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Will You Meet Me Over There?
Author: Anon. Appears in 4 hymnals First Line: We shall meet no more to sever Refrain First Line: Over there, will you meet me Used With Tune: [We shall meet no more to sever]
Will You Meet Me Over There?
[We shall meet no more to sever]
Appears in 2 hymnals Composer and/or Arranger: I. Baltzell Incipit: 32111 13321 22344 Used With Text: Will You Meet Me Over There?
[We shall meet no more to sever]
[We shall meet no more to sever, over there]
Appears in 1 hymnal Composer and/or Arranger: Chas. H. Gabriel Incipit: 12333 32136 51233 Used With Text: Will You Meet Me?
[We shall meet no more to sever, over there]
Will You Meet Me Over There?
Author: Anon. Hymnal: Notes of Triumph #43 (1886) First Line: We shall meet no more to sever Refrain First Line: Over there, will you meet me Topics: Heaven Languages: English Tune Title: [We shall meet no more to sever]
Will You Meet Me Over There?
Will You Meet Me Over There?
Author: Anon. Hymnal: Notes of Triumph #43 (1891) First Line: We shall meet no more to sever Refrain First Line: Over there, will you meet me Languages: English Tune Title: [We shall meet no more to sever]
Will You Meet Me Over There?
Will You Meet Me?
Author: J. P. Moon Hymnal: Message of Victory #66 (1918) First Line: We shall meet no more to sever, over there Refrain First Line: Over there, over there Languages: English Tune Title: [We shall meet no more to sever, over there]
Will You Meet Me?
Anonymous
Person Name: Anon. Author of "Will You Meet Me Over There?" in Notes of Triumph In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Chas. H. Gabriel
1856 - 1932 Composer of "[We shall meet no more to sever, over there]" in Message of Victory Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree
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For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday-Homer Rodeheaver urban crusades.
Bert Polman
Chas. H. Gabriel
