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Tune Identifier:"^conquest_11123$"

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EPWORTH

Appears in 10 hymnals Incipit: 11123 14321 23127 Used With Text: By Thy call of mercy

Texts

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By Thy call of mercy

Appears in 453 hymnals First Line: Who is on the Lord's side? Used With Tune: EPWORTH
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Jesus Is Our Shepherd

Appears in 95 hymnals First Line: Jesus is our Shepherd, wiping every tear Used With Tune: [Jesus is our Shepherd, wiping every tear]
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Soldiers of the Captain, stand for him

Author: W. R. Buck Appears in 8 hymnals Used With Tune: CONQUEST

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Soldiers of the Captain!

Hymnal: Voices of Praise #328 (1883) Lyrics: 1 Soldiers of the Captain! Stand, for Him, and fight, Hardness glad enduring, Armour'd in His might! He is that great Victor Praise in Angels' songs, Glory of each soldier Who to Him belongs. Refrain: Soldiers of the Captain! Stand, for Him, and fight, Hardness glad enduring, Armour'd in His might! 2 Leader never vanquished - More than conquerors too, Through Himself, He maketh All His soldiers true; O'er the foe, triumphant, He must still prevail - So, His soldiers faithful, With Him cannot fail. [Refrain] 3 Take ye, then the Helmet, Breastplate, Shield, and Sword - Thus equipped, for battle Ready at His word: Fierce though be the warfare, Sure is the renown - And, though dark the conflict, Bright the promised crown. [Refrain] 4 Jesus! Captain! help us Soldiers good to be - Living, dying, ever, Fighting Lord, for Thee: Eager to march forward, In those ranks of Thine - Waiting but the order From Thy voice divine! [Refrain] Amen. a Languages: English Tune Title: CONQUEST
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Soldiers of the Captain, stand

Hymnal: The Sunday-School Hymnal and Service Book (Ed. A) #469 (1887) First Line: Soldiers of the Captain! Stand, for Him, and fight Languages: English Tune Title: CONQUEST
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Soldiers of the Captain!

Hymnal: A Hymnal and Service Book for Sunday Schools, Day Schools, Guilds, Brotherhoods, etc. #503 (1893) Languages: English Tune Title: CONQUEST

People

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Authors, composers, editors, etc.

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Composer of "[O wie lieb und teuer]" in Jugendharfe William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Christian Gottlob Barth

1799 - 1862 Person Name: C. G. Barth Author of "O wie lieb und teuer" in Jugendharfe Barth, Christian Gottlob, son of C. F. Barth, house painter in Stuttgart, was born at Stuttgart, July 31,1799. He studied at Tubingen, where he was the principal founder of the Missionary Society, and was only restrained by his mother's entreaties from offering himself as a missionary. He became, in 1821, assistant at Neckarweihingen and Dornham, and, in 1822, curate in charge of Effringen and Schönbrunn, near Nagold. In 1824 he was appointed pastor of Möttlingen, near Calw, but resigned his charge in 1838, and settled in Calw, receiving in the same year the degree of D.D. from the University.of Greifswald. He died at Calw of apoplexy, Nov. 12, 1862. At Calw he devoted himself as a writer and preacher to children, as a preacher and writer in the cause of missions to the heathen and to the Jews, and as the founder and director of the Tract Society of Calw. One of his books, the Bible History, reached its 160th edition in 1872, and had then been translated into 24 European, 18 Asiatic, 7 African, and 3 South Sea languages. He frequently attended the meetings of the Religious Tract Society of London, and was a member of the Evangelical Alliance (Koch, vii. 199-210; Allgemeine Deutsche Biographie, ii. 94-95). Of his hymns there have been translated into English:— i. Auf einem Berg ein Baumlein stand. [Holy Scripture]. Included in his Lieder und Gedichte fur Christenkinder, Calw, 1842, p. 83, in 4 stanzas. Previously in J. Köbner's Christl. Harfentöne, Hamburg, 1840, p. 115. The translations are:— (1) "Upon a hill there stands a tree," by Dr. H. Mills, 1845 (1856, p. 25), and thence in P. Stow's Ocean Melodies, Boston, U.S., 1849. (2) "A tree grows on a mountain," by Mrs. Bevan, 1859, p. 138. (3) "A tree stood on a mountain," in Dr. H. W. Dulcken's Golden Harp, 1864, p. 22. (4) " On a hill stands a beautiful tree," in W. B. Bradbury's Fresh Laurels, N. Y., 1867, p. 15, signed "L. W." (5) " Lo, on a mount a tree doth stand," by Mrs. H. K. Spaeth, as No. 60 in the Pennsylvania Lutheran Little Children's Book, Philadelphia, 1885. ii. Erhebe dich, du Volk des Herrn. [Missions.] Written for the Basel Mission Festival, June 12, 1833, In his Christliche Gedichte, Stuttgart, 1836, p. 18, in 8 stanzas. Translated as “Ye people of the Lord, arise!" by Dr. H. Mills, 1856, p. 202. iii. Hütter, ist die Nacht verschwtinden. [Missions.] Written for the 20th anniversary, June 27,1835, of the Basel Missionary Society, and first published in the Mission Magazine for that year. In his Christliche Gedichte, Stuttgart, 1836, p. 54, in 8 stanzas. The translations are:— (1) "Ho! watchman, is the night away," by Dr. G. Walker, 1860, p. 84. (2) "Watchman! Hath the night departed," in L. Rehfuess's Church at Sea, 1868, p. 107. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Anonymous

Person Name: Anon. Author of "Soldiers of the Captain" in Hymns of Praise with Tunes In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
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