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Text Identifier:"^when_in_the_night_i_meditate$"

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When in the Night I Meditate

Meter: 8.6.8.6 Appears in 15 hymnals

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MAITLAND

Appears in 640 hymnals Composer and/or Arranger: George N. Allen Tune Key: G Major Incipit: 34551 32161 65513 Used With Text: When in the Night I Meditate
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ST. FLAVIAN

Meter: 8.6.8.6 Appears in 290 hymnals Tune Sources: Day's Psalter, 1562 Tune Key: F Major Incipit: 11713 22114 31233 Used With Text: When in the Night I Meditate
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ST. PETER

Meter: 8.6.8.6 Appears in 707 hymnals Composer and/or Arranger: Alexander Robert Reinagle Tune Key: D Major Incipit: 51765 54332 14323 Used With Text: When in the Night I Meditate

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When in the Night I Meditate

Hymnal: Psalms for All Seasons #16A (2012) First Line: When in the night I meditate Lyrics: 1 When in the night I meditate on mercies multiplied, my grateful heart inspires my tongue to bless the LORD, my guide. 2 Forever in my thought the LORD before my face shall stand; secure, unmoved, I shall remain, with God at my right hand. 3 My inmost being thrills with joy and gladness fills my breast; because on him my trust is stayed, my flesh in hope shall rest. 4 I know that I shall not be left forgotten in the grave, and from corruption, thou, O LORD, thy holy one will save. 5 The path of life thou showest me; of joy a boundless store is ever found at thy right hand, and pleasures evermore. Topics: Church Year Advent; Church Year Easter; Comfort and Encouragement; Daily Prayer Night Prayer; Darkness; Disciples / Calling; Discipleship; Elements of Worship Baptism; Elements of Worship Lord's Supper; Eternal Life; Fear; God Light from; God as Refuge; God as Guide; God's Presence; God's Way; Hope; Life Stages Death; Longing for God; Salvation; Trust; Year A, B, C, Easter, Easter vigil; Year A, Easter, 2nd Sunday; Year B, Ordinary Time after Pentecost, November 13-19; Year C, Ordinary Time after Pentecost, June 26-July 2 Scripture: Psalm 16 Tune Title: MAITLAND
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When in the Night I Meditate

Hymnal: Psalms and Hymns to the Living God #16 (2023) Meter: 8.6.8.6 Lyrics: 1 When in the night I meditate on mercies multiplied, my grateful heart inspires my tongue to bless the Lord, my Guide. 2 Forever in my thought the LORD before my face shall stand; secure, unmoved, I shall remain, with Him at my right hand. 3 My inmost being thrills with joy and gladness fills my breast; because on Him my trust is stayed, my flesh in hope shall rest. 4 I know that I shall not be left forgotten in the grave, and from corruption, Thou, O LORD, Thy holy one wilt save. 5 The path of life Thou showest me; of joy a boundless store is ever found at Thy right hand, and pleasures evermore. Topics: Thanksgiving Scripture: Psalm 16 Languages: English Tune Title: ST. PETER
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When in the Night I Meditate

Hymnal: Psalms of Grace #16c (2022) Lyrics: 1 When in the night I meditate on mercies multiplied, my grateful heart inspires my tongue to bless the LORD, my guide. 2 Forever in my thought, the LORD before my face shall stand; secure, unmoved, I shall remain with Him at my right hand. 3 My inmost being thrills with joy, and gladness fills my breast; because on Him my trust is stayed, my flesh in hope shall rest. 4 I know that I shall not be left forgotten in the grave, that from corruption, Thou, O LORD, Thy holy one wilt save. 5 The path of life Thou showest me; of joy a boundless store is ever found at Thy right hand, and pleasures evermore. Scripture: Psalm 16 Languages: English Tune Title: MAITLAND

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Alexander Robert Reinagle

1799 - 1877 Composer of "ST. PETER" in Psalms and Hymns to the Living God Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

James McGranahan

1840 - 1907 Composer of "[When in the night I meditate]" in Bible Songs No. 4 James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry

George Nelson Allen

1812 - 1877 Person Name: George N. Allen Composer of "MAITLAND" in Psalter Hymnal (Blue) George Nelson Allen (1812-1871), studied at Western Reserve Academy in Hudson, Oh OH and with Lowell Mason in Boston. Allen gave a strong musical foundation to Oberlin College in its earliest years; in addition to being Professor of Music he also served as Professor of Geology and Natural History, Secretary and Treasurer. In 1835 he compiled The Oberlin Social and Sabbath Hymn Book, in which appeared his most well known tune MAITLAND (also known as CROSS AND CROWN or WESTERN MELODY) with the text "Must Jesus bear the cross alone?". This was adapted by Thomas A. Dorsey in 1938 for his hymn "Precious Lord, take my hand". hand." He composed anthems and wrote some additional music for Isaac Woodbury's Oratorio "Absalom." He compiled a small 3" x 4" hymnal that every student should keep in his pocket that went through several printings. Mary Louise VanDyke
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