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Ye objects of sense and enjoyments of time
Appears in 26 hymnals Used With Tune: SONG OF TEXAS
Ye objects of sense and enjoyments of time
THE DYING CHRISTIAN
Appears in 5 hymnals Composer and/or Arranger: Edward Harwood; E. J. King Incipit: 51123 21554 35616 Used With Text: Ye objects of sense and enjoyments of time
THE DYING CHRISTIAN
CONCORD (Caldwell)
Meter: 11.8 Appears in 3 hymnals Composer and/or Arranger: Caldwell Incipit: 51113 21554 33565 Used With Text: Ye objects of sense, And enjoyments of time
CONCORD (Caldwell)
THE SAINT'S ADIEU TO EARTH
Appears in 1 hymnal Used With Text: Ye objects of sense, and enjoyments of time
THE SAINT'S ADIEU TO EARTH
Ye objects of sense, And enjoyments of time
Hymnal: The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) #321 (1854) Meter: 11.8 Lyrics:
1.
Ye objects of sense, and enjoyments of time,
Which oft have delighted my heart,
I soon shall exchange you for views more sublime,
For joys that shall never depart.
2.
Thou Lord of the day, and thou Queen of the night,
To me ye no longer are known,
I soon shall behold with increasing delight,
A sun that shall never go down.
3.
Ye wonderful orbs that astonish my eyes
Your glories recede from my sight,
I soon shall contemplate more beautiful skies,
And stars more resplendently bright.
4.
Ye mountains and valleys, groves, rivers and plains,
Thou earth and thou ocean, adieu!
More permanent regions where righteousness reigns,
Present their bright hills to my view.
5.
My loved habitation and gardens adieu,
No longer my footsteps ye greet,
A mansion celestial stands full in my view,
And paradise welcomes my feet.
Languages: English Tune Title: CONCORD (Caldwell)
Ye objects of sense, And enjoyments of time
Ye objects of sense, and enjoyments of time
Author: Benjamin Francis Hymnal: The Cluster of Spiritual Songs, Divine Hymns and Sacred Poems #DCXVIII (1823)
Ye objects of sense, and enjoyments of time
Ye objects of sense and enjoyments of time
Hymnal: Sacred Tunes and Hymns #33 (1913) Languages: English Tune Title: THE DYING CHRISTIAN
Ye objects of sense and enjoyments of time
Edward Harwood
1707 - 1787 Composer of "THE DYING CHRISTIAN" in Sacred Tunes and Hymns Edward Harwood (of Darwen) (1707–1787) was an English composer of hymns, anthems and songs. His setting of Alexander Pope's The Dying Christian (Vital spark of heav'nly flame) was enormously popular at one time and was widely performed at funerals.
Edward Harwood was born at Hoddlesden, near Darwen, Lancashire, in 1707. His early training was as a hand-loom weaver, but he subsequently became a professional musician in Liverpool. His first collection of psalmody, A set of hymns and psalm tunes, was published in London in 1781 and a second collection, entitled A Second Set of Hymns and Psalm Tunes/ was published at Chester in 1786. He died in 1787.
Harwood's setting of Pope's ode "Vital spark of heav'nly flame" was first published in Harwood's A set of hymns and psalm tunes: it is written in the style of a glee, and in the original publication is written for the most part for three voices (two trebles and bass), with a fourth (tenor) part being added for the last few bars only. It was, however, often arranged for the more usual four part-choir. The piece was very popular in the first half of the 19th century, being widely sung among Anglicans, Methodists and dissenters, and Lightwood noted in 1935 that it 'certainly had a long and prosperous run, and even now it is not quite extinct'. However, it was not always a great favourite with the clergy, whose objections were mainly to do with the text, which is not explicitly religious (also, it's a poem written by a Catholic, after the last words of the Emperor Hadrian).
--en.wikipedia.org/wik
Edward Harwood
Benjamin Francis
1734 - 1799 Author of "Ye objects of sense and enjoyments of time" in The Sacred Harp Francis, Benjamin , M.A., was born in Wales in 1734. He was baptized at the age of 15, and began to preach at 19. He studied at the Bristol Baptist College, and commenced his ministry at Sodbury. In 1757 he removed to Horsley (afterwards called Shortwood), in Gloucestershire. There he remained, through a happy and very successful ministry of 42 years, until his death in 1799. He was the author of many poetical compositions :—
(1) Conflagration, a Poem in Four Parts, (1770); (2) Elegies on the Deaths of the Revs. George Whitefield , Caleb Evans, Robert Day, and Joshua Thomas; (3) The Association, a Poem (1790); (4) a Poetical Address to the Stockbridge Indians (5) two satirical pieces on the Baptismal controversy; The Salopian Zealot; and The Oracle, the former passing through several editions and being reprinted in America.
Francis was the author of five hymns in Rippon's Selections, 1787, all of which are still in common use :—
1. Before Thy throne, eternal King . Meetings of Ministers: or Church Conferences.
2. Glory to the eternal King. Majesty of God. In Snepp's Songs of Grace & Glory for Private, Family and Public Worship, 1872.
3. In tweet [loud] exalted strains . Opening of a Place of Worship . This was given in Rippon, No. 338, in 6 st. of 6 1. with the note:—“Sung on opening the Meeting House at Horsley, Gloucestershire, [his Chapel,] September 18, 1774; and also at the opening of the New Meeting House, at Downend, near Bristol, October 4, 1786."This hymn is abbreviated in the Baptist Hymnal, 1879, to 4 stanzas, and begins with st. iii. which is altered to "Come, King of glory, come." No. 1020 in Spurgeon's Our Own Hymnbook is the same arrangement of stanzas altered by Mr. Spurgeon to "Great King of Zion, now." In several American hymnals it reads: "Great King of glory, come."
4. My gracious Redeemer, I love. The love of Christ to Men. In various collections.
5. Praise the Saviour, all ye nations . Offertory. In Snepp's Songs of Grace & Glory, 1872, No. 739, "With my substance I will honour," is a cento from this hymn.
6. Ye objects of sense and enjoyments of time . Death. A long hymn of 16 st. of 4 l. given in the new and improved edition of Rippon, 1837, No. 553, Pt. ii. with the heading, "The dying Christian bidding adieu to the world." This hymn had previously appeared in the Baptist Register, 1795.
It was as a writer of Welsh hymns, however, that Francis excelled. In 1774 he published his Alleluia, neu Hymnau perthynol i Addoliad Cyhoeddus (Hymns pertaining to Public Worship) To this he contributed 103 hymns. A second volume appeared in 1786, to which he contributed 91 hymns, being a total of 194 in all [D. Sedgwick’s Manuscript]. Of these many are still in common use in Wales, the most popular being:—
1. Clod i'r bendigedig Oen—-a oddefodd.
2. Deffro 'nghalon, deffro 'nghan—-i ddyrchafu.
3. Gwyn fyd y dyn a gred yn Nuw.
4. Arglwydd grasol, clyw fy nghri—-a'm griddfanau.
5. Wele gadarn sylfaen Sion.
[Rev. W. R. Stevenson, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
See also in:
Hymn Writers of the Church
Benjamin Francis
E. J. King
1821 - 1844 Arranger of "THE DYING CHRISTIAN" in The Sacred Harp Elisha J. King was the co-compiler (with B. F. White) of the fasola shape note tunebook The Sacred Harp, but died shortly after the volume was published.
E. J. King
