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Tune Identifier:"^chant_ouseley_53713$"

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[My soul doth magnify the Lord] (Ouseley)

Appears in 5 hymnals Composer and/or Arranger: F. A. G. Ouseley Tune Key: b minor Incipit: 53713 21765 55 Used With Text: Magnificat

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Cantate Domino

Appears in 282 hymnals First Line: O sing unto the Lord a new song, for he hath done marvellous things Used With Tune: [O sing unto the Lord a new song, for he hath done marvellous things]
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My soul doth magnify the Lord

Appears in 256 hymnals Lyrics: 1 My soul doth magnify the Lord: and my spirit hath rejoiced in God my Saviour. 2 For He hath regarded: the lowliness of His hand maiden. 3 For behold from henceforth: all generations shall call me blessed. 4 For He that is mighty hath magnified me: and holy is His Name. 5 And His mercy is on them that fear Him: throughout all generations. 6 He hath showed strength with His arm: He hath scattered the proud in the imagination of their hearts. 7 He hath put down the mighty from their seat: and hath exalted the humble and meek. 8 He that filled the hungry with good things: and the rich He hath sent empty away. 9 He remembering His mercy, hath holpen His servant Israel: as He promised to our forefathers, Abraham and his seed forever. Glory be to the Father, and to the Son: and to the Holy Ghost; As it was in the beginning is now and ever shall be: world without end. Amen. Topics: Psalms and Canticles Scripture: Luke 1:46 Used With Tune: [My soul doth magnify the Lord]
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Magnificat

Appears in 90 hymnals First Line: My soul doth magnify the Lord: and my spirit hath rejoiced in God my Saviour Scripture: Luke 1:46 Used With Tune: [My soul doth magnify the Lord] (Ouseley)

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Magnificat

Hymnal: Common Praise #C37 (1913) First Line: My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour Languages: English Tune Title: [My soul doth magnify the Lord, and my spirit hath rejoiced in God my Saviour]
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Magnificat

Hymnal: The Sunday-School Hymnal and Service Book (Ed. A) #67 (1887) First Line: My soul doth magnify the Lord: and my spirit hath rejoiced in God my Saviour Languages: English Tune Title: [My soul doth magnify the Lord: and my spirit hath rejoiced in God my Saviour]
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My soul doth magnify the Lord

Hymnal: Voices of Praise #397c (1883) Lyrics: 1 My soul doth magnify the Lord: and my spirit hath rejoiced in God my Saviour. 2 For He hath regarded: the lowliness of His hand maiden. 3 For behold from henceforth: all generations shall call me blessed. 4 For He that is mighty hath magnified me: and holy is His Name. 5 And His mercy is on them that fear Him: throughout all generations. 6 He hath showed strength with His arm: He hath scattered the proud in the imagination of their hearts. 7 He hath put down the mighty from their seat: and hath exalted the humble and meek. 8 He that filled the hungry with good things: and the rich He hath sent empty away. 9 He remembering His mercy, hath holpen His servant Israel: as He promised to our forefathers, Abraham and his seed forever. Glory be to the Father, and to the Son: and to the Holy Ghost; As it was in the beginning is now and ever shall be: world without end. Amen. Topics: Psalms and Canticles Scripture: Luke 1:46 Tune Title: [My soul doth magnify the Lord]

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F. A. Gore Ouseley

1825 - 1889 Person Name: F. A. G. Ouseley Composer of "[O sing unto the Lord a new song, for he hath done marvellous things]" in Common Praise Born: August 12, 1825, London, England. Died: April 6, 1889, Hereford, England. Buried: Church of St. Michael and All Angels, Tenbury Wells, Hereford and Worcester, England. Gore-Ouseley was educated at Oxford University (BA 1846, MA 1849, DMus 1854), and was ordained in 1849. In 1855, he was appointed Oxford Professor of Music, succeeding Henry Bishop. At that time, Oxford music degrees were easy to obtain, as there were no conditions of residence. Candidates only had to submit a musical composition, (e.g., for choir or orchestra). This was then approved by the examiner, rehearsed and performed to a small, select audience at Oxford. As far as Ouseley was concerned, this only meant two or three trips to Oxford each year, usually for two or three days each time, as there was no music "taught" in the university and very little in Oxford itself at the time. Also in 1855, Ouseley was appointed Precentor of Hereford Cathedral, a post he held for the next 30 years, before becoming a Canon there. Although theoretically in charge of the cathedral choir, Ouseley only had to be in residence at the cathedral two months each year, and he arranged these to take place during the summer vacation, when he was not required to be at his College, although such was his commitment that he did make regular visits to the cathedral, which was only 18 miles from his College at St. Michael’s. His College of St. Michael’s, Tenbury, a "model" choir school, opened in 1856, mostly at his own expense. He founded the College and was its first Warden, which was the greater part of his work for the next 33 years. Ouseley’s compositions covered a wide range: operas, songs, chamber music and organ pieces. His works include the following treatises: Harmony (London: 1868) Counterpoint (London: 1869) Canon and Fugue (London: 1869) Form and General Composition (London: 1875) --www.hymntime.com/tch/
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