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[My soul doth magnify the Lord]
Appears in 6 hymnals Composer and/or Arranger: William Crotch, 1775-1847 Tune Key: G Major Incipit: 34326 53234 3 Used With Text: The Song of Mary
[My soul doth magnify the Lord]
Te Deum Laudamus
Appears in 389 hymnals First Line: We praise Thee, O God Lyrics: 1 We praise Thee, O God: we acknowledge Thee to be the Lord.
2 All the earth doth worship Thee: the Father everlasting.
3 To Thee all angels cry aloud: the Heavens, and all the Powers therein.
4 To thee Cherabim, and Seraphim: continually do cry.
5 Holy, Holy, Holy: Lord God of Sabaoth;
6 Heaven and earth are full of the Majesty of Thy Glory.
7 The glorious company of the Apostles: praise Thee.
8 The goodly fellowship of the Prophets: praise Thee.
9 The noble army of Martyrs: praise Thee.
10 The holy Church throughout all the world: doth acknowledge Thee;
11 The Father: of an infinite Majesty;
12 Thine adorable true: and only Son;
13 Also the Holy Ghost: the Comforter.
14 Thou art the King of Glory: O Christ.
15 Thou art the everlasting Son: of the Father.
16 When Thou tookest upon Thee to deliver man: Thou didst humble Thyself to be born of a Virgin.
17 When Thou hadst overcome the sharpness of death: Thou didst open the kingdom of Heaven to all believers.
18 Thou sittest at the right hand of God: in the glory of the Father.
19 We believe that Thou shalt come: to be our Judge.
20 We therefore pray Thee help thy servants: whom Thou hast redeemed with Thy precious blood.
21 Make them to be numbered with Thy Saints: in glory everlasting.
22 O Lord, save Thy people: and bless thine heritage.
23 Govern them: and lift them up for ever.
24 Day by day: we magnify Thee;
25 And we worship Thy Name: ever world without end.
26 Vouchsafe, O Lord: to keep us this day without sin.
27 O Lord, have mercy upon us; have mercy upon us.
28 O Lord, let Thy mercy be upon us; as our trust is in thee.
29 O Lord, in Thee have I trusted: let me never be confounded. Used With Tune: [We praise Thee, O God]
Te Deum Laudamus
Deus Misereatur
Appears in 341 hymnals First Line: God be merciful unto us and bless us Lyrics: 1 God be merciful unto us and bless us and show us the light of his countenance and be merciful unto us;
2 That thy way may be known upon earth; thy saving health among all nations.
3 Let the people praise thee O God; yea let all the people praise thee.
4 O let the nations rejoice and be glad for thou shalt judge the folk righteously and govern the nations upon the earth.
5 Let the people praise thee O God; yea let all the people praise thee.
6 Then shall the earth bring forth her increase and God, even our own God, shall give us his blessing.
7 God shall bless us and all the ends of the world shall fear him.
Glory be to the Father and to the Son and to the Holy Ghost;
As it was in the beginning is now, and ever shall be, world without end.
Amen.
Scripture: Psalm 67 Used With Tune: [God be merciful unto us and bless us]
Deus Misereatur
Blessed be the Lord God of Israel
Appears in 312 hymnals Used With Tune: [Blessed be the Lord God of Israel]
Blessed be the Lord God of Israel
Song of Mary
Hymnal: The Hymn Book of the Anglican Church of Canada and the United Church of Canada #525b (1971) First Line: My soul doth magnify the Lord Tune Title: [My soul doth magnify the Lord] (Crotch)
Song of Mary
The Song of Mary
Hymnal: The Hymnal 1982 #S186 (1985) First Line: My soul doth magnify the Lord Lyrics: 1. My soul doth magnify the Lord,
and my spirit hath rejoiced in God my Savior.
2. For he hath regarded the
lowliness of his handmaiden.
3. For behold from henceforth
all generations shall call me blessed.
4. For he that is mighty hath magnified me,
and holy is his Name.
5. And his mercy is on them that fear him
throughout all generations.
6. He hath showed strength with his arm;
he hath scattered the proud in the imagination of their hearts.
7. He hath put down the mighty from their seat,
and hath exalted the humble and meek.
8. He hath filled the hungry with good things,
and the rich he hath sent empty away.
9. He remembering his mercy hath holpen his servant Israel,
as he promised to our forefathers,
Abraham and his seed for ever.
Glory to the Father and to the Son,
and to the Holy Spirit:
As it was in the beginning, is now,
and will be for ever. Amen. Topics: Canticles Languages: English Tune Title: [My soul doth magnify the Lord]
The Song of Mary
Deus Misereatur
Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #C64 (1894) First Line: God be merciful unto us and bless us Lyrics: 1 God be merciful unto us and bless us and show us the light of his countenance and be merciful unto us;
2 That thy way may be known upon earth; thy saving health among all nations.
3 Let the people praise thee O God; yea let all the people praise thee.
4 O let the nations rejoice and be glad for thou shalt judge the folk righteously and govern the nations upon the earth.
5 Let the people praise thee O God; yea let all the people praise thee.
6 Then shall the earth bring forth her increase and God, even our own God, shall give us his blessing.
7 God shall bless us and all the ends of the world shall fear him.
Glory be to the Father and to the Son and to the Holy Ghost;
As it was in the beginning is now, and ever shall be, world without end.
Amen.
Scripture: Psalm 67 Tune Title: [God be merciful unto us and bless us]
Deus Misereatur
William Crotch
1775 - 1847 Person Name: Crotch Composer of "[We praise Thee, O God]" in Voices of Praise William Crotch (5 July 1775 – 29 December 1847) was an English composer, organist and artist.
Born in Norwich, Norfolk to a master carpenter he showed early musical talent as a child prodigy. The three and a half year old Master William Crotch was taken to London by his ambitious mother, where he not only played on the organ of the Chapel Royal in St James's Palace, but for King George III. The London Magazine of April 1779 records:
He appears to be fondest of solemn tunes and church musick, particularly the 104th Psalm. As soon as he has finished a regular tune, or part of a tune, or played some little fancy notes of his own, he stops, and has some of the pranks of a wanton boy; some of the company then generally give him a cake, an apple, or an orange, to induce him to play again...
Crotch was later to observe that this experience led him to become a rather spoiled child, excessively indulged so that he would perform.
He was for a time organist at Christ Church, Oxford, from which he was later to graduate with a Bachelor of Music degree.
His composition The Captivity of Judah was played at Trinity Hall, Cambridge, on 4 June 1789; his most successful composition in adulthood was the oratorio Palestine (1812). He may have composed the Westminster Chimes in 1793.
In 1797 Crotch was given a professorship at Oxford University, and in 1799 he acquired a doctorate in music. While at Oxford, he became acquainted with the musician and artist John Malchair, and took up sketching. He followed Malchair's style in recording the exact time and date of each of his pictures, and when he met John Constable in London in 1805, he passed the habit along to the more famous artist.
In 1834, to commemorate the installation of the Duke of Wellington as chancellor of the University of Oxford, Crotch penned a second oratorio titled The Captivity of Judah. The 1834 work bears little resemblance to the oratorio he wrote as a child in 1789.
In 1822, Crotch was appointed to the Royal Academy of Music as its first Principal, but resigned ten years later.[2] He spent his last years at his son's house in Taunton, Somerset, where he died suddenly in 1847. Among his notable pupils were William Sterndale Bennett, Lucy Anderson, Stephen Codman, George Job Elvey, Cipriani Potter, and Charles Kensington Salaman
--en.wikipedia.org/
William Crotch
