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Tune Identifier:"^ach_lieber_herre_jesu_christ_praetorius$"

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[Ach, lieber Herre Jesu Christ]

Appears in 2 hymnals Composer and/or Arranger: Prätorius Incipit: 11232 17151 23421 Used With Text: Ach, lieber Herre Jesu Christ

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Ach, lieber Herre Jesu Christ

Author: Heinrich von Laufenberg Appears in 4 hymnals Used With Tune: [Ach, lieber Herre Jesu Christ]
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In einem Kripplein lag ein Kind

Appears in 1 hymnal Used With Tune: [In einem Kripplein lag ein Kind]

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Ach, lieber Herre Jesu Christ

Author: Heinrich von Laufenberg Hymnal: Sonntagschulbuch #323 (1896) Languages: German Tune Title: [Ach, lieber Herre Jesu Christ]
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In einem Kripplein lag ein Kind

Hymnal: Liederlust #12 (1886) Languages: German Tune Title: [In einem Kripplein lag ein Kind]

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Michael Praetorius

1571 - 1621 Person Name: Prätorius Composer of "[Ach, lieber Herre Jesu Christ]" in Sonntagschulbuch Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman

Heinrich von Laufenberg

1390 - 1460 Author of "Ach, lieber Herre Jesu Christ" in Sonntagschulbuch Heinrich of Laufenburg was a native of Laufenburg, Aargau, Switzerland, The earliest notice of him is that in 1434 he was decan of the Collegiate Church of St. Maurice at Zofingen in Aargau. He afterwards held a similar post at Freiburg, in Baden; but in 1445 became a monk in the monastery of the Knights of St. John at Strassburg ("Zum grunen Werde"). He was living there in 1458, but probably died in that year or soon after (Koch, i. 213-214; Allgemine Deutsche Biographie, xix. 810-813, &c). He was the most important and most prolific hymn-writer of the 15th century, and a number of his productions are of sweetness and abiding worth. Most of them are in honour of the Blessed Virgin Mary. Many are in intricate metres, while others are written to song tunes, or are recasts of songs, or translations from the Latin. A large number are included by Wackernagel in his second volume, principally taken from a paper manuscript of the 15th century, which he found in the town library at Strassburg. Two of the best of his original hymns are:— i. Ach lieber Herre Jesu Christ. Cradle Hymn. This beautiful prayer of a mother for her infant child is given by Wackernagel, ii. p. 534, in 5 stanza of 6 lines, from the Strassburg MS., where it is entitled "Benedictio puerily." In his Kleines Gesang-Buch, 1860, Wackernagel gives it as No. 114 (omitting stanza ii.) with the original melody, dating both 1429. The text is also in Hoffmann von Fallersleben, edition 1861, No. 125. Translated as:— Ah ! Jesu Christ, my Lord most dear. A full and very good translation by Miss Winkworth in her ChristianSingers, &c, 1869, p. 93. The address to the B. V. M. in stanza ii., "Maria, müter Jesu Christ, Sit du dins Kints gewaltig bist," is translated as:— “Since in Thy heavenly kingdom, Lord, All things obey Thy lightest word." Her translation was adopted with alterations by the Rev. H. White in the Savoy Hymnary (Chapel Royal, Savoy), 1870, No. 35, beginning, "Lord Jesu Christ, our Lord most dear." Instead of taking the very good original melody, Mr. White altered the hymn to 6-8 metre, and omitted stanzas iv., v. This form has been repeated in the S. P. C. K. Church Hymns, 1871; Mrs. Brock's Children's Hymn Book, 1881, and others. ii. Ich wollt dass ich daheime war. Eternal Life. A beautiful hymn of spiritual Home¬sickness. Wackernagel, ii. p. 540, includes a version in 13 stanzas of 2 lines from the Strassburg MS.; and another in 9 stanzas of 2 lines from a 15th century MS. at Berlin. Hoffmann von Fallersleben, 1861, gives the Strassburg text as No. 54; and a form in 9 stanzas from a MS. at Inzkofen, near Sigmaringen, dating 1470-1480, as No. 55. In his Kleines Gesang-Buch,1860, Wackernagel gives as No. 74 a slightly altered form of the Strassburg text, along with the original melody. Translated as "I would I were at last at home," by Miss Winkworth, 1869, p. 92. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology
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