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Text Identifier:"^when_the_lord_turned_again_the_cap_chant$"

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Texts

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When the Lord turned again the captivity of Zion

Appears in 17 hymnals Used With Tune: [When the Lord turned again the captivity of Zion]

Tunes

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[When the Lord turned again the captivity of Zion] CAMIDGE

Appears in 19 hymnals Composer and/or Arranger: M. Camidge, 1758 - 1844 Tune Key: e minor Incipit: 12234 51765 54534 Used With Text: When the Lord turned again the captivity of Zion

TONUS PEREGRINUS

Appears in 18 hymnals Tune Key: e minor Incipit: 54654 34413 21 Used With Text: When the Lord turned again the captivity of Zion
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[When the Lord turned again the captivity of Zion]

Appears in 25 hymnals Composer and/or Arranger: J. Battishill Incipit: 15324 31271 Used With Text: In Convertendo

Instances

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Published text-tune combinations (hymns) from specific hymnals

When the Lord turned again the captivity of Zion

Hymnal: The Hymnary for use in Baptist churches #739c (1936) Topics: Prose Psalms Scripture: Psalm 126 Languages: English Tune Title: [When the Lord turned again the captivity of Zion] (Camidge)

When the Lord turned again the captivity of Zion

Hymnal: The Hymnary of the United Church of Canada #739c (1930) Topics: Prose Psalms Scripture: Psalm 126 Languages: English Tune Title: [When the Lord turned again the captivity of Zion] CAMIDGE
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When the Lord turned again the captivity of Zion

Hymnal: Hymns of Worship and Service #411 (1908) Languages: English Tune Title: [When the Lord turned again the captivity of Zion]

People

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: S.S. Wesley, 1810-1876 Composer of "[When the Lord turned again the captivity of Zion]" in The Hymnary for use in Baptist churches Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

John Goss

1800 - 1880 Person Name: Sir John Goss Composer of "[When the Lord turned again the captivity of Zion]" in The American Hymnal for Chapel Service John Goss (b. Fareham, Hampshire, England, 1800; d. London, England, 1880). As a boy Goss was a chorister at the Chapel Royal and later sang in the opera chorus of the Covent Garden Theater. He was a professor of music at the Royal Academy of Music (1827-1874) and organist of St. Paul Cathedral, London (1838-1872); in both positions he exerted significant influence on the reform of British cathedral music. Goss published Parochial Psalmody (1826) and Chants, Ancient and Modern (1841); he edited William Mercer's Church Psalter and Hymn Book (1854). With James Turle he published a two-volume collection of anthems and Anglican service music (1854). Bert Polman

Matthew Camidge

1764 - 1844 Person Name: M. Camidge, 1758 - 1844 Composer of "[When the Lord turned again the captivity of Zion] (Camidge)" in The Hymnary for use in Baptist churches Matthew Camidge (25 May 1758 - 23 Oct 1844 in York) was a well-known local musician in Northern England, famous for his organ playing and conducting oratorios. His compositions are solid in craftsmanship though quite conservative. He was the son of John Camdige,who was also an organist and composer and Elizabeth Camidge. After some time as a chorister of the Chapel Royal under James Nares, Matthew returned to York where he lived the rest of his life. He served as his father's assistant and in 1799 he succeeded his father as organist of York Minster. He played an active part in the musical life of York, appearing as a soloist in piano and organ concertos and promoting music festivals in York Minster. After Matthew retired in 1842, his son, John Camidge, succeeded him as organist. Matthew Camidge was known for his brilliant organ improvisations. He organized huge music festivals given at York in 1823, 1825, and later. As a violinist, he led the orchestra of the York Musical Society. He contributed 30 excellent hymn tunes for William Richardson's Collection of Psalms, which in later editions became widely known as The York Psalm and Hymn Book. It is likely that Camidge introduced the practice of psalm chanting to St Michael-le-Belfrey, his other church job, which he obtained in 1801. Matthew Camidge published works of practical material written for his work as a church musician and teacher as well as anthems and service settings in Cathedral Music, Hymn and psalm tunes, an edition of Henry Lawes' Psalmody for a single voice, Instructions for the Piano forte or Harpsichord and some songs. From Camidge family wiki (https://en.m.wikipedia.org/wiki/Camidge_family), Creative Commons License
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