates of heaven, an' my ain countrie. The earth is fleck'd with flowers, mony tinted, fresh and gay; The birdies warble blithely, for my Father made them sae; But these sichts an' these soun's will as naething be to me, When I hear the angels singing in my ain countrie. 2 I've his gude word of promise that some gladsome day, the King To His ain royal palace, His banished hame will bring Wi' een an' wi' heart flowing owre, we shall see "The King in His beauty," in His ain countrie. My sins hae been mony, an' my sorrows hae been sair: But there they'll never vex me, nor be remembered mair: His bluid hath made me white, an' His hand shall wipe my ee', When He brings me hame at last to my ain countrie. 3 Like a bairn to its mither, a wee birdie to its nest, I fain wad noo be ganging unto my Savior's breast, For He gathers in His bosom, witless, worthless lambs like me, He "carries them Himsel'," to His ain countrie. He's faithfu' that has promised, He'll surely come again, He'll keep His tryst wi' me, at what hour I dinna ken: But He bids me still to wait, an' ready aye to be, To gang at ony moment, to His ain countrie. Tune Title: [I am far frae my hame, an' I'm weary aftenwhiles]
TextPage scan

My ain countrie

Author: Miss M. A. Lee Hymnal: Light and Life #125 (1881) First Line: I am far frae my hame, an' I'm weary aftenwhiles Lyrics: 1 I am far frae my hame, an' I'm weary aftenwhiles, For the lang'd-for-hame-bringing, an' my Father's welcome smiles, I'll ne'er be fu' content, until my een do see The gow den gates of heav'n, an' my ain countrie. The earth is fleck'd wi' flow'rs, mony-tinted-fresh and gay; The birdies warble blithely, for my Father made them sae; But these sichts an' these soun's wil as naething be to me, When I hear the angels singing in my ain countrie. 2 I've his gude word of promise, that, some gladsome day, the King, To his ain royal palace, his banished hame will bring Wi' een' an' wi' heart running owre we shall see "The King in his beauty," an' our ain countrie. My sins hae been mony, and my sorrows hae been sair; But there they'll never vex me, nor be remembered mair, For his bluid hath made me white, and his hand shall dry my e'e, When he brings me hame at last to my ain countrie. Languages: English Tune Title: [I am far frae my hame, an' I'm weary aftenwhiles]
TextPage scan

"My Ain Countrie"

Hymnal: Joy to the World #126 (1879) First Line: I am far frae my hame, an' I'm weary aftenwhiles Lyrics: 1 I am far frae my hame, an' I'm weary aftenwhiles, For the lang'd-for hame-bringing, an' my Father's welcome smiles. I'll ne'er be fu' content, until my een do see The gowden gates of heaven an' my ain countrie. The earth is deck'd with flow'rs, money-tinted, fresh and gay; The birdies warble blithely, for my Father made them sae: But these sichts an' these soun's will as naething be to me, When I hear the angels singing in my ain countrie. 2 I've his gude word of promise that some gladsome day the King To his ain royal palace his banished hame will bring. Wi' een an' wi' heart running owre, we shall see "The King in his beauty," an' our ain countrie. My sins hae been mony, an' my sorrows hae been sair; But there they'll never vex me nor be remembered mair; His bluid hath made me white, an' his hand shall dry my een, When he brings me hame at last to my ain countrie. 3 Like a bairn to its mither, a wee birdie to its nest, I wad fain now be ganging unto my Savior's breast, For he gathers in his bosom even witless lambs like me, An' "carries them himself" to his ain countrie. He's faithfu' that has promised, he'll surely come again, He'll keep his tryst wi' me, at what hour I dinna ken: But he bids me still to wait, an' ready aye to be To gang at ony moment, to my ain countrie. 4 So I'm watching aye, and singing o' my hame as I wait, For the soun'ing o' his footfa' this side the gowden gate, God gie his grace to ilk ane wha listens noo to me, That we a' may gang in gladness to our ain countrie. I'm far frae my hame an' I'm weary aftenwhiles, For the lang'd-for hame-bringing, an' my Father's welcome smiles. I'll ne'er be fu' content, until my een do see The gowden gates of heaven, an' my ain countrie. Languages: English Tune Title: [I am far frae my hame, an' I'm weary aftenwhiles]

People

person icon
Authors, composers, editors, etc.

