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Tune Identifier:"^hail_glorious_day_so_long_fore_sullivan$"

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SEARS

Appears in 6 hymnals Composer and/or Arranger: Arthur S. Sullivan Incipit: 51133 54321 22212 Used With Text: It came upon the midnight clear

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It came upon the midnight clear

Author: Sears Appears in 885 hymnals Used With Tune: [It came upon the midnight clear]
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To Him from whom our blessings flow

Author: Anon. Appears in 26 hymnals Used With Tune: [To Him from whom our blessings flow]
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Hail Glorious Easter Day

Author: Laura E. Newell Appears in 1 hymnal First Line: Hail, glorious day so long foretold Refrain First Line: Hail glorious Easter day! Lyrics: 1 Hail glorious day so long foretold, With joy we greet thy light; Our hearts are all attuned to praise For earth seems glad and bright, Today among the choirs of heaven Break forth the sweet refrain; Praise to the Lord of Paradise, Who died, but rose again. Refrain: Hail glorious Easter day! Hail glorious Easter day! That saw our Saviour burst the tomb, And death despotic sway. Our Saviour slept, while Mary wept But rose this blessed day. 2 Dear Jesus, source of life and love, To Thee our songs ascend; Thou art to us a guiding star, Our elder brother, Friend, This earth would be a dreary waste, A wilderness of pain; But for the peace and love of Him, Who died, but rose again. [Refrain] 3 And when at last Thy welcome voice, Shall softly bid us “Come;” Then shall our trusting hearts rejoice, To hear Thy “welcome home,” And in that blessed home above, We’ll join the sweet refrain; And all our praise to Thee be giv’n, Who died, and rose again. [Refrain] Used With Tune: [Hail, glorious day so long foretold]

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Hail Glorious Easter Day

Author: Laura E. Newell Hymnal: The Helper in Sacred Song #184 (1889) First Line: Hail, glorious day so long foretold Refrain First Line: Hail glorious Easter day! Lyrics: 1 Hail glorious day so long foretold, With joy we greet thy light; Our hearts are all attuned to praise For earth seems glad and bright, Today among the choirs of heaven Break forth the sweet refrain; Praise to the Lord of Paradise, Who died, but rose again. Refrain: Hail glorious Easter day! Hail glorious Easter day! That saw our Saviour burst the tomb, And death despotic sway. Our Saviour slept, while Mary wept But rose this blessed day. 2 Dear Jesus, source of life and love, To Thee our songs ascend; Thou art to us a guiding star, Our elder brother, Friend, This earth would be a dreary waste, A wilderness of pain; But for the peace and love of Him, Who died, but rose again. [Refrain] 3 And when at last Thy welcome voice, Shall softly bid us “Come;” Then shall our trusting hearts rejoice, To hear Thy “welcome home,” And in that blessed home above, We’ll join the sweet refrain; And all our praise to Thee be giv’n, Who died, and rose again. [Refrain] Tune Title: [Hail, glorious day so long foretold]
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Es kennt der Herr die Seinen

Hymnal: Perlen und Blüthen #37 (1890) Refrain First Line: Sind sie und bleiben seig Languages: German Tune Title: [Es kennt der Herr die Seinen]
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Es kennt der Herr die Seinen

Hymnal: Unser Kirchenchor #98 (1892) Languages: German Tune Title: [Es kennt der Herr die Seinen]

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Anonymous

Person Name: Anon. Author of "To Him from whom our blessings flow" in Good-Will Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Edmund H. Sears

1810 - 1876 Person Name: Sears Author of "It came upon the midnight clear" in Good-Will Songs Edmund Hamilton Sears was born in Berkshire [County], Massachusetts, in 1810; graduated at Union College, Schenectady, in 1834, and at the Theological School of Harvard University, in 1837. He became pastor of the Unitarian Society in Wayland, Mass., in 1838; removed to Lancaster in 1840; but on account of ill health was obliged to retire from the active duties of the ministry in 1847; since then, residing in Wayland, he devoted himself to literature. He has published several works. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======================= Sears, Edmund Hamilton, D.D., son of Joseph Sears, was born at Sandisfield, Berkshire County, Massachusetts, April 6, 1810, and educated at Union College, Schenectady, N.Y., where he graduated in 1834; and at the Theological School at Cambridge. In 1838 he became pastor of the First Church (Unitarian) at Wayland, Massachusetts; then at Lancaster in the same State, in 1840; again at Wayland, in 1847; and finally at Weston, Massachusetts, in 1865. He died at Weston, Jan. 14, 1876. He published:— (1) Regeneration, 1854; (2) Pictures of the Olden Time, 1857; (3) Athanasia, or Foregleams of Immortality, 1858, enlarged ed., 1872; (4) The Fourth Gospel the Heart of Christ; (5) Sermons and Songs of the Christian Life, 1875, in which his hymns are collected. Also co-editor of the Monthly Religious Magazine. Of his hymns the following are in common use:— 1. Calm on the listening ear of night. Christmas. This hymn was first published in its original form, in the Boston Observer, 1834; afterwards, in the Christian Register, in 1835; subsequently it was emended by the author, and, as thus emended, was reprinted entire in the Monthly Magazine, vol. xxxv. Its use is extensive. 2. It came upon the midnight clear. Christmas. "Rev. Dr. Morison writes to us, Sears's second Christmas hymn was sent to me as editor of the Christian Register, I think, in December, 1849. I was very much delighted with it, and before it came out in the Register, read it at a Christmas celebration of Dr. Lunt's Sunday School in Quincy. I always feel that, however poor my Christmas sermon may be, the reading and singing of this hymn are enough to make up for all deficiences.'" 3. Ho, ye that rest beneath the rock. Charitable Meetings on behalf of Children. Appeared in Longfellow and Johnson's Hymns of the Spirit, Boston, 1864, in 2 stanzas of 8 lines. Dr. Sears's two Christmas hymns rank with the best on that holy season in the English language. Although a member of the Unitarian body, his views were rather Swedenborgian than Unitarian. He held always to the absolute Divinity of Christ. [Rev. F. M. Bird, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

Arthur Sullivan

1842 - 1900 Person Name: Sullivan Composer of "[It came upon the midnight clear]" in Good-Will Songs Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman
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