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In the Lord I’ll Be Ever Thankful (El Senyor és la meva força)

Appears in 2 hymnals First Line: You are my salvation Scripture: Isaiah 12:2 Used With Tune: [In the Lord I'll be ever thankful]

[You are my salvation; I trust in you]

Appears in 28 hymnals Composer and/or Arranger: Jacques Berthier (1923-1994) Tune Key: F Major Incipit: 12333 21651 23311 Used With Text: In the Lord I'll be ever thankful

Instances

Published text-tune combinations (hymns) from specific hymnals

In the Lord I'll be ever thankful

Hymnal: Ancient and Modern #334 (2013) First Line: You are my salvation; I trust in you Topics: Assurance; Children and All-Age Worship; Christian Initiation; God Protection of; Gratitude; Joy; Thanksgiving; Trust and Confidence; Water; Canticles and Affirmations of Faith; Short Chants Scripture: Psalm 18:2-3 Languages: English Tune Title: [You are my salvation; I trust in you]

In the Lord I’ll Be Ever Thankful (El Senyor és la meva força)

Hymnal: Taizé #10 (1998) First Line: You are my salvation Scripture: Isaiah 12:2 Languages: Catalan; English Tune Title: [In the Lord I'll be ever thankful]

People

Authors, composers, editors, etc.

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier (1923-1994) Composer of "[You are my salvation; I trust in you]" in Ancient and Modern Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman