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AR HYD Y NOS
Meter: 8.4.8.4.8.8.8.4 Appears in 299 hymnals Tune Sources: Traditional Welsh melody Tune Key: F Major or modal Incipit: 17612 17567 71176 Used With Text: Day Is Done
AR HYD Y NOS
Through the Love of God Our Father
Author: Mary Peters, 1813-1856 Meter: 8.4.8.4.8.8.8.4 Appears in 193 hymnals Topics: Comfort & Rest; Father's Day; Love Of God; Provision; Trust Used With Tune: AR HYD Y NOS
Through the Love of God Our Father
God, that madest earth and heaven
Author: Reginald Heber; Richard Whateley Meter: 8.4.8.4.8.8.8.4 Appears in 476 hymnals Topics: Evening Used With Tune: AR HYD Y NOS
God, that madest earth and heaven
For the Fruit of All Creation
Author: Fred Pratt Green (1903-) Meter: 8.4.8.4.8.8.8.4 Appears in 72 hymnals Lyrics: 1 For the fruit of all creation,
thanks be to God;
gifts bestowed on every nation,
thanks be to God.
For the ploughing, sowing, reaping,
silent growth while we are sleeping,
future needs in earth's safe-keeping,
thanks be to God.
2 In the just reward of labour,
God's will is done.
In the help we give our neighbour,
God's will is done.
In our worldwide task of caring
for the hungry and despairing,
in the harvests we are sharing,
God's will is done.
3 For the harvests of the Spirit,
thanks be to God.
For the good we all inherit,
thanks be to God.
For the wonders that astound us,
for the truths that still confound us,
most of all that love has found us,
thanks be to God. Topics: Creation; Mission; Offertory; Stewardship; Rogation Days; Harvest Thanksgiving Scripture: Leviticus 19:1-2 Used With Tune: AR HYD Y NOS
For the Fruit of All Creation
Through the love of God, our Father
Author: Anon. Hymnal: The School Hymnal #37 (1920) Languages: English Tune Title: AR HYD Y NOS
Through the love of God, our Father
Thro' the love of God our Saviour
Author: Mary Peters Hymnal: The New Baptist Praise Book #175 (1914) Topics: The Christian Life Salvation Languages: English Tune Title: AR HYD Y NOS
Thro' the love of God our Saviour
Thro' the love of God our Saviour
Author: Mary Peters Hymnal: The New Baptist Praise Book #175 (1925) Languages: English Tune Title: AR HYD Y NOS
Thro' the love of God our Saviour
Fred Pratt Green
1903 - 2000 Author of "For the Fruit of All Creation" in The New Century Hymnal The name of the Rev. F. Pratt Green is one of the best-known of the contemporary school of hymnwriters in the British Isles. His name and writings appear in practically every new hymnal and "hymn supplement" wherever English is spoken and sung. And now they are appearing in American hymnals, poetry magazines, and anthologies.
Mr. Green was born in Liverpool, England, in 1903. Ordained in the British Methodist ministry, he has been pastor and district superintendent in Brighton and York, and now served in Norwich. There he continued to write new hymns "that fill the gap between the hymns of the first part of this century and the 'far-out' compositions that have crowded into some churches in the last decade or more."
--Seven New Hymns of Hope , 1971. Used by permission.
Fred Pratt Green
Mary Peters
1813 - 1856 Person Name: Mary Peters, 1813-1856 Author of "Through the Love of God Our Father" in Ambassador Hymnal Also known as Mary P. Bowly
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Peters, Mary, née Bowly, daughter of Richard Bowly, of Cirencester, was born in 1813, and subsequently married to the Rev. John McWilliam Peters, sometime Rector of Quennington, Gloucestershire, and died at Clifton, July 29, 1856. Her prose work, The World’s History from the Creation to the Accession of Queen Victoria, was published in seven volumes. Several of her hymns were contributed to the Plymouth Brethren's Psalms, Hymns, and Spiritual Songs, London, D. Walther, 1842. These with others, 58 in all, were published by Nisbet & Co., London, 1847, as Hymns intended to help the Communion of Saints. Dr. Walker introduced several from these collections into his Cheltenham Psalms & Hymns, 1855. Many of these have been repeated in Snepp's Songs of Grace & Glory, 1872. and other Church of England hymnbooks. These include, besides those annotated under their respective first lines :—
i. From Psalms, Hymns, & Sacred Songs, 1842:—
1. Blessed Lord, our hearts are panting. Buria. Given in later collections as "Blessed Lord, our souls are longing."
2. How can there be one holy thought! Holiness through Christ.
3. Jesus, how much Thy Name unfolds. The Name of Jesus.
4. Lord, we see the day approaching. Second Advent.
5. 0 Lord, we know it matters not. Taught by the Spirit.
6. The murmurs of the wilderness. Praise to Jesus.
7. The saints awhile dispersed abroad. God within us.
8. Unworthy is thanksgiving. Jesus the Mediator.
9. Whom have we, Lord, but Thee. Christ All in All.
10. With thankful hearts we meet, 0 Lord. Public Worship.
From her Hymns, &c, 1847:—
11. Earth's firmest ties will perish. Burial.
12. Enquire, my soul, enquire. Second Advent.
13. Hallelujah, we are hastening. Journeying Heavenward.
14. Holy Father, we address Thee. Holy Trinity.
15. Jesus, of Thee we ne'er would tire. Holy Communion.
16. Lord Jesus, in Thy Name alone. Holy Communion.
17. Lord, through the desert drear and wide. Prayer for Perseverance.
18. Many sons to glory bring. Security in Christ.
19. 0 Lord, whilst we confess the worth. Dead in Christ. Sometimes it begins with st. ii., "Dead to the world we here avow."
20. Our God is light, we do not go. Christ the Guide.
21. Praise ye the Lord, again, again. Public Worship.
22. Salvation to our God. Passiontide.
23. The holiest we enter. Public Worship. Sometimes given as "The holiest now we enter."
24. Through the love of God our Saviour. Security in Christ.
25. Thy grace, 0 Lord, to us hath shown. Offertory.
26. We're pilgrims in the wilderness. Life a Pilgrimage.
-- John Julian, Dictionary of Hymnology (1907)
Mary Peters
Reginald Heber
1783 - 1826 Person Name: Reginald Heber, 1783-1826 Author of "God, that madest earth and Heaven" in Hymns of the Kingdom of God Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
Small Church Music
Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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