Search Results

Tune Identifier:"^bangor_tansur$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Tunes

tune icon
Tune authorities
FlexScoreAudio

BANGOR

Meter: 8.6.8.6 Appears in 98 hymnals Tune Sources: William Tans'ur's 'Harmony of Syon', 1734 Tune Key: c minor Incipit: 53215 17655 56765 Used With Text: According to thy gracious word

Texts

text icon
Text authorities
FlexScoreFlexPresent

According to thy gracious word

Author: James Montgomery 1771-1854 Meter: 8.6.8.6 Appears in 552 hymnals Used With Tune: BANGOR

O Thou, in all thy might so far

Author: Frederick Lucian Hosmer Appears in 88 hymnals Used With Tune: BANGOR

Forgive our sins as we forgive

Author: Rosamond E. Herklots, 1905- Appears in 68 hymnals First Line: "Forgive our sins as we forgive" Topics: Cross; Forgiveness / Pardon; Jesus Christ Intercessor / High Priest; Lent; One Life in Christ Peace Scripture: Matthew 6:12-15 Used With Tune: BANGOR

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Deepen the wound Thy hands have made

Author: Charles Wesley, 1707-88 Hymnal: The Methodist Hymn-Book with Tunes #556 (1933) Meter: 8.6.8.6 Topics: The Christian Life Christian Holiness Languages: English Tune Title: BANGOR
TextAudio

Alas! By Nature How Depraved

Author: John Newton Hymnal: The Cyber Hymnal #14 Meter: 8.6.8.6 Lyrics: 1. Alas! by nature how depraved, How prone to every ill! Our lives, to Satan, how enslaved, How obstinate our will! 2. And can such sinners be restored, Such rebels reconciled? Can grace itself the means afford To make a foe a child? 3. Yes, grace has found the wondrous means Which shall effectual prove; To cleanse us from our countless sins, And teach our hearts to love. 4. Jesus for sinners undertakes, And died that we may live; His blood a full atonement makes, And cries aloud, Forgive. 5. Yet one thing more must grace provide, To bring us home to God; Or we shall slight the Lord, who died, And trample on His blood. 6. The Holy Spirit must reveal The Savior’s work and worth; Then the hard heart begins to feel A new and heavenly birth. 7. Thus bought with blood, and born again, Redeemed, and saved, by grace Rebels, in God’s own house obtain A son’s and daughter’s place. Languages: English Tune Title: BANGOR

Alone thou goest forth, O Lord

Author: F. Bland Tucker; Peter Abelard, 1079-1142 Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #68 (1940) Meter: 8.6.8.6 Topics: Passiontide; Palm Sunday Evening Prayer Closing Tune Title: BANGOR

People

person icon
Authors, composers, editors, etc.

Harriet Martineau

1802 - 1876 Person Name: H. M. Alterer of "Come, Spirit, come; for here below" in Welsh and English Hymns and Anthems Martineau, Harriet, was born at Norwich, June 12, 1802, and died at Ambleside, June 27, 1876. Best known as the writer of Illustrations of Political Economy, Retrospect of Western Travel; two novels, Deerbrook and The Hour and the Man; Eastern Life, Past and Present; a History of the Thirty Years’ Peace, and various other works. Her first publication was a book of Devotional Exercises, with hymns appended to each Exercise, and her hymns also belong to what she speaks of in the Autobiography as her "Unitarian" period. Five of them appeared in A Collection of Hymns for Christian Worship, printed in 1831 for the congregation of Eustace Street, Dublin, and edited by her brother, the Rev. James Martineau. 1. All men are equal in their birth. Human Equality. 2. Lord Jesus! come; for here. Jesus desired. Sometimes given as(1) "Come, Jesus, come, for here"; (2) and "Thy kingdom come, for here." 3. The floods of grief have spread around. In Affliction. 4. What hope was thine, O Christ! when grace. Peace. 5. When Samuel heard, in still midnight . Samuel. The Rev. J. R. Beard's Collection 1837, contains 1, 2, 4 and 5, and:— 6. The sun had set, the infant slept. Gethsemane. The Rev. W. J. Fox's Hymns and Anthems, 1841, contains No. 1, and 7. Beneath this starry arch. Progress . [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907)

