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Tune Identifier:"^arise_my_soul_51132$"

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[Arise, my soul, arise]

Appears in 5 hymnals Composer and/or Arranger: Philip Phillips Incipit: 51132 17123 15432 Used With Text: Arise, My Soul, Arise

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Arise, My Soul, Arise

Author: C. Wesley Appears in 890 hymnals Used With Tune: [Arise, my soul, arise]
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الأرض للرب وما فيها ومن

Author: ناصيف اليازجي Appears in 4 hymnals Lyrics: 1 الأرضُ للرب وما فيها ومَنْ يسكُن فيها مَن شعوبِ البشرِ على البِحارِ أُسِّستْ منهُ وفوقَ الأنهُرِ 2 مَن يرتقي في جبلِ الله العلي ومَن يقومُ في مكانِ قدسهِ؟ الطاهرُ القلبِ الذي لا باطلٌ في نفسهِ 3 إيتُها الأبوابُ رأسَكِ ارفعي للملكِ العظيمِ حتى يعبُرا لملِكِ المجدِ ومَنْ ذا ملكُ المجدِ تُرى؟ 4 مَنْ هو هذا ملكُ المجدِ الذي قُدومُهُ في حينه يُنتظرُ هذا هوَ الرب القوي ذي العزَّةِ المُقتدِرُ 5 أيتها الأبوابُ رأسَكِ ارفعي لكي يجوزَ ملكُ المجدِ العلي مَن ملكُ المجدِ تُرى؟ ربُّ الجنودِ الأزلي Used With Tune: ARISE, MY SOUL
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إني معظم لك اللهم إذ

Author: ناصيف اليازجي Appears in 5 hymnals Lyrics: 1 إني مُعَظمٌ لك اللهم إذْ نشلتني ولم تُشَمِّتْ بي العِدَى مِن مَهبِطِ الأهوالِ قدْ كنت لنفسي مُصعداً 2 يا أتقياءَ الرب رنموا لهُ حمداً لذكر قدسِهِ يا أتقياهْ غضبُهُ للحظه كما حياة في رضاهْ 3 ربي استمع وارحم وكن عوني فقدْ حوَّلت نَوْحي للغناء يا غني حلَلت مِسحِي منعماً وفرحاً منحتني 4 لذاك تُهدِي لك تسبيحَ الهنا روحي ولا تسكُتُ ما طال الأمدْ ربي لك الحمدُ الذي لا ينتهي الى الأبدْ Used With Tune: ARISE, MY SOUL

Instances

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Arise, My Soul, Arise

Author: C. Wesley Hymnal: International Song Service #137a (1887) Languages: English Tune Title: [Arise, my soul, arise]
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إني معظم لك اللهم إذ

Author: ناصيف اليازجي Hymnal: كتاب الترانيم الروحية للكنائس الإنجيلية #20 (1965) Lyrics: 1 إني مُعَظمٌ لك اللهم إذْ نشلتني ولم تُشَمِّتْ بي العِدَى مِن مَهبِطِ الأهوالِ قدْ كنت لنفسي مُصعداً 2 يا أتقياءَ الرب رنموا لهُ حمداً لذكر قدسِهِ يا أتقياهْ غضبُهُ للحظه كما حياة في رضاهْ 3 ربي استمع وارحم وكن عوني فقدْ حوَّلت نَوْحي للغناء يا غني حلَلت مِسحِي منعماً وفرحاً منحتني 4 لذاك تُهدِي لك تسبيحَ الهنا روحي ولا تسكُتُ ما طال الأمدْ ربي لك الحمدُ الذي لا ينتهي الى الأبدْ Languages: Arabic Tune Title: ARISE, MY SOUL
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الأرض للرب وما فيها ومن

Hymnal: مزامير وتسابيح وأغاني روحية #33 (1913) Lyrics: 1 الأرضُ للرب وما فيها ومَنْ يسكُن فيها مَن شعوبِ البشرِ على البِحارِ أُسِّستْ منهُ وفوقَ الأنهُرِ 2 مَن يرتقي في جبلِ الله العلي ومَن يقومُ في مكانِ قدسهِ الطاهرُ القلبِ الذي لا باطلٌ في نفسهِ 3 إيتُها الأبوابُ رأسَكِ ارفعي للملكِ العظيمِ حتى يعبُرا لملِكِ المجدِ ومَنْ ذا ملكُ المجدِ تُرى 4 مَنْ هو هذا ملكُ المجدِ الذي قُدومُهُ في حينه يُنتظرُ هذا هوَ الرب القوي جبّارُ حربٍ يَقهَرُ 5 أيتها الأبوابُ رأسَكِ ارفعي لكي يجوزَ ملكُ المجدِ العلي مَن ملكُ المجدِ تُرى ربُّ الجنودِ الأزلي Languages: Arabic Tune Title: ARISE, MY SOUL

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Charles Wesley

1707 - 1788 Person Name: C. Wesley Author of "Arise, My Soul, Arise" in International Song Service Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Philip Phillips

1834 - 1895 Composer of "[Arise, my soul, arise]" in International Song Service Phillips, Philip, commonly known as the "Singing Pilgrim," was born in Chautauqua County, N. York, Aug. 13, 1834. Although engaged in farming for a time, from an early age he devoted himself to music, and ultimately devoted himself to the work of a "Singing Evangelist," in which capacity he has visited most English-speaking countries. His popular hymnals are: (1) Early Blossoms, 1860; (2) Musical Leaves, 1862; and (3) The Singing Pilgrim, 1866. In these works he published one or two hymns, including "I have heard of a Saviour's love" (The love of Christ), as in I. D. Sankey's Sacred Songs and Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Nāşīf Yāzijī

1800 - 1871 Person Name: ناصيف اليازجي Author of "إني معظم لك اللهم إذ" in كتاب الترانيم الروحية للكنائس الإنجيلية Nasif al-Yaziji (March 25, 1800 – February 8, 1871) was a Lebanese author at the times of the Ottoman Empire and father of Ibrahim al-Yaziji. He was one of the leading figures in the Nahda movement. We was a poet, wrote and translated many hymns, and helped in translating the complete Bible into Arabic. ناصيف بن عبد الله بن جنبلاط بن سعد اليازجي (25 مارس 1800 - 8 فبراير 1871)، أديب وشاعر لبناني ولد في قرية كفر شيما، من قرى الساحل اللبناني في 25 آذار سنة 1800 م في أسرة اليازجي التي نبغ كثير من أفرادها في الفكر والأدب، وأصله من حمص. لعب دورا كبيرا في إعادة استخدام اللغة الفصحى بين العرب في القرن التاسع عشر، عمل لدى الأسرة الشهابية كاتبا وشارك في أول ترجمة الإنجيل والعهد القديم إلى العربية في العصر الحديث.
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