Thanks for being a Hymnary.org user. You are one of more than 10 million people from 200-plus countries around the world who have benefitted from the Hymnary website in 2024! If you feel moved to support our work today with a gift of any amount and a word of encouragement, we would be grateful.

You can donate online at our secure giving site.

Or, if you'd like to make a gift by check, please make it out to CCEL and mail it to:
Christian Classics Ethereal Library, 3201 Burton Street SE, Grand Rapids, MI 49546
And may the promise of Advent be yours this day and always.

Search Results

Text Identifier:"^zions_daughter_weep_no_more$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

Zion's daughter, weep no more

Author: Rev. Sir Henry Williams Baker (1821-1877) Appears in 18 hymnals Used With Tune: GETHSEMANE

Tunes

tune icon
Tune authorities
Audio

CASSEL

Meter: 7.7.7.7.7.7 Appears in 214 hymnals Tune Key: G Major Incipit: 12354 32321 21717 Used With Text: Sion's Daughter, Weep No More
Page scansAudio

GETHSEMANE

Appears in 466 hymnals Composer and/or Arranger: Richard Redhead (1820- ) Incipit: 11234 43112 32211 Used With Text: Zion's daughter, weep no more
Page scansAudio

ALETTA

Appears in 239 hymnals Composer and/or Arranger: W. B. Bradbury Incipit: 35122 21233 51222 Used With Text: Zion's daughter, weep no more

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scan

Zion's daughter, weep no more

Author: Rev. Sir Henry Williams Baker (1821-1877) Hymnal: Carmina Sanctorum #192 (1885) Languages: English Tune Title: GETHSEMANE

Zion’s daughter, weep no more

Hymnal: Hymns Ancient and Modern #89 (1874) Meter: 7.7.7.7.7.7 Languages: English
Page scan

Zion’s daughter, weep no more

Hymnal: Hymns Ancient and Modern (Standard ed.) #100 (1924) Meter: 7.7.7.7.7.7 Languages: English

People

person icon
Authors, composers, editors, etc.

Richard Redhead

1820 - 1901 Person Name: Richard Redhead (1820- ) Composer of "GETHSEMANE" in Carmina Sanctorum Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

H. W. Baker

1821 - 1877 Person Name: Rev. Sir Henry Williams Baker (1821-1877) Translator of "Zion's daughter, weep no more" in Carmina Sanctorum Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Person Name: W. B. Bradbury Composer of "ALETTA" in New Manual of Praise William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.