Thomas Gibbons

1720 - 1785 Author (attributed to) of "The Spring, Great God, At Thy Command" in The Cyber Hymnal Gibbons, Thomas, was born at Beak, near Newmarket, May 31, 1720; educated by Dr. Taylor, at Deptford; ordained in 1742, as assistant to the Rev. Mr. Bures, at Silver Street Chapel, London; and in 1743 became minister of the Independent Church, at Haberdashers' Hall, where he remained till his death, Feb. 22, 1785. In addition to his ministerial office he became, in 1754, tutor of the Dissenting Academy at Mile End, London; and, in 1759, Sunday evening lecturer at Monkwell Street. In 1760 the College at New Jersey, U.S., gave him the degree of M.A. and in 1764 that of Aberdeen the degree of D.D. His prose works were (1) Calvinism and Nonconformity defended, 1740; (2) Sermons on various subjects, 1762; (3) Rhetoric, 1767; (4) Female Worthies, 2 vols., 1777. Three volumes of sermons were published after his death. His poetical works were:— (1) Juvenilia; Poems on various subjects of Devotion and Virtue, 1750, was published by subscription. Among the subscribers is found the name of the Rev. Mr. George Whitefield, B.A. It was dedicated to the Countess of Huntingdon, and bears her coat of arms. In this volume are included versions of six of the Psalms, and a few hymns. (2) Hymns adapted to Divine wor¬ship in two books. Book I. Derived from select passages of Holy Scriptures. Book II., Written on sacred subjects and particular occasions, partly collected front various authors, but principally composed by Thomas Gibbons, D.D., 1769. (3) Hymns adapted to Divine worship in two books. Book I. Derived from select passages of the Holy Scriptures. Book II. Written on sacred subjects and particular occasions by Thomas Gibbons, D.D., 1784. (4) The Sermons, published in 1762, included fifteen hymns, one being appended to each sermon. (5) The Christian Minister in three poetical epistles to Philander, 1772. This volume included (i.) Poetical versions of several parts of Scripture, (ii.) Translations of poems from Greek and Latin writers, (iii.) Original pieces on various occasions. (6) An English version of the Latin Epitaphs on the Nonconformist's Memorial, with a poem to the memory of the 2000 ministers ejected in 1662, 1775. (7) Select Portions of Scripture, and Remarkable Occurrences, versified for the Instruction and entertainment of Youth of both Sexes, 1781. Reprinted in America, 1805. Dr. Gibbons may be called a disciple in hymnwriting of Dr. Watts, whose life he wrote. His hymns are not unlike those of the second rank of Watts. He lacked "the vision and faculty divine," which gives life to hymns and renders them of permanent value. Hence, although several are common use in America, they are dying out of use in Great Britain. The most popular are, "Now let our souls on wings sublime"; "Great God, the nations of the earth"; "Thy goodness, Lord, our souls confess"; "To Thee, my God, whose presence fills." [Rev. W. Garrett Horder] The less important of Dr. Gibbons's hymns, which are still in common use are:— 1. And be it so that till this hour. Hope. This is No. 50 in Book ii. of his Hymns adapted to Divine Worship, &c, 1769, in 5 stanzas of 4 lines, and headed, "Encouragement against Despair; or, Hope still set before us." Originally a Sacramental hymn in Rippon's Selections, 1787, No 230, it was altered to a general hymn, with special reference to "Hope." 2. Assist us, Lord, Thy Name to praise. Life, a race. In Rippon's Baptist Selections, 1787, No. 326, in 4 stanzas of 4 lines. 3. Eternal life, how sweet the sound. Eternal Life. This is one of three hymns on Titus iii. 7, in his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 156, in 5 stanzas of 4 lines. In the American Dutch Reformed Hymns of the Church, 1869, No. 843 begins with st. ii., "Eternal life, how will it reign?" 