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DEWITT

Meter: 8.6.8.6 Appears in 6 hymnals Composer and/or Arranger: Uzziah Christopher Burnap Tune Key: a minor or modal Incipit: 51232 13455 11234 Used With Text: Raise Not Thy Hand In Judgment, Lord

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I see the crowd in Pilate's hall

Author: Rev. Horatius Bonar (1808- ) Appears in 42 hymnals Used With Tune: DEWITT
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The Last Great Day Is Drawing Nigh

Author: William Sanders; Hugh Bourne Meter: 8.6.8.6 Appears in 2 hymnals Lyrics: 1 The last great day is drawing nigh When Christ, the Judge, shall come, With all the armies of the sky, To call His children home. 2 Behold! the vengeful day of God: Destruction flies around, The mountains tremble at His nod, His trumpet shakes the ground. 3 Sinners with trembling leave the tomb At His supreme command; Behold! the day of God is come! How will the sinner stand? 4 All who against the living God Continue to rebel, Must fall beneath His vengeful rod, And bear the pains of hell. 5 But those who in His name believe, And humbly watch and pray, Shall each a starry crown receive, And reign in endless day. Used With Tune: DEWITT Text Sources: Large Hymn Book for the Use of the Primitive Methodists, Bemerseley, England: Primitive Methodist Connexion, 1824)
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Raise Not Thy Hand In Judgment, Lord

Author: Benjamin Beddome Meter: 8.6.8.6 Appears in 1 hymnal Lyrics: 1 Raise not Thy hand in judgment, Lord, With us, a guilty race; Thy needful succor now afford, And help us in distress. 2 Let not the waterspouts descend, Nor burst upon our plains; But in Thy mercy condescend To stay the sweeping rains. 3 Command the clouded sun to shine, And shed a constant ray; Directed by a hand divine, Our night shall turn to day. 4 Oh let its fructifying beam, The precious grain mature; And we Thy goodness will proclaim, Whose promise shall endure. 5 Wonder and love shall tune our tongues, For all Thy kindness shown, While thankful we in joyful songs, Thy gracious hand will own. Used With Tune: DEWITT Text Sources: Hymns Adapted to Public Worship by R. Hall (London: Burton & Briggs, 1817)

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I see the crowd in Pilate's hall

Author: Rev. Horatius Bonar (1808- ) Hymnal: Carmina Sanctorum, a selection of hymns and songs of praise with tunes #202a (1886) Topics: The Lord Jesus Christ Scripture: Matthew 27:22 Languages: English Tune Title: DEWITT
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I see the crowd in Pilate's hall

Author: Rev. Horatius Bonar (1808- ) Hymnal: Carmina Sanctorum #202 (1885) Languages: English Tune Title: DEWITT
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'Twas I That Did It

Author: Horatius Bonar Hymnal: The Cyber Hymnal #11253 Meter: 8.6.8.6 First Line: I see the crowd in Pilate’s hall Lyrics: 1 I see the crowd in Pilate’s hall, I mark their wrathful mien; Their shouts of crucify appall, With blasphemy between. 2 And of that shouting multitude I feel that I am one; And in that din of voices rude, I recognize my own. 3 I see the scourges tear His back, I see the piercing crown, And of that crowd who smite and mock, I feel that I am one. 4 Around yon cross, the throng I see, Mocking the sufferer’s groan, Yet still my voice it seems to be— As if I mocked alone. 5 ’Twas I that shed the sacred blood, I nailed Him to the tree, I crucified the Christ of God, I joined the mockery. 6 Yet not the less that blood avails, To cleanse away my sin, And not the less that cross prevails To give me peace within. Languages: English Tune Title: DEWITT

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Horatius Bonar

1808 - 1889 Person Name: Rev. Horatius Bonar (1808- ) Author of "I see the crowd in Pilate's hall" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Horatius Bonar was born at Edinburgh, in 1808. His education was obtained at the High School, and the University of his native city. He was ordained to the ministry, in 1837, and since then has been pastor at Kelso. In 1843, he joined the Free Church of Scotland. His reputation as a religious writer was first gained on the publication of the "Kelso Tracts," of which he was the author. He has also written many other prose works, some of which have had a very large circulation. Nor is he less favorably known as a religious poet and hymn-writer. The three series of "Hymns of Faith and Hope," have passed through several editions. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ================================ Bonar, Horatius, D.D. Dr. Bonar's family has had representatives among the clergy of the Church of Scotland during two centuries and more. His father, James Bonar, second Solicitor of Excise in Edinburgh, was a man of intellectual power, varied learning, and deop piety. Horatius Bonar was born in Edinburgh, Dec. 19th, 1808; and educated at the High School and the University of Edinburgh. After completing his studies, he was "licensed" to preach, and became assistant to the Rev. John Lewis, minister of St. James's, Leith. He was ordained minister of the North Parish, Kelso, on the 30th November, 1837, but left the Established Church at the "Disruption," in May, 1848, remaining in Kelso as a minister of the Free Church of Scotland. The University of Aberdeen conferred on him the doctorate of divinity in 1853. In 1866 he was translated to the Chalmers Memorial Church, the Grange, Edinburgh; and in 1883 he was chosen Moderator of the General Assembly of of the Free Church of Scotland. Dr. Bonar's hymns and poems were, he tells us, composed amid a great variety of circumstances; in many cases he cannot himself recall these circumstances; they also appeared in several publications, but nearly all have boen published or republished in the following:— (i) Songs for the Wilderness, 1843-4. (2) The Bible Hymn Book, 1845. (3) Hymns, Original and Selected, 1846. (4) Hymns of Faith and Hope, First Series, 1857; Second Series, 1861; Third Series, 1866. (5) The Song of the New Creation, 1872. (6) My Old Letters, a long poem, 1877. (7) Hymns of the Nativity, 1879. (8) Communion Hymns, 1881. In addition to numerous prose works, he has also edited The New Jerusalem; a Hymn of the Olden Time, 1852, &c. Dr. Bonar's poems—-including many beautiful lyrics, several psalm versions, and translations from the Greek and Latin, a large number of hymns, and a long meditative poem—-are very numerous, too numerous, perhaps, for their permanent fame as a whole. Dr. Bonar's scholarship is thorough and extensive; and his poems display the grace of style and wealth of allusion which are the fruit of ripe culture. Affected very slightly by current literary moods, still less by the influence of other religious poetry, they reveal extreme susceptibility to the emotional power which the phases of natural and of spiritual life exercise; the phases of natural life being recognised chiefly as conveying and fashioning spiritual life, used chiefly for depicting spiritual life, and handled for this purpose with greater delicacy of touch than in the Olney Hymns, and with less conscious purpose than in the Christian Year. As a result of this susceptibility, and from habitual contemplation of the Second Advent as the era of this world's true bliss, his hymns and poems are distinguished by a tone of pensive reflection, which some might call pessimism. But they are more than the record of emotion; another element is supplied by his intellectual and personal grasp of Divine truth, these truths particularly:—The gift of a Substitute, our Blessed Saviour; Divine grace, righteous, yet free and universal in offer; the duty of immediate reliance upon the privilege of immediate assurance through that grace; communion with God, especially in the Lord's Supper, respecting which he insists on the privilege of cherishing the highest conceptions which Scripture warrants; and finally, the Second Advent of our Lord: by his vigorous celebration of these and other truths as the source and strength of spiritual life, his hymns are protected from the blight of unhealthy, sentimental introspection. To sum up: Dr. Bonar's hymns satisfy the fastidious by their instinctive good taste; they mirror the life of Christ in the soul, partially, perhaps, but with vivid accuracy; they win the heart by their tone of tender sympathy; they sing the truth of God in ringing notes; and although, when taken as a whole, they are not perfect ; although, in reading them, we meet with feeble stanzas, halting rhythm, defective rhyme, meaningless Iteration; yet a singularly large number have been stamped with approval, both in literary circles and by the Church. In Great Britain and America nearly 100 of Dr. Bonar's hymns are in common use. They are found in almost all modern hymnals from four in Hymns Ancient & Modern to more than twenty in the American Songs for the Sanctuary, N. Y., 1865-72. The most widely known are, "A few more years shall roll;" "Come, Lord, and tarry not;" "Here, O my Lord, I see Thee face to face;" "I heard the Voice of Jesus say;" "The Church has waited long;" and "Thy way, not mine, O Lord." In addition to these and others which are annotated under their respective first lines, the following are also in common use:— From Songs for the Wilderness, No. 1, 1843. 1. For Thee we long and pray. Sunday Morning. 2. Holy Father, hear my cry. A Child's Prayer. 3. I thought upon my sins and I was sad. Christ our Peace. 4. Peace to the world, our Lord is come. A Millennial Song. 5. Spirit of everlasting grace. The Vision of Dry Bones. ii. From Songs for the Wilderness, No. 2,1844. 6. Ho, ye thirsty, parched and fainting. Invitation. 7. 0 'tis not what we fancied it. The world renounced. 8. Sing them, my children, sing them still. Children exhorted to Praise. 9. Time's sun is fast setting. Advent. 10. Weep, pilgrim, weep, yet 'tis not for the sorrow. Faith. 11. Yes, for me, for me He careth. Christ the Elder Brother . iii. From The Bible Hymn Book, 1845. 12. Jesus, my sorrow lies too deep. Jesus, the Great High Priest. 13. There is a Morning Star, my soul. The Morning Star. 14. This is not my place of resting. Pressing towards heaven. iv. From Hymns, Original and Selected, 1845. 15. Let there be light, Jehovah said. Creation. v. From Hymns of Faith and Hope, 1st series, 1857. 16. Be brave, my brother. The Fight of Faith. 17. Blessed be God, our God. Good Friday. 18. Everlasting praises. Doxology. 19. Go up, go up, my heart. Heavenly aspirations desired. 20. I close my heavy eye. Evening. Sometimes given as "We close our heavy eyes." 21. I see the crowd in Pilate's hall. Good Friday. 22. Jesus, while this rongh desert soil. Strength by the Way. 23. Jesus, Whom angel-hosts adore. The Word made Flesh. From "The Son of God, in mighty love." 24. Make haste, 0 man, to live. Exhortation to lay hold of Life. 25. No seas again shall sever. Heaven. 26. Oppressed with noonday's scorching heat. Shadow of the Cross. 27. Rest for the toiling hand. Burial. From "Lie down, frail body, here." 28. Shall this life of mine be wasted? Exhortation to Duty. 29. These are the crowns that we shall wear. Heaven. 30. Thy works, not mine, O Christ [Lord]. The Sin-bearer. 31. Where the faded flower shall freshen. Heaven. vi. From Hymns of Faith and Hope. 2nd series, 1861. 32. Be still, my soul, Jehovah loveth Thee. Rest in the Love of God. 33. Christ has done the mighty work. Good Friday. 34. Come, mighty Spirit, penetrate. Whitsuntide. 35. Deep down beneath the unresting surge. Burial at Sea. 36. Fear not the foe, thou flock of God [thou little flock]. Battle-Song of the Church. 37. For lack of love I languish. Lent. 38. From this bleak hill of storms. Eternal Rest desired. 39. He liveth long who liveth well. The True Life. 40. Here shall death's triumph end: the rock-barred door. Easter. From "The tomb is empty: wouldst thou have it full." 41. Jesus, Sun and Shield art Thou. Jesus the First and Last. 42. Jesus, the Christ of God. Praise to Christ. 43. Light of the world, for ever, ever shining. Christ the Light of the World. From "Why walk in darkness? Has the dear light vanished?" 44. Make use of me, my God. Duty desired. 45. Not what I am, 0 Lord, but what Thou art. The Love of God. 46. 0 Light of Light, shine in. Cry of the Weary. 47. 0 love of God, how strong and true. Love of God. 48. 0 love that casts out fear. Love of God. 49. 0 strong to save and bless. Lent. 50. 0 this soul, how dark and blind. Lent. 51. Safe across the waters. Thanksgiving at end of a journey. 52. Silent, like men in solemn haste. Pressing onwards. 53. Speak, lips of mine. Exhortation to Praise. 54. The Bridegroom comes. Advent. vii. From Hymns of Faith and Hope. 3rd series, 1866. 55. Bear Thou my burden, Thou Who bar'st my sin. Lent or Passiontide. 56. Done is the work that saves. Easter. 57. Father, our children keep. Prayer on behalf of Children. 58. Fill Thou my life, 0 Lord my God. Life's Praise. 59. Finish Thy work, the time is short. Earnest labour to the end. 60. From the Cross the blood is falling. Good Friday. 61. He called them, and they left. Obedience. 62. Help me, my [0] God to speak. Truth desired. 63. Holy Father, Mighty God. Holy Trinity. 64. How are my troubles multiplied. Ps. iii. 65. How sweetly doth He show His face Flower Service. 66. Light hath arisen, we walk in its brightness. Sustaining power of Faith. 67. Lo, God, our God has come. Christmas. 68. Lord, give me light to do Thy work. Divine guidance desired. 69. No, not despairingly. Lent. 70. Not to ourselves again. Life in Christ, or, Living unto God. 71. Now in parting, Father, bless us. Post Communion. 72. Sounds the trumpet from afar. Battle-Song of the Church. 73. Thee in the loving bloom of morn. God in all. 74. Through good report and evil, Lord. Faithfulness. 75. To Jehovah, God of might. Praise to the Father. 76. To the name of God on high. Doxology. 77. Upward, where the stars are burning. Heavenward Aspirations. 78. We take the peace which He hath won. The Gift of Peace. 79. When the weary, seeking rest. Intercession for all Conditions of Men. viii. From The Song of the New Creation,1872. 80. For the Bread and for the Wine. Holy Communion. 81. Light of life so softly shining. Light of Life. 82. Yet there is room. The Lamb's bright hall of song. Home Missions. ix. From Hymns of the Nativity, 1879. 83. Great Ruler of the land and sea. Sailors' Liturgy. From Communion Hymns, 1881. 84. Beloved, let us love. Brotherly Love. In several instances these hymns are given in an abbreviated form, and sometimes alterations are also introduced. In this latter respect however Dr. Bonar has suffered less than most modern hymn-writers. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907) ==================== Bonar, Horatius, p. 161, i. He died at Edinburgh, July 31, 1889. In 1890 his son published a posthumous volume of his poetical pieces as Until the Day Break and other Hymns and Poems left behind. The following additional hymns are in common use:— 1. Almighty Comforter and Friend. (1866.) Whitsuntide. 2. Father, make use of me. An altered form of No. 44, p. 162, ii. 3. I ask a perfect creed. (1861.) Creed not Opinions. From this is also taken "O True One, give me truth." 4. Long, long deferred, now come at last. Marriage of the Lamb. Part of "Ascend, Beloved, to the joy." (1861.) 5. Nay 'tis not what we fancied it. (1857.) Vanity of the World. 6. No blood, no altar now. (1861.) The Finished Sacrifice. 7. No shadows yonder. (1857.) Heaven Anticipated. 8. Not with the light and vain. (1857.) Godly Companionship. 9. O Love invisible, yet infinite. (1866.) Divine Love. 10. On the great love of God I lean. (1866.) Love of God our Resting-place. 11. On Thee, O Jesus, strongly leaning. (1866.) Fellowship with Christ. 12. Peace upon peace, like wave on wave. (1866.) Divine Peace. 13. Sower divine, sow the good seed in me. (1857.) Heavenly Sowing. 14. Speaketh the sinner's sin within my heart. (1866.) Ps. xxxvi. 15. Still one in life and one in death. (1857.) Communion of Saints. Part of "'Tis thus they press the hand and part." 16. Surely, yon heaven, where angels see God's face. (1857.) Heaven Anticipated. 17. That city with the jewelled crest. (1857.) Heaven. Part of "These are the crowns that we shall wear." Another cento from the same is "Yon city, with the jewelled crest." 18. That clime is not like this dull clime of ours. (1843.) Heaven. 19. The Free One makes you free: He breaks the rod. (1857.) Freedom in Christ. From "Of old they sang the song of liberty." 20. There is a Morning-star, my soul. (1357.) Christ the Morning Star. 21. This is the day of toil. (1866.) Pressing Onwards. 22. Thy thoughts are here, my God. (1866.) Holy Scripture. 23. Till the day dawn. (1857.) Life's Journey. 24. To Him Who spread the skies. (1866.) Creation's Song. 25. Trustingly, trustingly. (1866.) Trust. 26. Unto th' eternal hills. (1866.) Ps. cxxi. The above dates are: 1843, Songs in the Wilderness; 1857, Hymns of Faith and Hope, 1st Series; 1861, same, 2nd Ser. (not 1864); 1866, same, 3rd Ser. (not 1867), The dates 1857, 1864,1867, were given by Dr. Bonar, but the British Museum copies are 1857, 1861, 1866 respectively. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ============== Bonar, H., pp. 161, i.; 1554, i. The Rev. H. N. Bonar, Dr. Bonar's son, published in 1904, Hymns by Horatius Bonar, Selected and Arranged by his Son H. N. Bonar, With a brief History of some of the Hymns, &c. (London: H. Frowde). From this work we must correct the date of his Song of the New Creation to 1872. We have also enriched our pages by additional and expanded notes on several of Dr. Bonar's most widely used hymns. In his biographical notes, Mr. Bonar refers to Dr. Bonar's work as editor of the Quarterly Journal of Prophecy, begun in 1848, to which he contributed a hymn for each number. We find that the number of hymns contributed thereto is 101. With Dr. Bonar's poetical productions great difficulty has been encountered by the historian and annotator because of his absolute indifference to dates and details. It was enough for him that he had written, and that the Church of Christ approved and gladly used what, out of the fulness of his heart, he had given her. --Excerpt from John Julian, Dictionary of Hymnology, New Supplement (1907)

Benjamin Beddome

1717 - 1795 Author of "Raise Not Thy Hand In Judgment, Lord" in The Cyber Hymnal Benjamin Beddome was born at Henley-in Arden, Warwickshire, January 23, 1717. His father was a Baptist minister. He studied at various places, and began preaching in 1740. He was pastor of a Baptist society at Bourton-on-the-Water, Gloucestershire, until his death in 1795. In 1770, he received the degree of M.A. from the Baptist College in Providence, Rhode Island. He published several discourses and hymns. "His hymns, to the number of 830, were published in 1818, with a recommendation from Robert Hall." Montgomery speaks of him as a "writer worthy of honour both for the quantity and the quality of his hymns." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ========================= Beddome, Benjamin , M.A. This prolific hymnwriter was born at Henley-in-Arden, Warwickshire, Jan. 23, 1717, where his father, the Rev. John Beddome, was atthat time Baptist Minister. He was apprenticed to a surgeon in Bristol, but removing to London, he joined, in 1739, the Baptist church in Prescott St. At the call of this church he devoted himself to the work of the Christian ministry, and in 1740 began to preach at Bourton-on-the-Water, in Gloucestershire. Declining invitations to remove to London or elsewhere, he continued pastor at Bourton until his death, on Sep. 3, 1795, at the age of 78. Mr. Beddome was for many years one of the most respected Baptist ministers in the West of England. He was a man of some literary culture. In 1770 he received the degree of M.A. from Providence College, Rhode Island. He was the author of an Exposition of the Baptist Catechism, 1752, in great repute at the time, and reprinted by Dr. C. Evans in 1772. It was his practice to prepare a hymn every week to be sung after his Sunday morning sermon. Though not originally intended for publication, he allowed thirteen of these to appear in the Bristol Baptist Collection of Ash & Evans (1769), and thirty-six in Dr. Rippon's Baptist Selection (1787), whence a number of them found their way into the General Baptist Hymn Book of 1793 and other collections. In 1817, a posthumous collection of his hymns was published, containing 830 pieces, with an introduction by the Rev. Robert Hall, and entitled "Hymns adapted to Public Worship or Family Devotion, now first published from the Manuscripts of the late Rev. B. Beddome, M.A." Preface dated "Leicester, Nov. 10, 1817." Some of the early copies bear the same date on the title page. Copies bearing both the 1817 and 1818 dates are in the British Museum. The date usually given is 1818. Some hymns are also appended to his Sermons, seven volumes of which were published l805—1819; and over twenty are given in the Baptist Register of various dates. Beddome's hymns were commended by Montgomery as embodying one central idea, "always important, often striking, and sometimes ingeniously brought out." Robert Hall's opinion is just, when in his "Recommendatory Preface" to the Hymns, &c, he says, p. vii.:— "The man of taste will be gratified with the beauty and original turns of thought which many of them ex¬hibit, while the experimental Christian will often perceive the most secret movements of his soul strikingly delineated, and sentiments