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Text Identifier:"^we_lay_us_calmly_down_to_sleep$"

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[We lay us calmly down to sleep]

Appears in 11 hymnals Composer and/or Arranger: Schumann Tune Sources: "Traumerei" Tune Key: E Flat Major Incipit: 51713 51176 51234 Used With Text: We Lay Us Down to Sleep

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We Lay Us Down to Sleep

Author: Anon. Hymnal: Christ in Song #686 (1908) First Line: We lay us calmly down to sleep Lyrics: 1 We lay us calmly down to sleep When friendly night is come, and leave To God the rest; Whether we wake to smile or weep, Or wake no more on time's fair shore, He knoweth best, He knoweth best. O Father, us in safety keep! We lay us down to sleep. 2 As sinks the sun in western skies When day is done, and twilight dim Comes silent on, So fades the world's most luring prize On eyes that close in deep repose Till wakes the dawn, Till wakes the dawn. O Father, us in safety keep! We lay us down to sleep. 3 Why vex our souls with wearing care? Why shun the grave, for aching head So cool and low? Have we found life so passing fair, So grand to be, so sweet that we Should dread to go? Should dread to go? O Father, us in safety keep! We lay us down to sleep. 4 Some other hand the task can take, If so it seemeth best, the task By us begun; No work for which we need to wake In joy or grief, for life so brief, Beneath the sun, Beneath the sun. O Father, us in safety keep! We lay us down to sleep. Topics: Special Occasions Funeral Hymns; Special Selections Choir or Quartet Languages: English Tune Title: [We lay us calmly down to sleep]
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We lay us calmly down to sleep

Author: Anon. Hymnal: The Seventh-Day Adventist Hymn and Tune Book #1393 (1886) Lyrics: 1 We lay us calmly down to sleep When friendly night is come, and leave To God the rest; Whether we wake to smile or weep, Or wake no more on time's fair shore, He knoweth best, He knoweth best. Refrain: O Father, bless in love thy child! We lay us down to sleep. 2 As sinks the sun in western skies When day is done, and twilight dim Comes silent on, So fades the world's most luring prize On eyes that close in deep repose Till wakes the dawn, Till wakes the dawn. [Refrain] 3 Why vex our souls with wearing care? Why shun the grave, for aching head So cool and low? Have we found life so passing fair, So grand to be, so sweet that we Should dread to go? Should dread to go? [Refrain] 4 Some other hand the task can take, If so it seemeth best, the task By us begun; No work for which we need to wake In joy or grief, for life so brief, Beneath the sun, Beneath the sun. [Refrain] Topics: Bible Songs Special Selections Scripture: Psalm 37:8 Tune Title: WE LAY US DOWN TO SLEEP
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We Lay Us Down to Sleep

Hymnal: The Chapel Hymnal #96 (1899) First Line: We lay us calmly down to sleep Refrain First Line: O Father, bless in love thy child! Languages: English Tune Title: [We lay us calmly down to sleep]

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Anonymous

Person Name: Anon. Author of "We lay us calmly down to sleep" in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Robert Schumann

1810 - 1856 Person Name: Schumann Arranger of "[We lay us calmly down to sleep]" in Christ in Song Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry
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