4. Father, is not Thy promise pledged? Missions. This is Pt. iii.of his hymn, "Great God, the nations of the earth" (q. v.). 5. Forgiveness, 'tis a joyful sound. Pardon. From his Hymns adapted to Divine Worship, &c, 1769. Book i., No. 69, in 5 stanzas of 4 lines into several modern collections in Great Britain and America. It is based on St. Luke, vii. 47. 6. From winter's barren clods. [Spring.] Appeared in his Hymns, &c, 1784, Book ii., No. 27, in 5 stanzas of 4 lines, and headed, "The Return of the Spring celebrated in the Powerful and Gracious Work of God." In 1787 it was repeated anonymously in Rippon's Baptist Selections, No. 499. The hymn, "Great God, at Thy command, Seasons in order rise," begins with st. iii. of this hymn. 7. Happy the men in ancient days. Public Worship. In his Hymns adapted to Public Worship, &c, 1784. 8. On Zion, his most holy mount. Gospel Feast. From his Hymns adapted for Divine Worship, &c, 1769, Book i., No. 35, in 6 stanzas of 4 lines. It was originally a Sacramental hymn, but in its abbreviated form, as in use in America, that element is eliminated. 9. Our Father, high enthroned above. Lord's Prayer. Appeared in the Bristol Baptist Collection of Ash & Evans, 1769, No. 41, in 9 stanzas of 4 lines. In 1772 it was reprinted in a revised form, and with an additional stanza, in Gibbons's Christian Minister, p. 74. 10. Thy goodness, Lord, our souls confess. Providence and Grace. Appeared in the Gospel Magazine, 1775, and in his Hymns adapted to Divine Worship, &c, 1784, Bk. ii., No. 11, in 7 stanzas of 4 lines. In Dobell's Selections, 1806, st. i.-iv., and vi. were given with alterations, which were not improvements, as No. 9. This arrangement is repeated in modern hymnbooks, including the Baptist Hymnal, 1879, and others. 11. When Jesus dwelt in mortal clay. Jesus our Example. From his Hymns adapted to Divine Worship, &c, 1784, Book i., No. 128, in 9 stanzas of 4 lines into a few American collections, including the Baptist Praise Book, 1871. The more important of Dr. Gibbons's hymns are annotated under their respective first lines. [William T. Brooke] -- John Julian, Dictionary of Hymnology (1907) ====================== Gibbons, Thomas, p. 420, i. From his Hymns, &c, of 1784, are also in common use:— 1. Lord God, omnipotent to bless. Divine Help desired. 2. Now may the God of peace and love. Close of Service. (1769. Pt. i.) 3. O what stupendous mercy shines. Benevolence. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Christopher M. Idle

b. 1938 Person Name: Christopher Idle, 1938- Paraphraser of "How long will your forget me, Lord" in The Book of Praise Christopher Martin Idle (b. Bromley, Kent, England, 1938) was educated at Elthan College, St. Peter's College, Oxford, and Clifton Theological College in Bristol, and was ordained in the Church of England. He served churches in Barrow-in-­Furness, Cumbria; London; and Oakley, Suffolk; and recently returned to London, where he is involved in various hymnal projects. A prolific author of articles on the Christian's public responsibilities, Idle has also published The Lion Book of Favorite Hymns (1980) and at least one hundred of his own hymns and biblical paraphrases. Some of his texts first appeared in hymnals published by the Jubilate Group, with which he is associated. He was also editor of Anglican Praise (1987). In 1998 Hope Publishing released Light Upon the River, a collection of 279 of his psalm and hymn texts, along with suggested tunes, scripture references, and commentary. Bert Polman

Hymnals

hymnal icon
Published hymn books and other collections

Small Church Music

Editors: Peter Abelard Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library

Llyfr Tonau Cynulleidfaol

Publication Date: 1868 Publisher: H. J. Hughes Publication Place: New York
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.