pourtrayed which will find their echo in every heart." With the exception of a few composed for Baptisms and other special occasions, their present use in Great Britain is limited, but in America somewhat extensive. One of the best is the Ordination Hymn, "Father of Mercies, bow Thine ear." Another favourite is “ My times of sorrow and of joy," composed, by a singular coincidence, to be sung on Sunday, Jan. 14, 1778, the day on which his son died, most unexpectedly, in Edinburgh. "Let party names no more," is very popular both in Great Brit, and America. "Faith, His a precious gift," "Witness, ye men and angels, now," and the hymn for Holy Baptism, "Buried beneath the yielding wave," are also found in many collections. Beddome's popularity is, however, now mainly in America. [Rev. W. R. Stevenson, M.A.] Beddome is thus seen to be in common use to the extent of about 100 hymns. In this respect he exceeds every other Baptist hymnwriter; Miss Steele ranking second. The authorities for Beddome's hymns are: (1) A Collection of Hymns adapted to Public Worship, Bristol, W. Pine, 1769, the Collection of Ash & Evans; (2) Dr. Rippon's Selections 1787, and later editions; (3) Sermons printed from the Manuscripts of the late Rev. Benjamin Beddome, M.A.,... with brief Memoir of the Author, Dunstable & Lond., 1805-1819; (4) Dr. Rippon's Baptist Register, 1795, &c.; (5) The Beddome Manuscripts, in the Baptist College, Bristol; (6) and Hymns adapted to Public Worship, or Family Devotion now first published, from Manuscripts of the late Rev. B. Beddome, A.M. With a Recommendatory Preface by the Rev. R. Hall, A.M. Lond., 1817. In his Preface, Mr. Hall gives this account of the Beddome Manuscript:— "The present Editor was entrusted several years ago with the MSS, both in prose and verse, with permission from the late Messrs. S. & B. Beddome, sons of the Author, to publish such parts of them as he might deem proper. He is also indebted to a descendant of the Rev. W. Christian, formerly pastor of the Baptist Church at Sheepshead, Leicestershire, for some of the Author's valuable hymns, which had been carefully preserved in the family. From both these sources, as well as others of less consequence, the present interesting volume has been derived." -- Excerpts from John Julian, Dictionary of Hymnology (1907) ======================= Beddome, Benjamin, pp. 121-124. Other hymns in common use:— 1. Great God, before Thy mercy-seat. (1817). Lent. 2. Great God, oppressed with grief and fear. (1787.) Reading H. Scripture. 3. How glorious is Thy word, 0 God. Holy Scripture. From "When Israel, &c," p. 124, i. 4. In God I ever will rejoice. Morning. From his Hymns, &c, 1817. 5. Jesus, my Lord, divinely fair. (1817.) Jesus the King of Saints. Begins with stanza ii. of “Listen, ye mortals, while I sing." 6. Rejoice, for Christ the Saviour reigns. Missions. Altered form of "Shout, for the blessed, &c," p. 123, ii. 7. Satan, the world, and sin. (1817.) In Temptation. 8. Thou, Lord of all above. (1817.) Lent. 9. Unto Thine altar, Lord. (1787.) Lent. 10. Ye saints of every rank, with joy. (1800.) Public Worship. The dates given above are, 1787 and 1800, Rippon's Selection; and 1817 Beddome's Hymns. --John Julian, Dictionary of Hymnology, Appendix, Part II

