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[Here am I, Lord]

Appears in 4 hymnals Composer and/or Arranger: Richard Proulx; A. Gregory Murray; Joseph Gelineau, SJ Tune Key: C Major Incipit: 65633 2 Used With Text: Psalm 40: Here Am I

Here am I, Lord; I come to do your will

Appears in 11 hymnals First Line: I waited, I waited for the Lord Topics: Second Sunday of Ordinary Time B Scripture: Psalm 40 Used With Tune: [Here am I, Lord; I come to do your will]

Psalm 40: Here Am I

Appears in 1 hymnal First Line: Here am I, Lord, I come to do your will Topics: Service Music Used With Tune: [Here am I, Lord, I come to do your will] Text Sources: Lectionary for Mass

Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 40: Here Am I

Hymnal: Singing Our Faith #23 (2001) First Line: Here am I, Lord, I come to do your will Topics: Service Music Languages: English Tune Title: [Here am I, Lord, I come to do your will]

Psalm 40: Here Am I

Hymnal: RitualSong #75a (1996) First Line: I waited, I waited for the Lord Refrain First Line: Here am I, Lord Topics: 20th Sunday in Ordinary Time Year C; 2nd Sunday in Ordinary Time Year B; 2nd Sunday in Ordinary Time Year A; Christian Initiation; Faith; Interfaith; Justice; Law; March 25: Annunciation of Our Lord; Obedience; Praise; Song; The Annunciation of the Lord (March 25); Trust Scripture: Psalm 40:2-4 Languages: English Tune Title: [Here am I, Lord]

Here am I, Lord; I come to do your will

Hymnal: Worship (3rd ed.) #868 (1986) First Line: I waited, I waited for the Lord Topics: Second Sunday of Ordinary Time A Scripture: Psalm 40 Languages: English Tune Title: [Here am I, Lord; I come to do your will]

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People

Authors, composers, editors, etc.

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Here am I, Lord]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

Richard Proulx

1937 - 2010 Person Name: RP Composer of "[Here am I, Lord; I come to do your will]" in Worship (3rd ed.) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman