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Text Identifier:"^when_in_the_lord_jehovahs_name$"

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When in the Lord Jehovah's name

Author: The Very Rev. Henry Alford, D. D. (1810-1871) Appears in 16 hymnals Used With Tune: PACKER

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BADEN

Appears in 158 hymnals Composer and/or Arranger: Johann Sebastian Bach (1655-1750) Incipit: 51234 54365 43321 Used With Text: When in the Lord Jehovah's name
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[When in the Lord Jehovah's Name]

Meter: 8.8.8.8.7 Appears in 2 hymnals Composer and/or Arranger: J. W. Elliott Tune Key: A Major Incipit: 52716 54556 71236 Used With Text: When in the Lord Jehovah's Name
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[When in the Lord Jehovah's Name]

Meter: 8.8.8.8.7 Appears in 1 hymnal Composer and/or Arranger: Geo. Wm. Warren, Mus. Doc. Tune Key: G Major Incipit: 11115 12333 21234 Used With Text: When in the Lord Jehovah's Name

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Published text-tune combinations (hymns) from specific hymnals
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When in the Lord Jehovah's Name

Author: Dean Alford Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #557a (1894) Meter: 8.8.8.8.7 Lyrics: 1 When in the Lord Jehovah's Name, The Saviour lowly riding came, Loudest and first an infant throng Greeted His coming with their song. Hosanna in the highest! 2 We too are taught to know the Lord, To fear His Name, to read His Word; And though we simple are and young, Can praise Him with our joyful song, Hosanna in the highest! Soon shall the Lord again pass by to judgment from His throne on high; And from the saints' assembled throng Shall burst upon the world the song, Hosanna in the highest! Then may our youthful band be found With coronals of triumph crowned; Raising, the heavenly hosts among, Our chorus of eternal song, Hosanna in the highest! Amen. Topics: For Children Languages: English Tune Title: [When in the Lord Jehovah's Name]
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When in the Lord Jehovah's Name

Author: Dean Alford Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #557b (1894) Meter: 8.8.8.8.7 Lyrics: 1 When in the Lord Jehovah's Name, The Saviour lowly riding came, Loudest and first an infant throng Greeted His coming with their song. Hosanna in the highest! 2 We too are taught to know the Lord, To fear His Name, to read His Word; And though we simple are and young, Can praise Him with our joyful song, Hosanna in the highest! Soon shall the Lord again pass by to judgment from His throne on high; And from the saints' assembled throng Shall burst upon the world the song, Hosanna in the highest! Then may our youthful band be found With coronals of triumph crowned; Raising, the heavenly hosts among, Our chorus of eternal song, Hosanna in the highest! Amen. Topics: For Children Languages: English Tune Title: [When in the Lord Jehovah's Name]
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When in the Lord Jehovah's Name

Author: Henry Alford Hymnal: Gloria Deo #683 (1901) Meter: 8.8.8.8.7 Refrain First Line: Hosanna, hosanna, hosanna in the highest Lyrics: 1 When in the Lord Jehovah’s Name, The Saviour lowly riding came, Loudest and first an infant throng Greeted His coming with their song, Hosanna, hosanna, hosanna in the highest! 2 We too are taught to know the Lord, To fear His Name, to read His Word; And though we simple are and young, Can praise Him with our joyful song, Hosanna, hosanna, hosanna in the highest! 3 Soon shall the Lord again pass by To judgment from His throne on high; And from the saints’ assembled throng Shall burst upon the world the song, Hosanna, hosanna, hosanna in the highest! 4 Then may our youthful band be found With coronals of triumph crowned; Raising the heavenly hosts among, Our chorus of eternal song, Hosanna, hosanna, hosanna in the highest! Topics: Children's Services Languages: English Tune Title: PALMS

People

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Authors, composers, editors, etc.

George William Warren

1828 - 1902 Person Name: Geo. Wm. Warren, Mus. Doc. Composer of "[When in the Lord Jehovah's Name]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 George W. Warren (b. Albany, NY, 1828; d. New York, 1902) received his general education at Racine College in Wisconsin, but as a musician he was largely self-trained. An organist in a number of Episcopal churches, he played the organ for thirty years (1870-1900) at St. Thomas Church in New York City. Warren composed anthems and liturgical service music; his hymn tunes were collected in Warren's Hymns and Tunes as Sung in St. Thomas Church (1888). Bert Polman

J. W. Elliott

1833 - 1915 Composer of "[When in the Lord Jehovah's Name]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 J.W. Elliott was a popular composer of the Victorian period, and is best known for his nursery rhyme music and for his work on hymnals in the 1870s. He was born James William Elliott, in Warwick, England, on February 13, 1833. As a child, he sang as a chorister in the Leamington Parish Church. In those days, choristers were given lessons in all facets of church music, including organ lessons, counterpoint studies, and more in exchange for providing an extraordinary level of service to their parish church (services throughout the week, all holidays, extra services, etc.). The result is that most choristers who completed their studies received an excellent music education, and James was no exception. After starting his career as an organist and choirmaster for a countryside church, his talent became obvious. He moved to London, where he assisted Sir Arthur Sullivan (of Gilbert and Sullivan fame) in editing Church Hymns. In addition, James worked for a music publisher. His compositions include two operettas, numerous anthems, service music, works for instruments including the very popular harmonium, and most particularly for Nursery Rhymes and Nursery Songs, his children’s music score that sets many of the Nursery Rhymes to delightful music. Several of his hymn tunes are still in use today in many hymnals, most notably his hymn tune “Day of Rest.” He was heavily involved in the preparation of the musical edition of Church Hymns in 1874, the Choral Service Book of 1892, and transcriptions of hymn tunes using harmonies different than the traditional ones found in hymnals. He died in St. Marylebone, London, on February 5, 1915. --www.nursery-songs.com/

Johann Sebastian Bach

1685 - 1750 Person Name: Johann Sebastian Bach (1655-1750) Composer of "BADEN" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)
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