Hugh Bourne

1772 - 1852 Author of "The Last Great Day Is Drawing Nigh" in The Cyber Hymnal Bourne, Hugh, the principal founder of the Primitive Methodist Society, and the editor of their first hymn-books, was born at Fordhays, Stoke-on-Trent, April 3, 1772. His father, Joseph Bourne, a person in humble circumstances, was a member of the Church of England, whilst his mother belonged to the Wesleyan Society. His education, for his circumstances, was fairly good; and by earnest application to study he acquired some knowledge of Hebrew, Greek, and Latin. His mind was of a strongly devotional cast, and the Methodist movement of those days had such attractions for him that he joined himself thereto in 1709. The following year he went to reside near the Mow Cop Colliery, near Burslem, where he had secured an engagement. There, with two or three men of kindred spirit, he carried on a system of Prayer Meetings which culminated in a great Camp Meeting, after the American fashion, upon the Mow Cop Mountain, on Sunday, May 31st, 1807. Other camp meetings followed, but were condemned by the Wesleyan Conference later in the same year. Hugh Bourne, however, continued his evangelistic work in connection with the Wesleyan Society until June 27, 1808, when he was excommunicated, without notice or trial, by the Quarterly Meeting held at Burslem on that day. Subsequent acts of coolness and indifference on the part of the Wesleyan authorities, together with continued success in his evangelistic work, led him gradually to organize the Primitive Methodist Connexion. The decisive break occurred in 1810. From that date to his death, on the 11th Oct., 1852, Bourne gave himself to the work of extending and building up the Society of which he was practically the founder. He was the first editor of its magazine, and the first to compile a hymnal for its use. Hugh Bourne's first effort in hymnology was the published of a very small General Collection of Hymns and Spiritual Songs for Camp Meetings, Revivals, &c. 1809. This was enlarged and improved in 1819, 1820, 1821,1822, and again in 1824. To these editions he contributed 10 hymns. In 1829 a second collection was added by him to the foregoing, to which he contributed another 20 hymns. This is the Large Hymn Book, for the Use of the Primitive Methodists. From the first collection one hymn only is still retained in common use:—"Camp-meetings with success are crown'd,” altered to “Camp-meetings God has richly own'd," also rewritten by J. Flesher as, "This meeting with Thy presence crown," in the authorised hymnal of the Connexion; and from the second collection two hymns as follows:— 1. O Righteous Father, Lord of all. Prayer for Children. 2. We have a great High Priest. H. P. of Christ. To the Large Hymn Book 146 hymns were also contributed which bore the signatures sometimes of "H. B. & W. S." and again "W. S. & H. B." In a note we are informed that the hymns with these ascriptions were by "Hugh Bourne and Wm. Sanders, jointly." Of these the following are at present in the authorized Primitive Methodist Hymn Book, 1853, and, in common with most of the hymns in that book, are greatly mutilated, and attributed now to Wm. Sanders and again to H. Bourne, without any apparent reason:— 1. A Pharisee unwisely stood. Lent. 2. Almighty God, of love divine. Praise. 3. Assist us, O Almighty Lord. Missions. 4. Come, let us lift our heart and voice. Christmas. 5. Come, with your sore diseases. Invitation. 6. Encouraged by Thy gracious word. Prayer. 7. Great Jehovah, Sovereign Lord. Prayer. 8. Hark, the Gospel news is sounding. Invitation. 9. Jesus, my Lord, was crucified. Passiontide. 10. Jesus, Who spilt His precious blood. The Advocate. 11. Led by the God of truth and grace. Seeking Heaven. 12. Light of the Gentile race. Missions. 13. My brethren in the Lord. Altered to— Ye foll'wers of the Lord. Faithfulness. 14. My soul is now united, &c. Altered to— By faith I am united. Union with Christ. 15. Now, Lord, I on Thy truth depend. Altered to— O Lord, I on Thy truth depend. Divine Aid. 16. Now, Lord, Thy blessing we implore. D. Blessing. 17. O, heavenly Zion, rise and shine. Altered to— Arise, O Zion, rise, &c. Missions. 18. See, in the mountain of the Lord. Missions. 19. Tho' in a world of sickness. Altered to— While in this world of sickness. Confidence. 20. To Thee, great Source of light. Confidence. 21. To Thee, O God of power divine. Goodness of God. 22. We now are journeying [going] to the place. Heavenward. 23. We read in Thy most holy word. Holy Baptism. 24. Ye sleeping souls, arise. Exhortation. In addition to these, all of which are given in the official Collection of the Primitive Methodist Society, there is also:— 25. Welcome, 0 Saviour, to my heart. Prayer— which is well known to the American hymnals. From a literary point of view these hymns are not worthy of the position which has been accorded to them for so many years. Their simplicity is their redeeming feature. -- John Julian, Dictionary of Hymnology (1907) =================== Bourne, Hugh, p. 165. ii., Nos. 14, "My soul is now united," and 19, "Tho' in a world of sickness," appeared in theSmall Hymn Book, 1821. Another hymn by Bourne and Sanders in the Primitive Methodist Hymnal, 1887, "Behold a sinner at Thy feet" (Penitence), is compiled from hymns 493 and 118 in the P. M. Large Hymn Book, 1824. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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