T. C. O'Kane

1830 - 1912 Person Name: T. C. O'K Harmonizer of "[I am far frae my hame, an' I'm weary aftenwhiles]" in Joy to the World O'Kane, Tullius Clinton, an American writer, born March 10, 1830, is the author of "O sing of Jesus, Lamb of God" (Redemption); and "Who, who are these beside the chilly wave?" (Triumph in Death), in I. D. Sankey's Sacred Songs and Solos, 1878 and 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =========================== Tullius Clinton O'Kane was born in Fairfield County, Ohio, March 10, 1830. He resided with his parents in this vicinity until the spring of 1849, when he went to Delaware, Ohio, and entered the Ohio Wesleyan University, from which he graduated in 1852, with the degree A. B., and received his A. M. degree three years later from his Alma Mater. Immediately upon his graduation, he was tendered a position in the Faculty as Tutor of Mathematics, which he accepted and successfully filled for five years. The students always called him "Professor," by which title he is known to the present day. His musical abilities were early recognized in the University, and for years he was the musical precentor in the daily chapel devotions. He organized and maintained a Choral Society in the College, and was the first musical instructor in the Ohio Wesleyan Female College, which a few years ago was incorporated into the University. In 1857 he was elected to a principalship in the Cincinnati public schools, and served in that capacity until 1861, when he resigned his position to accept a place in the piano establishment of Philip Phillips & Co. He remained with this house until its removal to New York City in 1867, when, although urged to be transferred with the house to that city, he preferred to remove with his family back to Delaware, Ohio. For the ensuing six years he traveled over the state of Ohio as the general agent for the Smith American Organ Co., of Boston, Mass. During this time he visited conferences, Sunday-school conventions, both State and County, introducing his Sunday-school singing books, and in this way became well known throughout his native state, and quite extensively in some of the adjoining states. His musical compositions were first published in Philip Phillips' Musical Leaves, in 1865, and since then but few Sunday-school singing books have appeared without one or more of his compositions. His first music book, Fresh Leaves, was issued in 1868. This was followed at intervals by Dew Drops, Songs of Worship, Every Sabbath, Jasper and Gold, Redeemer's Praise, Glorious Things and Morning Stars. In connection with his son, Edward T. O'Kane, who is himself a most excellent composer and a very skillful organist, in 1882 he issued Selected Anthems, a book designed for use by the more advanced choirs. In association with J. R. Sweney and "Chaplain" McCabe, he issued Joy to the World, a song book for prayer-meetings, and the same editors, with the addition of W. J. Kirkpatrick, compiled Songs of Redeeming Love, No. 1, in 1882, and No. 2 in 1884. He also issued Songs of Praises, Unfading Treasures and Forward Songs. Some of Professor O'Kane's best known songs are Glorious Fountain, The Home Over There, On Jordan's Stormy Banks, Say, are You Ready? and many others. With Mr. O'Kane, music and musical composition have ever been a recreation, rather than a profession. He is an excellent leader of choirs, but his forte seems to be in leading large congregations, Sunday-schools and social religious meetings in sacred song. He sings "with the spirit and the understanding also " — with a due appreciation of both words and music — and very naturally infuses his enthusiasm into his audiences so that they cannot "keep from singing." In his music he endeavors to catch the spirit of the hymn, and then give it expression in the music he composes for it. This sometimes seems to have been almost an inspiration, and could be illustrated by a reference to the circumstances under which many of his compositions have been made. One of his earlier and more widely known pieces is that entitled, Over There. He says he cut this hymn out of some newspaper and put it with others in his portfolio, intending some time when he felt like it to give it a musical setting. One Sunday afternoon, after studying his lesson for the next session of his Sunday-school, he opened his portfolio, and turning over the selections, found these words, and something seemed to say, "Now's your time." He sat down at the organ, studied the hymn intently for a few moments, and then, as his fingers touched the keys of the instrument, melody and harmony were in every movement, and when the stanza was ended, melody and harmony found their expression in the chorus, and Over There was finished. Another of his well known songs is Sweeping Through the Gates. One cold, blustery day he had occasion to go from his residence to the railroad depot, about a mile distant, and in his route had to cross the river on a suspension foot-bridge. As he came down to the bridge, he thought of the "river of death," so cold, with no bridge, and then the words of the dying Cookman came to his mind, and he exclaimed to himself: 'Who, who are these beside the chilly wave? " Words, melody and refrain seemed to come all at once and all together, so that by the time he arrived back at his home, the composition was complete. Professor O'Kane is a genial, modest Christian gentleman, who carries sunshine wherever he goes. His greatest joy comes from the consciousness that his music has cheered and comforted the hearts of Christian people all over the world, and has been the means of winning thousands from the pleasures of the world to the higher enjoyments of the Christian religion. His song, Sweeping Through the Gates, will be sung till all the ransomed are gathered Over There. -Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company. ======================== O'Kane, Tullius Clinton. Died 10 February 1912, Delaware, Ohio. Buried in Oak Grove Cemetery, Delaware, Ohio. --DNAH Archives

