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Jesus! and shall it ever be
Appears in 1,283 hymnals Used With Tune: CRICHLOW
Jesus! and shall it ever be
O that my load of sin were gone!
Author: Charles Wesley Appears in 447 hymnals Used With Tune: CRICHLOW
O that my load of sin were gone!
I praise Thy name, O God of light
Author: Isaac Errett Appears in 10 hymnals Used With Tune: CRICHLOW
I praise Thy name, O God of light
Jesus, and shall it ever be
Hymnal: Words of Truth #87 (1892) Languages: English Tune Title: CRICHLOW
Jesus, and shall it ever be
Jesus! and shall it ever be
Hymnal: Songs of Cheer #97 (1952) Languages: English Tune Title: CRICHLOW
Jesus! and shall it ever be
Jesus! and shall it ever be
Author: Grigg Hymnal: Good News #105 (1876) Languages: English Tune Title: CRICHLOW
Jesus! and shall it ever be
J. Grigg
1720 - 1768 Person Name: Grigg Author of "Jesus! and shall it ever be" in Good News Grigg, Joseph, was born in 1728, according to the D. Sedgwick’s Manuscript," but this date seems to be some six or eight years too late. He was the son of poor parents and was brought up to mechanical pursuits. In 1743 he forsook his trade and became assistant minister to the Rev. Thomas Bures, of the Presbyterian Church, Silver Street, London. On the death of Mr. Bures in 1747, he retired from the ministry, and, marrying a lady of property, look up his residence at St. Albans. He died at Walthamstow, Essex, Oct. 29, 1768. As a hymnwriter Grigg is chiefly known by two of his hymns, "Behold a stranger at the door"; and "Jesus, and can it ever be?" His hymnwriting began, it is said, at ten years of age. His published works of various kinds number over 40. Those in which his hymns are found are:—
(1) Miscellanies on Moral and Religious Subjects, &c, London, Elizabeth Harrison, 1756. (2) The Voice of Danger, the Voice of God. A Sermon Preached at St. Albans, and at Box-Lane, Chiefly with a View to the apprehended Invasion. By J. Grigg. London, J. Buckland, 1756. To this is appended his hymn, "Shake, Britain, like an aspen shake." (3) Four Hymns on Divine Subjects wherein the Patience and Love of Our Divine Saviour is displayed, London, 1765. (4) Hymns by the late Rev. Joseph Grigg, Stourbridge, 1806. (5) During 1765 and 1766 he also contributed 12 hymns to The Christians Magazine.
In 1861 D. Sedgwick collected his hymns and poems, and published them with a memoir as:
Hymns on Divine Subjects, * * * * London, 1861. This volume contains 40 "Hymns," and 17 "Serious Poems." In the “S. MSS." Sedgwick notes that in 1861 he omitted three hymns by Grigg, which were then unknown to him, viz.:—l) On "The National Fast," appended to a sermon preached at Northampton, Feb. 13, 1761, by W. Warburton, and published in London, 1761. (2) "A Harvest Hymn by the late Rev. Joseph Grigg," in 6 stanzas, in the Evangelical Magazine, July, 1822; and (3) On the Parable of Dives and Lazarus, dated "Feb. 15, 1767."
-- John Julian, Dictionary of Hymnology (1907)
J. Grigg
R. M. McIntosh
1836 - 1889 Composer of "CRICHLOW" in Good News Used Pseudonym: Robert M. McIntosh
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Rigdon (Robert) McCoy McIntosh USA 1836-1899 Born at Maury County, TN, into a farming family, he attended Jackson College in Columbia, TN, graduating in 1854. He studied music under Asa Everett in Richmond, VA, and became a traveling singing school teacher. He also served briefly in the Civil War. He wrote several hymns during this period of his life. In 1860 he married Sarah McGlasson, and they had a daughter, Loulie Everett. In 1875 he was appointed head of the Vanderbilt University Music Department in Nashville, TN. In 1877 he joined the faculty of Emory College, Oxford, GA. In 1895 he left Emory College to devote his time to the R M McIntosh Publishing Company. He also served as music editor of the Methodist Episcopal Church South Publishing House for over 30 years. His song book publications include: “Good news” (1876), “Light & life” (1881), “Prayer & praise” (1883), “New life” (1879), “New life #2” (1886), and “Songs of service” (1896). He died in Atlanta, GA.
John Perry
R. M. McIntosh
Charles Wesley
1707 - 1788 Author of "O that my load of sin were gone!" in Hymn and Tune Book of the Methodist Episcopal Church, South (Round Note Ed.) Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
