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Text Identifier:"^weeping_endures_but_for_a_night$"

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MELCOMBE

Appears in 398 hymnals Composer and/or Arranger: S. Webbe Tune Key: E Flat Major Incipit: 55432 16551 76554 Used With Text: Weeping endures but for a night

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Weeping Endures But for a Night

Author: Annie R. Smith Hymnal: The Church Hymnal #312 (1941) Meter: 8.8.8.8 Topics: The Christian Life Joy or Peace Languages: English Tune Title: MELCOMBE
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Weeping endures but for a night

Author: Annie R. Smith Hymnal: The Seventh-Day Adventist Hymn and Tune Book #692 (1886) Lyrics: 1 Weeping endures but for a night, Joy cometh with the morning light; Joy cometh of celestial birth, Unsullied by the blight of earth. 2 Joy comes each faithful heart to thrill, That fears of change no more will chill; Transporting joy, that fills the soul While everlasting ages roll. 3 Then, mourning pilgrim, upward gaze; Beyond this dark and thorny maze A joy for every tear is found, A healing balm for every wound. 4 No sorrow there shall dim the eye, No wintry winds or storms are nigh, No sighs borne on the fragrant air; But all shall in the glory share. 5 Awake, for lo, not distant far, The rising of the Morning Star; O watch to catch the new-born ray That ushers in a cloudless day. 6 Hail! glorious morn, whose radiant light Shall bid the darkness take its flight; Shall chase the shades of gloom away, And night be turned to endless day. Topics: The Christian Comfort and Encouragement Tune Title: MELCOMBE
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Weeping endures but for a night

Hymnal: Hymns and Tunes #273 (1876) Languages: English

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Annie Rebekah Smith

1828 - 1855 Person Name: Annie R. Smith Author of "Weeping endures but for a night" in The Seventh-Day Adventist Hymn and Tune Book

Samuel Webbe

1740 - 1816 Person Name: S. Webbe Composer of "MELCOMBE" in The Church Hymnal Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinet­maker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprentice­ship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman
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