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Text Identifier:"^voz_de_amor_y_de_clemencia$"

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Voz de Amor y Clemencia

Author: anónimo Appears in 10 hymnals First Line: Voz de amor y de clemencia Used With Tune: CORONAE

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HIMNO SICILIANO

Appears in 619 hymnals Tune Key: E Major Incipit: 56543 45654 35567 Used With Text: Voz de amor y de clemencia
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CORONAE

Appears in 113 hymnals Composer and/or Arranger: William H. Monk, 1823-1889 Tune Key: F Major or modal Incipit: 33551 13367 12352 Used With Text: Voz de Amor y Clemencia
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SAINT AUSTIN

Appears in 32 hymnals Tune Sources: "Tonus peregrinus" (Arr. 1876) Tune Key: d minor Incipit: 55546 54344 41321 Used With Text: Voz de amor y de clemencia

Instances

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Voz de amor y de clemencia

Author: J. B. Cabrera Hymnal: Himnario Cristiano para uso de las Iglesias Evangélicas #51 (1908) Languages: Spanish Tune Title: [Voz de amor y de clemencia]
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Voz de amor y de clemencia

Author: Juan Bautista Cabrera, 1837-1916; Jonathan Evans, 1748-1809 Hymnal: Culto Cristiano #68 (1964) Lyrics: 1 Voz de amor y de clemencia En el Gólgota sonó, Y al oírla, con violencia El calvario retembló. "Consumado es," Fue la voz que Cristo dio. 2 Voz de escario, de ironía, Vil pronuncia el hombre audaz, Mientras Cristo en su agonía Hace al sol nublar su faz. "Consumado es," Fue la voz del Dios veraz. 3 Entre angustias y dolores Sin amparo se encontró El Señor de los señores, El que al débil amparó. "Consumado es," Y su espíritu entregó. 4 Ya el infierno está vencido, Y la muerte es sin horror Para el hombre redimido Que confía en su Señor. "Consumado es" El rescate del amor. Topics: El Año Cristiano Viernes Santo; Muerte; Christian Year Good Friday; Death Languages: Spanish Tune Title: SAINT AUSTIN

Voz de Amor y Clemencia

Author: anónimo Hymnal: Cántico Nuevo #108 (1962) First Line: Voz de amor y de clemencia Languages: Spanish Tune Title: CORONAE

People

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Anonymous

Person Name: anónimo Author of "Voz de Amor y Clemencia" in Cántico Nuevo In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William Henry Monk

1823 - 1889 Person Name: William H. Monk, 1823-1889 Composer of "CORONAE" in Cántico Nuevo William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Translator of "Voz de amor y de clemencia" in Himnario de la Iglesia Metodista Episcopal Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)
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