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Tune Identifier:"^haskell_glezen$"

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HASKELL

Appears in 2 hymnals Composer and/or Arranger: E. K. Glezen Incipit: 55315 33543 55721 Used With Text: How sweetly flowed the gospel sound

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How sweetly flowed the gospel sound

Author: John Bowring Appears in 358 hymnals Used With Tune: HASKELL
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How beauteous were the marks divine

Author: A. C. Coxe Appears in 208 hymnals Used With Tune: HASKELL

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How sweetly flowed the gospel sound

Author: John Bowring Hymnal: Hymns of the Faith with Psalms #64 (1890) Languages: English Tune Title: HASKELL
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How beauteous were the marks divine

Author: A. C. Coxe Hymnal: Hymns of the Faith with Psalms #65 (1890) Languages: English Tune Title: HASKELL

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John Bowring

1792 - 1872 Author of "How sweetly flowed the gospel sound" in Hymns of the Faith with Psalms James Bowring was born at Exeter, in 1792. He possessed at an early age a remarkable power of attaining languages, and acquired some reputation by his metrical translations of foreign poems. He became editor of "The Westminster Review" in 1825, and was elected to Parliament in 1835. In 1849, he was appointed Consul at Canton, and in 1854, was made Governor of Hong Kong, and received the honour of knighthood. He is the author of some important works on politics and travel, and is the recipient of several testimonials from foreign governments and societies. His poems and hymns have also added to his reputation. His "Matins and Vespers" have passed through many editions. In religion he is a Unitarian. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================================= Bowring, Sir John, LL.D., a distinguished man of letters, was born at Exeter, Oct. 17, 1792. His studies extended to philology, poetry, politics, and other branches of learning, whilst as editor of the Westminster Review for some years (he received the appointment in 1825) he did considerable work as a reviewer. He held several official appointments under the Government as Commissioner to France on commercial matters (1831-5); British Consul at Hong Kong (1849); and Governor of Hong Kong (1854). He was twice Member of Parliament, and was knighted in 1854. He died Nov. 23rd, 1872. His published works are very numerous, and display an astonishing acquaintance with various languages. Those specially bearing on poetry include:— (1) Russian Anthology, with Biographical and Critical notices of the Poets of Russia, 1821; (2) Specimens of the Russian Poets, 1823; (3) Ancient Poetry and Romance of Spain, 1824; (4) Batavian Anthology, or Specimens of Dutch Poets, 1824; (5) Servian Popular Poetry, 1821; (6) Specimens of Polish Poets, 1827; (1) Poetry of the Magyars, 1830; (8) History of the Poetical Literature of Bohemia, 1832, &c. In addition to these works, which are mainly translations, Sir John Bowring wrote original verse. This was published interspersed with a few translations, as follows:— (1) Matins and Vespers with Hymns and Occasional Devotional Pieces, Lond., 1823; 2nd edition, enlarged, 1824; 3rd edition, again enlarged, 1841; and the 4th, still further enlarged, in 1851. (2) Hymns: as a Sequel to the Matins, 1825. In addition he contributed to a few Unitarian hymnals, especially that of the Rev. J. R. Beard of Manchester, 1837. In that Collection many of the hymns added to the 3rd edition of Matins, &c, 1841, were first published A selection from these, together with a biographical sketch, was published by Lady Bowring in 1873, as a Memorial Volume of Sacred Poetry. This work contains hymns from the Matins and Vespers, together with others from Periodicals, and from his manuscripts. Of his hymns a very large percentage have come into common use. A few have been adopted by almost all denominations, as, "God is love, His mercy brightens;" "How sweetly flow'd the gospel sound;" "In the Cross of Christ I glory;" "Watchman, tell us of the night;"; and others, but the greater portion are confined to the Unitarian collections of Great Britain and America, of which denomination he was a member. In addition to the more important, which are annotated under their first lines, there are also the following in common use:—- 1. Clay to clay, and dust to dust. Burial. From his Hymns, 1825, into the Hymn & Tune Book, Boston, U.S., 1868, &c. 2. Come the rich, and come the poor. Divine Worship. Contributed to Beard's Collection, 1837, No. 290, and repeated in Bowring's Matins, &c., 3rd edition, 1841. It is in a few American collections. 3. Drop the limpid waters now. Holy Baptism. From Matins and Vespers, 3rd edition, 1841, into Kennedy, 1863. 