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Tune Identifier:"^chant_turle_11271$"

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[God be merciful unto us and bless us]

Appears in 17 hymnals Composer and/or Arranger: James Turle, 1802-1882 Tune Key: F Major Incipit: 11271 11232 55645 Used With Text: Deus Miseratur

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We Praise Thee, God (Te Deum Laudamus)

Author: Nicetas of Remesiana Appears in 389 hymnals First Line: We praise Thee, God Topics: Prayer Petitions Scripture: Psalm 67:3 Used With Tune: [We praise Thee, God]

Deus Miseratur

Appears in 341 hymnals First Line: God be merciful unto us, and bless us Topics: Ancient Hymns and Canticles Scripture: Psalm 67 Used With Tune: [God be merciful unto us and bless us]
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Nunc dimittis

Appears in 311 hymnals First Line: Lord, now lettest thou thy servant depart in peace Used With Tune: [Lord, now lettest thou thy servant depart in peace]

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Bonum est

Hymnal: The Church Hymnal #C95 (1898) First Line: It is a good thing to give thanks unto the Lord: and to sing praises unto thy Name - O Most Highest Scripture: Psalm 92 Tune Title: [It is a good thing to give thanks] (Turle)

Magnificat

Hymnal: The Book of Common Praise #C74 (1939) First Line: My soul doth magnify the Lord Tune Title: [My soul doth magnify the Lord]
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Te Deum laudamus

Hymnal: The Hymnal #C12 (1916) First Line: We praise thee O God: we acknowledge thee to be the Lord Lyrics: 1 We praise thee O God we acknowledge thee to be the Lord. 2 All the earth doth worship thee the Father everlasting. 3 To thee all Angels cry aloud: the Heavens, and all the Powers therein; 4 To Thee Cherubim and Seraphim continually do cry, 5 Holy, Holy, Holy Lord God of Sabaoth; 6 Heaven and earth are full of the Majesty of thy glory. 7 The glorious company of Apostles praise thee. 8 The goodly fellowship of the Prophets praise thee. 9 The noble army of Martyrs praise thee. 10 The holy Church throughout the world doth acknowledge thee; 11 The Father of an infinite Majesty; 12 Thine adorable true and only Son; 13 Also the Holy Ghost the Comforter. 14 Thou art the King of Glory O Christ. 15 Thou art everlasting Son of the Father. 16 When thou tookest upon thee to deliver man thou didst humble thyself to be born of a Virgin 17 When thou hadst overcome the sharpness of death thou didst open the Kingdom of Heaven to all believers. 18 Thou sittest at the right hand of God in the glory of the Father. 19 We believe that thou shalt come to be our Judge. 20 We therefore pray thee help thy servants whom thou hast redeemed with thy precious blood. 21 Make them to be numbered with thy Saints in glory everlasting. 22 O Lord save thy people and bless thine heritage. 23 Govern them and lift them up for ever. 24 Day be day we magnify thee; 24 And we worship thy Name ever world without end. 26 Vouchsafe O Lord to keep us this day without sin. 28 O Lord have mercy upon us, have mercy upon us. 28 O Lord let thy mercy be upon us as our trust is in thee. 29 O Lord in thee have I trusted; let me never be confounded. Tune Title: [We praise thee, O God]

People

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Authors, composers, editors, etc.

James Turle

1802 - 1882 Person Name: Turle Composer of "[We praise thee, O God]" in The Hymnal TURLE, JAMES (1802–1882), organist and composer, son of James Turle, an amateur 'cello-player, was born at Taunton, Somerset, on 5 March 1802. From July 1810 to December 1813 he was a chorister at Wells Cathedral under Dodd Perkins, the organist. At the age of eleven he came to London, and was articled to John Jeremiah Goss, but he was largely self-taught. He had an excellent voice and frequently sang in public. John Goss [q. v.], his master's nephew, was his fellow student, and thus the future organists of St. Paul's Cathedral and Westminster Abbey were pupils together. Turle was organist of Christ Church, Surrey (Blackfriars Road), 1819–1829, and of St. James's, Bermondsey, 1829–31. His connection with Westminster Abbey began in 1817, when he was only fifteen. He was at first pupil of and assistant to G. E. Williams, and subsequently deputy to Thomas Greatorex [q. v.], Williams's successor as organist of the abbey. On the death of Greatorex on 18 July 1831, Turle was appointed organist and master of the choristers, an office which he held for a period of fifty-one years. Turle played at several of the great musical festivals, e.g. Birmingham and Norwich, under Mendelssohn and Spohr, but all his interests were centred in Westminster Abbey. His playing at the Handel festival in 1834 attracted special attention. At his own request the dean and chapter relieved him of the active duties of his post on 26 Sept. 1875, when his service in D was sung, and Dr. (now Professor Sir John Frederick) Bridge, the present organist, became permanent deputy-organist. Turle continued to hold the titular appointment till his death, which took place at his house in the Cloisters on 28 June 1882. The dean offered a burial-place within the precincts of the abbey, but he was interred by his own express wish beside his wife in Norwood cemetery. A memorial window, in which are portraits of Turle and his wife, was placed in the north aisle of the abbey by one of his sons, and a memorial tablet has been affixed to the wall of the west cloister. Turle married, in 1823, Mary, daughter of Andrew Honey, of the exchequer office. She died in 1869, leaving nine children. Henry Frederic Turle [q. v.] was his fourth son. His younger brother Robert was for many years organist of Armagh Cathedral. Turle was an able organist of the old school, which treated the organ as essentially a legato instrument. He favoured full ‘rolling’ chords, which had a remarkable effect on the vast reverberating space of the abbey. He had a large hand, and his ‘peculiar grip’ of the instrument was a noticeable feature of his playing. His accompaniments were largely traditional of all that was best in his distinguished predecessors, and he greatly excelled in his extemporaneous introductions to the anthems. Like Goss, he possessed great facility in reading from a ‘figured bass.’ Of the many choristers who passed through his hands, one of the most distinguished is Mr. Edward Lloyd, the eminent tenor singer. His compositions include services, anthems, chants, and hymn-tunes. Several glees remain in manuscript. In conjunction with Professor Edward Taylor [q. v.] he edited ‘The People's Music Book’ (1844), and ‘Psalms and Hymns’ (S. P. C. K. 1862). His hymn-tunes were collected by his daughter, Miss S. A. Turle, and published in one volume (1885). One of these, ‘Westminster,’ formerly named ‘Birmingham,’ has become widely known, and is very characteristic of its composer. --en.wikisource.org/

Jack Boyd

b. 1932 Arranger of "TE DEUM LAUDAMUS" in Great Songs of the Church (Revised) Jack Arthur Boyd (b. Indianapolis, Indiana, February 9, 1932) was the music editor of *Great Songs of the Church, Revised*, published by ACU Press in 1986. He earned a B.S. degree in music education from Abilene Christian University, a masters degree in music composition and theory from the University of North Texas, and a Ph.D. in choral literature from the University of Iowa. Boyd edited *Children, Rejoice!* (Sweet, 1979) and he authored *Rehearsal Guide for the Choral Director* (Parker, 1970) and *Leading the Lord's Singing* (Quality, 1981). He is a member of Churches of Christ and lives in Abilene, Texas. Monty Lynn

Hymnals

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The Irish Presbyterian Hymnbook

Publication Date: 2004 Publisher: Canterbury Press Publication Place: Norwich
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