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Tune Identifier:"^huddersfield_madan$"

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HUDDERSFIELD

Meter: 8.6.8.6 Appears in 6 hymnals Composer and/or Arranger: Martin Madan Tune Key: F Major Incipit: 15651 43217 12343 Used With Text: O let my earnest prayer and cry

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O Sun of Righteousnes, arise

Meter: 8.6.8.6 Appears in 98 hymnals Used With Tune: HUDDERSFIELD
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O let my earnest prayer and cry

Meter: 8.6.8.6 Appears in 19 hymnals Scripture: Psalm 119:169-176 Used With Tune: HUDDERSFIELD
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The Lord is just in all his ways

Meter: 8.6.8.6 Appears in 4 hymnals Lyrics: 17 The Lord is just in all his ways, holy in his works all. 18 He’s near to all that call on him, in truth that on him call. 19 He will accomplish the desire of those that do him fear: he also will deliver them, and he their cry will hear. 20 The Lord preserves all who him love, that nought can them annoy: but he all those that wicked are will utterly destroy. 21 My mouth the praises of the Lord shall constantly proclaim; and let all flesh for ever give praise to his holy name. Scripture: Psalm 145:17-21 Used With Tune: HUDDERSFIELD

Instances

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Published text-tune combinations (hymns) from specific hymnals
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What though no flow'rs the fig-tree clothe

Hymnal: The Irish Presbyterian Hymnbook #R32 (2004) Meter: 8.6.8.6 Lyrics: 1 What though no flow’rs the fig-tree clothe, though vines their fruit deny, the labour of the olive fail, and fields no meat supply? 2 Though from the fold, with sad surprise, my flock cut off I see; though famine pine in empty stalls, where herds were wont to be? 3 Yet in the Lord will I be glad, and glory in his love; in him I’ll joy, who will the God of my salvation prove. 4 He to my tardy feet shall lend the swiftness of the roe; till, rais'd on high, I safely dwell beyond the reach of woe. 5 God is the treasure of my soul, the source of lasting joy; a joy which want shall not impair, nor death itself destroy. Scripture: Habakkuk 3:17-18 Languages: English Tune Title: HUDDERSFIELD
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Against a wicked race, O God

Hymnal: The Irish Presbyterian Hymnbook #P43b (2004) Meter: 8.6.8.6 Lyrics: 1 Against a wicked race, O God, plead thou my cause, judge me; from the unjust and crafty man O do thou set me free. 2 For thou the God art of my strength; why thrust me then away? And for the oppression of the foe why mourn I all the day? 3 O send thy light forth and thy truth; let them be guides to me, and bring me to thine holy hill, even where thy dwellings be. 4 Then will I to God's altar go, to God my chiefest joy: yea, God, my God, thy name to praise my harp I will employ. 5 Why art thou then cast down, my soul? What should discourage thee? And why with vexing thoughts art thou disquieted in me? Still trust in God; for him to praise good cause I yet shall have: he of my countenance is the health, my God that doth me save. Scripture: Psalm 43 Languages: English Tune Title: HUDDERSFIELD
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O Sun of Righteousnes, arise

Hymnal: Methodist Tune Book #90 (1881) Meter: 8.6.8.6 Languages: English Tune Title: HUDDERSFIELD

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Martin Madan

1726 - 1790 Person Name: Madan Composer of "HUDDERSFIELD" in Methodist Tune Book Madan, Martin, son of Colonel Martin Madan, and brother of Dr. Spencer Madan, sometime Bishop of Peterborough, was born in 1726. He was to have qualified for the Bar, but through a sermon by J. Wesley on the words "Prepare to meet thy God," the whole current of his life was changed. After some difficulty he received Holy Orders, and subsequently founded and became chaplain of the Lock Hospital, Hyde Park Corner. He was popular as a preacher, and had no inconsiderable reputation as a musical composer. He ceased preaching on the publication of his work Thelyphthora, in which he advocated the practice of polygamy. He died in 1790. He published A Commentary on the Articles of the Church of England; A Treatise on the Christian Faith, &c, and:- A Collection of Psalms and Hymns Extracted from Various Authors, and published by the Reverend Mr. Madan. London, 1760. This Collection contained 170 hymns thrown together without order or system of any kind. In 1763 he added an Appendix of 24 hymns. This Collection, referred to as Madam’s Psalms & Hymns, had for many years a most powerful influence on the hymnody of the Church of England. Nearly the whole of its contents, together with its extensively altered texts, were reprinted in numerous hymnbooks for nearly one hundred years. At the present time many of the great hymns of the last century are in use as altered by him in 1760 and 1763. Although several hymns have been attributed to him, we have no evidence that he ever wrote one. His hymnological labours were employed in altering, piecing, and expanding the work of others. And in this he was most successful. -- John Julian, Dictionary of Hymnology (1907) ============================
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