4. Earth's transitory things decay. The Memory of the Just. From his Hymns, 1825, into Beard, 1837; the American Plymouth Collection, 1855; and the Songs for the Sanctuary, N.Y., 1865, &c. 5. Father, glorify Thy name. The Father glorified. Also from Hymns, 1825, into Beard, 1837; the Hymns of the Spirit, Boston, U.S., 1864, &c. 6. Father and Friend, Thy light, Thy love. Omnipresence. From Matins and Vespers, 2nd edition, 1824, into several collections, and sometimes in an abbreviated form. 7. Father of Spirits, humbly bent before Thee. Also in Hymns, 1825, and Dr. Martineau's Hymns of Praise & Prayer, 1873. In Longfellow and Johnson's Hymns of the Spirit, Boston, U.S., 1864, it is given as, "Father of Spirits, gathered now before Thee." 8. From all evil, all temptation. Preservation implored. Contributed to Beard's Collection, 1837. 9. From the recesses of a lowly spirit. Prayer of trust. From Matins and Vespers, 1st edition, 1823, into several American collections. 10. Gather up, 0 earth, thy dead. Published in his Matins & Vespers, 3rd ed., 1841, in 3 stanzas of 8 lines and repeated, slightly altered, in Kennedy, 1863, No. 753. 11. Gently the shades of night descends Evening. A cento from his poem on "Sunday Evening," in the Matins, &c, 1st edition, 1823, p. 6. It is given in the Boston Hymns of the Spirit, 1864; the Boston Hymn & Tune Book, 1868, and other collections. 12. How dark, how desolate. Hope. 1st published in his Matins, &c, 1823, p. 246. In Dr. Martineau's Hymns of Praise & Prayer, 1873, it is No. 515. 13. How shall we praise Thee, Lord of Light! Evening. A cento from the same poem as No. 7 above. It is given in the Hymns of the Spirit, 1864, and other American collections. 14. Lead us with Thy gentle sway. Divine Guidance desired. Hymns, 1825, into Hymns of the Spirit, 1864, and others. 15. Lord, in heaven, Thy dwelling-place. Praise. Contributed to Beard's Collection, 1837, No. 70, repeated in the author's Matins, &c, 3rd edition 1841, p. 235, and given in a few American collections. In the Hymns of the Spirit, 1864, it is altered to "Lord of every time and place." 16. 0 let my [thy] trembling soul be still. Resignation. From the 1st edition of the Matins, &c, 1823, p. 251, in 3 stanzas of 6 lines, into Beard's Collection, 1837; the Hymns of the Spirit, 1864, and others. It is sometimes given as, "0 let thy," &c. 17. 0, sweet it is to feel and know. Monday Morning. A poem in 16 stanzas of 4 lines, given in his Matins, &c, 1823, p. 60. In 1837 stanzas i.-iii. were given in Beard's Collection as No. 448, and entitled "God near in sorrow." In the 3rd edition of the Matins, &c, 1841, this cento was repeated (p. 245), with the same title, notwithstanding the full poem was in the same book. 18. On the dust I'm doomed to sleep. Resurrection. Appeared in his Matins, &c, 1st edition, 1823, p. 252, in 2 stanzas of 8 lines. In the 2nd edition, 1824, p. 232, it was altered to "In the dust," &c. This was repeated in 1841. In some hymnals it reads:— 19. The heavenly spheres to Thee, 0 God. Evening. This "Hymn to the Deity" appeared in the 2nd edition of his Matins, &c, 1824, pp. 235-6, in 4 stanzas of 4 double lines. It is also in the 3rd edition, 1841; the Boston Hymns of the Spirit, 1864 and other American collections. 20. When before Thy throne we kneel. Divine Worship. From his Hymns, 1825, into Beard's Collection, 1837, No. 93; the Boston Hymn & Tune Book, 1868, No. 21, and others. 21. Where is thy sting, 0 death! Death. Also from the Hymns, 1825, into the same collections as No. 20 above. It will be noted that Beard's Collection, 1837, is frequently named above. The full title of that hymnal is— A Collection of Hymns for Public and Private Worship. Compiled by John R. Board, Lond., John Green, 1837. The Rev. John Relly Beard was an Unitarian Minister in Manchester, and the collection is dedicated "To the Manchester Meeting of Ministers." It contained a large number of original hymns. Bowring contributed 82, of which 33 were published therein for the first time. Some of his hymns are of great merit, and most of them are characterised by great earnestness and deep devotion. -- John Julian, Dictionary of Hymnology (1907) ================== Bowring, Sir John, p. 166, i. In the article on Bowring the hymns numbered therein as 4 and 20 are stated to have appeared in his Hymns, 1825, but in error. The earliest date to which we can positively trace them is Beard's Collection, 1837. From the Hymns, 1825, we find, however, that the following are in modern hymnals:— 1. Our God is nigh. Divine Presence. 2. 'Tis not the gift; but 'tis the spirit. Outward and Inward Virtue. 3. When the storms of sorrow gather. God our Guide. From the various editions of his Matins and Vespers additional hymns arc also in modern use:— 4. If all our hopes and all our fears. Heaven Anticipated. (1823.) 5. In Thy courts let peace be found. Public Worship. (1841.) 6. The offerings to Thy throne which rise. Heart Worship. (1824.) 7. Who shall roll away the stone? Easter. In Beard's Collection, 1837, and Matins & Vespers, 1841. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

A. Cleveland Coxe

1818 - 1896 Person Name: A. C. Coxe Author of "How beauteous were the marks divine" in Hymns of the Faith with Psalms Coxe, Arthur Cleveland, D.D. LL.D. One of the most distinguished of American prelates, and son of an eminent Presbyterian minister, the Rev. Samuel H. Cox, D.D., was born at Mendham, New Jersey, May 10,1818. Graduating at the University of New York in 1838, and taking Holy Orders in 1841, he became Rector of St. John's, Hartford, Connecticut, in the following year. In 1851 he visited England, and on his return was elected Rector of Grace Church, Baltimore, 1854, and Calvary, New York, 1863. His consecration as Bishop of the Western Diocese of New York took place in 1865. His residence is at Buffalo. Bishop Coxe is the author of numerous works. His poetical works were mostly written in early life, and include Advent, 1837; Athanasion, &c, 1842; Christian Ballads, 1840 (Preface to the English edition, April, 1848); Hallowe'en and Other Poems, 1844; Saul, a Mystery, 1845, &c. Some of Bishop Coxe's hymns are found in the collections of every religious body in America, except the official collections of his own. This is accounted for by his too scrupulous modesty. As a member of the Hymnal Committee, in 1869-71, he refused to permit the insertion of his own lyrics. As he has not preserved memoranda, and has no precise recollection of dates, several dates here given are somewhat uncertain. 1. Behold an Israelite indeed. St. Bartholomew. First appeared in "Poems," published with his Christian Ballads, 1840, and found in an altered form in the People's H. and the Hymnary. 2. Body of Jesus, 0 sweet Food. Holy Communion. Written at St. James's College, Maryland (since broken up by the Civil War), Ascension Day, 1858. It was first printed for private use, and then published in the Cantate Domino, Boston, 1859, No. 53, and again in other American collections. It is also in Schaff’s Christ in Song, 1869, and in The Churchman's Altar Manual, 2nd ed., 1883. 3. Breath of the Lord, 0 Spirit blest.Whitsuntide. Bishop Coxe considers this more worthy of being called a hymn than anything else from his pen. It was written long before it appeared in the New York Independent, Whitsuntide, 1878. It is in the Schaff-Gilman Library of Religious Poetry, 1881, and Brooke's Churchman's Manual of Private and Family Devotion, 1883. 4. Christ is arisen. Easter. This is suggested by, and partly translated from, the famous Easter Chorus in Goethe's Faust, "Christ ist erstanden" (see Goethe), and appeared in Hallowe'en, 1844. 5. He who for Christ hath left behind. St. Matthew. From his Christian Ballads, &c, 1840. 6. In the silent midnight watches. Christ knocking. From his Athanasion, &c, 1842; an impressive moral poem rather than a hymn on Christ knocking at the door, extensively used in America, and sometimes in England. Original text, Schaff's Christ in Song, 1869. 7. Lord, when Thou didst come from heaven. A hymn for Epiphany, on behalf of Western Missions, appeared among the "Lays "appended to Hallowe'en, 1844, and again in later editions of the Christian Ballad. It is sometimes abbreviated, as in Lyra Sac. Amer., " Westward, Lord, the world alluring." 