Hubert P. Main

1839 - 1925 Person Name: Hu­bert P. Main Harmonizer of "[I am far frae my hame, an' I'm weary aftenwhiles]" in The Cyber Hymnal Hubert Platt Main DD USA 1839-1925. Born at Ridgefield, CT, he attended singing school as a teenager. In 1854 he went to New York City and worked as an errand boy in a wallpaper house. The next year he became an errand boy in the Bristow & Morse Piano Company. He was an organist, choir leader, and compiled books of music. He also helped his father edit the “Lute Songbook” by Isaac Woodbury. In 1866 he married Olphelia Louise Degraff, and they had two sons: Lucius, and Hubert. In 1867 he filled a position at William B Bradbury’s publishing house. After Bradbury’s death in 1868 the Bigelow & Main Publishers were formed as its successor. He also worked with his father until his father’s death in 1873. Contributors to their efforts were Fanny Crosby, Ira Sankey, Wilbur Crafts, and others. In addition to publishing, Main wrote 1000+ pieces of music, including part song, singing school songs, Sunday school music, hymns, anthems, etc. He also arranged music and collected music books. He 1891 he sold his collection of over 3500 volumes to the Newberry Library in Chicago, IL, where they were known as the Main Library. Some of his major publications include: “Book of Praise for the Sunday school” (1875), “Little pilgrim songs” (1884), “Hymns of Praise” (`1884), “Gems of song for the Sunday school” (1901), “Quartettes for men’s voices: Sacred & social selections” (1913). In 1922 Hope Publishing Company acquired Bigelow & Main. He was an editor, author, compiler, and composer, as well as publisher. He died in Newark, NJ. John Perry

Mary A. Lathbury

1841 - 1913 Author of "The Sunset of the Year" in The White Ribbon Hymnal Lathbury, Mary Ann, was born in Manchester, Ontario County, New York, Aug. 10, 1841. Miss Lathbury writes somewhat extensively for the American religious periodical press, and is well and favourably known (see the Century Magazine, Jan., 1885, p. 342). Of her hymns which have come into common use we have:— 1. Break Thou the bread of life. Communion with God. A "Study Song" for the Chautauqua Literary and Scientific Circle, written in the summer of 1880. It is in Horder's (Eng.) Congregational Hymns, 1884. 2. Day is dying in the west. Evening. "Written at the request of the Rev. John H. Vincent, D.D., in the summer of 1880. It was a "Vesper Song," and has been frequently used in the responsive services of the Chautauqua Literary and Scientific Circle." It is in the Laudes Domini, N. Y., 1884. For these details we are indebted to S. W. Duffield's English Hymns, &c, N. Y., 1886. --John Julian, Dictionary of Hymnology (1907) ================== Lathbury, Mary A., p. 640, i. Another hymn by this writer is, "Lift up, lift up thy voice with singing." [Praise to Christ), in Sankey's Sacred Songs & Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.