8. Now pray we for our country. National Hymn. A stanza from Chronicles, or meditations on events in the history of England, called up by visiting her abbeys and cathedrals, and appeared in Christian Ballads, 1840. Originally it began, "Now pray we for our mother," and, with the succeeding stanza, was a call upon Americans to pray for their mother country. It is adopted by Dr. Martineau in his Hys., 1873. 9. 0 walk with God, and thou shalt find. Holiness. Appeared in his Hallowe’en, &c, 1844, and is found in Lyra Sac. Amer. 10. 0 where are kings and empires now! Church of God. The 6th stanza of his ballad "Chelsea," which appeared in the Churchman, 1839, and again in his Christian Ballads, 1840. 11. Saviour, sprinkle many nations. Missions. “Begun on Good Friday, 1850, and completed 1851, in the grounds of Magdalen College, Oxford." 1st published. in Verses for 1851, in Commemoration of the third Jubilee of the Society for the Propagation of the Gospel, edited by the Rev. Ernest Hawkins, 1851. It was subsequently appended to the English edition of his Christian Ballads. It is regarded as Bishop Coxe's best piece, and to many minds it is the loveliest of missionary hymns. Its use in England is very extensive. It is not found in the American Episcopal hymnal for the reason given above. 12. Still as our day our strength shall be. Temptation. Appeared in his Hallowe'en, &c, 1844, and Lyra Sac. Amer. 13. Soldier, to the contest pressing. Christian Conflict. From his Hallowe'en, &c, 1844, and Lyra Sac. Amer. It was written in 1834. 14. There is a land like Eden fair. From Hallowe'en, &c, into a few collections. 15. We are living, we are dwelling. Christian Soldiers. An impressive moral poem rather than a hymn, but extensively used. It appeared in his Athanasion, &c, 1840, and Lyra &xc. 16. Who is this, with garments gory. Passiontide. From his “Lays" appended to Hallowe'en, 1844, and again in his Christian Ballads. It is found in the Child's Christian Year, 4th ed. N.D., the People's Hymns, and other collections. It is in 4 stanza of 8 1. The last stanza is sometimes given as a separate hymn:—"Hail, all hail, Thou Lord of Glory." 17. When o'er Judea's vales and hills. Written cir. 1840, and published in his Hallowe'en, &c, 1844, and again, with the author's final corrections, made in 1869, in Schaff's Christ in Song (1870 ed. p. 112). Also in the English edition of his Christian Ballads. From this "Hymn to the Redeemer," two shorter hymns have been com¬piled : (1) " How beauteous were the marks divine." This is in almost universal American and occasional English use. (2) "O who like Thee, so calm, so bright," in the Hymnary, 1872. Bishop Coxe has also translated the Pange lingua gloriosi corporis (q. v.), and is the author of the beautiful Christmas Carol, "Carol, carol, Christians," given in his Christian Ballads, &c. [Rev. F. M. Bird] -- John Julian, Dictionary of Hymnology (1907)

Edward K. Glezen

Person Name: E. K. Glezen Composer of "HASKELL" in Hymns of the Faith with Psalms
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